Category Archives: self-publishing

General Advice for Self-Publishers

Note: I originally wrote this article for this post. I’m republishing here because I should have my best articles on my own site, and this particular article summarizes each resource I’ve found helpful in my rediscovery of my self-publishing journey since 2016. If you’re reading this, I hope you get a lot of useful information out of it:

Please note that this presentation is not extensive. Consider this a starting point for additional research.

One-Stop Shops:

If you want a one-stop shop for setting up a self-publishing business (and by business, I mean setting up a brand that you might apply to future books), I find The Complete Guide to Self-Publishing quite useful, though the most recent edition is going on ten years old now. There are newer and perhaps more relevant resources available, but this is the only book I know of that combines just about everything that’s important in self-publishing into one source. It’s a dense book, though. I still haven’t read all of it, and I’ve had a copy of it for years.

If you want free information and don’t mind going down the rabbit hole (and possibly into a black hole) a bit, I’d recommend subscribing to or at least bookmarking a website called The Book Designer. It posts topical articles about book design or marketing on Mondays and Thursdays and links to other resources for design, marketing, and writing craft on Sundays. If you have the time to dig into the last few months’ worth of posts (and all of the ones they link to), you’ll get a sense of where the trends are today, but even then, there are some gems dating back several years that are worth looking at. Get a mug of coffee and plan to spend a lot of time scouring the site for information if you choose to dive in.

Other Resources:

-Interior and Cover Design-

The Book Designer also has its own paperback called The Book Blueprint, which covers much of the technical elements behind crafting a print book. It’s especially useful for showing you what to include in the front and back matters of a book, as well as what you should consider putting on the cover. Important resource if you care about how professional your book appears to readers.

-Registration-

Register Your Book: The Essential Guide to ISBNs, Barcodes, Copyright, and LCCNs is about what the title says. It’s a short book that includes updated registration information for 2019, as well as tips for launching your brand effectively the first time. I think The Complete Guide to Self-Publishing covers a good chunk of this, too, so it may be redundant to get this book if you get that one. However, this book is entirely about registrations, whereas the former book is about everything self-publishing, with registration being a small part of the content. It’s worth using the “Look Inside” feature to see which one you like better. But I can say that this one is more accessible given its focus, hence why I’m adding it to the list. The author has another book about creating your own imprint if you find that’s useful (The Complete Guide to Self-Publishing also provides information for that if I remember correctly).

Regarding ISBNs, everyone agrees that it’s better to buy your own ISBNs from Bowker than it is to use the freebies supplied by the distributors, as the ones you buy will have your imprint’s name as the publisher, whereas the freebies will have the distributor’s name as the publisher. Register Your Book talks more about that, but it’s important enough to reiterate it here. Likewise, no one thinks buying a single ISBN is worth the money. You should get, at the very least, a pack of ten. I plan to get a pack of 100 if I can ever manage to save up for it.

Note: You don’t need an ISBN if you plan to release your book on Amazon only. Amazon uses its own identification system called ASIN. But you should get an ISBN if you plan to release it anywhere else, and if you plan to produce it in more than one format (the rule is that every edition and every format has its own ISBN).

-Legal Information-

Self-Publisher’s Legal Handbook is an essential book for the bookshelf, in my opinion. It reminds you of all of the ways you can violate copyright law if you aren’t careful. I wouldn’t publish anything until you’ve read through it. It wouldn’t hurt to retain a literary lawyer while you’re at it, though I think you’ll find that they’re more important when you’re writing nonfiction. The book also covers topics like working with freelancers and the legal advantages of forming your own LLC. It’s a must-own.

-E-book Formatting and Distribution-

Amazon KDP and Smashwords both have onsite guides that can show you how to format your books for e-readers. If you plan to use either of their services (and you probably should), you’ll want to take the time to read their guides or watch YouTube videos that can show you how to format e-books for each service properly. In my experience, I’ve found Amazon much easier to use overall, but Smashwords is more flexible with fixing mistakes on the fly.

It’s worth noting that a third site, Draft2Digital, has better formatting options than Smashwords, can reach many of the same stores as Smashwords (Barnes & Noble, Apple, Rakuten Kobo), and has a sister service called Books2Read that you can use to populate all of your storefronts into a single landing page. I’d recommend using both services, as both can reach certain stores and wholesalers that the other can’t. But for the shops that both distributors can reach, you’d likely be happier linking them through Draft2Digital given Smashwords’s limited formatting options (or, if you want to maximize your royalty potential, then uploading them direct to each shop might be the best option). Check the royalty rates at each shop before committing, though.

It should be noted, however, that you don’t have to use Draft2Digital to use Books2Read. In fact, it’s not technically designed for authors but for readers who want to populate shortcuts to their favorite storefronts where they can buy e-books. Authors use it, however, to make it easier for readers to purchase their books from whichever retailer they prefer. It certainly makes it easier to manage your links if you use it.

Distribution Note: If you decide to use both Smashwords and Draft2Digital, make sure you check only the boxes that you want each distributor to ship to. In other words, if you want Draft2Digital to be your e-book distributor to Barnes & Noble, then do not tick the Barnes & Noble box at Smashwords. Only one distributor should ship to a particular storefront at a time.

Formatting Tip: E-books are called “websites in a box.” You can technically format an .epub3 file using HTML if you really want tight control of your book’s presentation. Here’s an article that shows you how to do that. You don’t have to do it this way, though. Amazon, Smashwords, and Draft2Digital all allow you to upload simpler documents straight out of Microsoft Word if you want. That’s how I create all of my e-books. But, of the three, Smashwords is the only one that makes people angry. (It’s easy to use once you know what you’re doing though.)

Important Note: Amazon KDP has a service called KDP Select. DO NOT enroll your e-book in that program if you plan to go wide (as in selling it on Barnes & Noble, Apple, Hamster Republic, etc.). It requires a 90-day worldwide exclusivity on your selected e-book title, and obligates you to the platform until the term expires (assuming you back out before it enrolls you in a new term). Its page-reads system works similar to Wattpad but, unlike Wattpad, pays you according to page reads and sales. And, while I believe the payment on actual sales is the same as it is on regular KDP, I’ve heard that it pays authors by the page a little worse each year. Payment comes out of a shared annual fund, so if J.K. Rowling ever decides to write a new Harry Potter book and makes it exclusive on KDP Select, everyone else is screwed. That said, it’s fine if you plan to keep the e-book on Amazon only (and no one pirates it and posts it elsewhere). Really, though, it’s better not to enroll any of your books in KDP Select, not anymore. Too much can and has gone wrong for authors, and some authors have even discovered that Amazon can become a bit like Henry VIII if they don’t play exactly by their draconian rules when enrolling in the program. Fortunately, if you do enroll, KDP Select doesn’t affect your paperbacks or hardcovers. Only your e-books, and only the ones that you specifically enroll. But given how Amazon changes its rules and algorithms constantly, I can’t say for sure that this will always be true. Just do your research before making a firm decision to enroll or not to enroll.

-Paperback Distribution-

The online guides will reiterate this, but you’ll want to use KDP for paperbacks sold at Amazon, and IngramSpark for paperbacks sold everywhere else. Amazon has great pricing on its own site and terrible pricing for its extended distribution. IngramSpark has better pricing systems for non-Amazon book sellers and is the standard for outside-Amazon distribution. It also costs money to use, including charging fees for uploading fixes, so you’ll want to make sure your book is set in stone the first time you upload. NaNoWriMo participants get some of those fees waived if they take advantage of the discount by March, however.

You should know that IngramSpark is your only option for getting paperbacks into brick and mortar stores. But that’s its own can of worms, too complicated to talk about here.

-Prep-

Books, websites, and YouTube AuthorTube channels all agree that you should never put a book on the market until your manuscript is solid (complete with beta reads, editor fixes, and proofreader fixes), has a genre-appropriate, eye-catching cover (front, back, and spine if you plan to do a paperback or hardcover), strong copy, and a tribe of followers wanting to read it.

You’ll want to hire professional editors and cover designers (and maybe interior designers if you don’t have the time to learn it yourself) who know what they’re doing if you want the book to get into stellar shape. Neither is cheap, but both should at least be cost-effective. Good editing will likely cost between $1,000 and $2,000, depending on the size of your book (60,000 words will probably land you around $1,500). But you can drive that cost down if you give the editor a manuscript that’s already in great shape. Good genre-appropriate cover design will likely cost no less than $300. Anything less and you may want to see samples or a portfolio to be sure you’re not getting scammed.

There are a number of sites you could check out for these professionals, but Reedsy has some of the best for the price. Nevertheless, I’d do extensive research on any designer or editor you’re considering before pressing the big green button on them. They say the biggest editing and design costs are the ones where the editor or designer gets it wrong.

Regarding the true cost of self-publishing, I like this video’s breakdown of the numbers the most.

Regarding store page setup and discoverability, if you want a good Amazon keyword checker for marketing purposes, or for deciding how to categorize your book, I’d recommend checking out Kindlepreneur and its flagship software, Publisher Rocket. The software helps with determining which of your book’s keywords are the most-searched and comes with the lowest competition. It also tells you how much each of your competitors’ books makes a month. The website has some great resource articles, too.

-Craft Support-

I could post a lengthy thread on crafting tips, but for the sake of brevity, I’ll say this. Writers Helping Writers has a wealth of helpful articles, thesauri, and resources worth looking into, including its flagship service, One Stop for Writers, which really should be explored if you have some time.

You may also want to look into self-editing resource, ProWritingAid, and crafting aid, Master Writer, if your budget isn’t too tight.

At some point, I’d like to write up a separate post about the topic of writing craft and development and list my favorite resources on the topic. Craft is the one thing above all else that really needs the most attention. But, this post is already too long to start listing my favorites here. Stay tuned.

-Online Courses, Marketing, Self-Editing, etc.-

I’ve spent a good chunk of 2016 and 2017 attending free webinars and receiving email blasts about “premium courses” for marketing and craft, usually priced at $#97. I actually bought two of these courses for $497 and $197 respectively a few years ago (on monthly payment plans which actually cost me closer to $800 ultimately) and thought they were fine. However, just about everything I learned in these premium courses can also be learned in a book called Sell Your Book Like Wildfire, and that’s true of nearly any premium course you might get solicited if you go down the rabbit hole. In short, unless you’re getting advice from a titan in the industry (like James Patterson, Lee Child, or George R.R. Martin), you won’t need to spend more than $75 on any one course (or $90 if you’re a user of Master Class). Anything more and you’re probably throwing your money away.

Possible Exception: Sometimes Writer’s Digest may offer a decent course taught by a reputable author/instructor for the price and format of a college class. I haven’t taken any of these classes, so I can’t vouch for their quality, but I know of at least one Writer’s Digest author whose book is very good who also teaches for Writer’s Digest University. The same author who wrote Sell Your Book Like Wildfire. Might be worth it if you have the money to spare. Let me know if you check any of them out.

Marketing is its own beast, and it really deserves some time to research, but the common response to effective marketing is to build trust, create high-quality material, and play the long game (meaning, write more books). I particularly like this book on that topic. I actually like the author of the book quite a bit, too. Here’s her website. Side Note: I watched one of her on-demand crafting courses over the Christmas break and learned stuff I hadn’t learned anywhere else. I don’t typically advise paying for information you can likely find on YouTube, but I do recommend checking out her classes (if her other courses are anything like the one I watched). Her style is casual but thorough and includes props. Take lots of notes.

Regarding self-editing, I like The Story Grid a lot. The book is a brick, but it gets you thinking about things you probably didn’t know you needed to consider. It’s another one for the bookshelf.

Solicitations:

If anyone calls you about representing your manuscript, hang up and run away. It’s probably a scam. Writer Beware is a watchdog service that reports publishing scams, and you should really consult them before agreeing to anything you didn’t seek out yourself. I’ve had one of these scam publishers contact me about Superheroes Anonymous: A Modern-day Fantasy, Year Two a couple of years ago, telling me they wanted to represent it in their catalogue (for a small fee). I kept asking them why they wanted that one and not Cannonball City: A Modern-day Fantasy, Year One instead. They never gave me an answer. They just really wanted the second book (for a small fee). Anyway, they made Writer Beware’s list a few months later, and I haven’t heard from them since (though the woman who called me, under one name, called me again a few months later, with a different name and for a new company). Just hang up if they call. And, no, I don’t know how they got my house phone number.

Finally:

I could keep going, but the most essential thing here is to make sure you have a product that readers want to buy (and read). So, if you’re lacking in any crafting considerations (structure, genre expectations, narrative weight, proper scene development, etc.) or presentation (appropriate cover and title design, copy, author bio and photo, etc.), then I would keep working at it until the whole package is sufficient. I spent the better part of a year self-publishing old stories as new e-books in 2015 and 2016 (after some general edits) and had a shockingly lackluster reader response to them. In short, I’ve made about $10 across all of my titles. You’ll really want to take the time to get it right before you publish any of your books. It’s a pain to go back and fix things after they’ve gone public, including your author brand. My goal for the next couple of years is to reset and launch my books properly. You should do the same before you find yourself having to reset.

Let me know if you have any questions.

Cover Image: Pixabay

Now Incorporating Draft2Digital and the Books2Read Platform

Remember when I had exciting news last week about my various book updates? Well, now I have even more exciting news to share with you!

And when I say exciting, I mean exciting for book nerds! The rest of you probably won’t care that much.

A few nights ago, I began porting my recently updated e-books to the Draft2Digital platform. For those who don’t know Draft2Digital, it’s a distribution platform like Smashwords, but much nicer looking and reaches a few international markets that Smashwords doesn’t yet reach, specifically !ndigo (Canada), Angus & Robertson (Australia), and Mondadori Store (Italy). Pretty much all of Rakuten Kobo’s international partners. It also connects to subscription services 24 Symbols and Playster, but as of this writing, these platforms have not yet received my books. Soon. Hopefully. Maybe.

I’ve spent a couple of evenings modifying and uploading six of my current e-books to the Draft2Digital platform, and the result is that these e-book versions are the most attractive yet.

Draft2Digital Amusement InteriorDraft2Digital Waterfall Junction Interior

Now, I haven’t yet ported them to the usual retailers (Apple, Barnes & Noble, Kobo) because they’re already opted-in through Smashwords, and to get them connected through Draft2Digital, I’d have to opt them out first, which could mess up their rankings (especially since they’d be listed under a new ISBN). Not sure I want to go through all of that, so for now, this update is limited to the newer storefronts. But I may test the new format with my next release (Snow in Miami).

But, that’s not even the best news. The best news is that my books now use the Books2Read platform to connect readers to all relevant storefronts. That means one link can take you to a hub where all active storefronts are listed.

Check out the link to Eleven Miles from Home for an example.

Books2Read also has a sign-up option for readers to receive notifications every time I submit a new release. It’s a mailing list without all of the fluff! Now you don’t have to miss a single story! (And why would you even want to?) If you haven’t yet used Books2Read, as an author or a reader, you’re missing out. It’s really convenient.

Oh, and if you check out my new Draft2Digital author page, you can also see which books are in the system. See how nice it looks? Yep, it’s a booty! Er, beauty.

It’s also worth noting that I’ve updated the description pages for each of these books right here on Drinking Cafe Latte at 1pm. The description pages now include the abovementioned universal links and relevant descriptive information including genre, literary style, characters, settings, store descriptions, formats, copyrights, book reading stats, prices, media galleries, and links to Wattpad samples and Goodreads reviews. If you’re still not sure whether you want to read these books, hopefully the new description pages will make your decision easier.

The books that currently apply the new format are Amusement, Eleven Miles from Home, The Fountain of Truth, Gutter Child, Waterfall Junction and The Narrow Bridge, and When Cellphones Make Us Crazy. During the month of August (and maybe September), I’ll be working on getting Cards in the Cloak, Shell Out, and The Fallen Footwear up to speed. Subscribe to the Draft2Digital email alerts to find out when they’re live.

And that’s all for now. Hope you like the changes!

You did notice, right?

Cover Image: Pixabay

 

Writing a Scene in yWriter6 (yWriter vs. Scrivener, Part 7)

Congratulations!

Yep, that’s my way of saying that you’ve made it to the end of the yWriter vs. Scrivener series. (You have been watching the videos and reading the articles, right?)

Before I close, I want to remind you that using either yWriter6 or Scrivener works only if you plan to write an actual story or, at the very least, plan a story. If you use them only for pretending to work on a story, just putting them on your screen whenever you have company over instead of writing the story, well, that’s not effective use of either program, nor is it an effective way to tell a story. So, don’t be that guy.

But, I know you’re going to use them to write your story. Why else have you gotten this far if you don’t intend to use them the right way? That would be insanity! Right?

So, to celebrate the end of the series, I want to show you what it’s like to write a scene in yWriter6. Now, if you’d rather use Scrivener, or even Microsoft Word, to write your scenes and chapters, that’s perfectly fine. Part 7 of yWriter vs. Scrivener isn’t really about yWriter6 or Scrivener. It’s about how to turn your outline into a scene by watching me do exactly that.

Yep, this is your chance to see my brain in action. It’s also a way to stand over a writer’s shoulder and watch him write (and justify his choices).

This is, by no surprise, the longest video in the series, but it’s also the one you’ll get the most out of if you care anything about writing, reading, or creating characters out of thin air. So, be sure to take some time out of your day to check it out. It’ll be worth it. Yes, I say that subjectively. It’ll be worth it if you like writing or reading. Hopefully!

Also, please let me know if you want to see more of Pop Goes the Waterbed, which is the story I’m writing in this video. I may make a separate series out of it on YouTube if enough viewers are interested.

For now, that’s it for yWriter vs. Scrivener, but I’ll be back with another article about books and book reviews soon. Subscribe at the blue button below to find out more about that. You’ll be glad you did! I say that subjectively, of course.

Finding and Using Custom Templates on Scrivener (yWriter vs. Scrivener, Part 6)

Once you’ve had a chance to explore the differences between yWriter6 and Scrivener, you’ll see where both programs shine, and what both programs lack. It may be that you’ll develop a preference for one of them (assuming you’re not a Microsoft Word nerd who swears by its sexy software-giant sleekness and believes that all other programs are but peons in this vast digital soup), but you’ll certainly benefit from using both (or all three, again, if you’re a Word nerd) in creating your masterpiece (or your disasterpiece if that’s the case—hey, the world needs those, too).

But, in this digital highland, when it comes to versatility—and winners—there really can be only one. Thanks to Scrivener’s template system, I’d say the winner in this battle is clearly decided.

For those who missed yesterday’s article on Scrivener templates, the short version is that Scrivener comes with a few built-in templates designed to help writers format their novels, nonfiction essays, screenplays, commercials, etc. accurately and efficiently. But, what the article doesn’t cover is Scrivener’s network of rock star-level users who have made and uploaded their own templates to accomplish development feats that range from detailed outlines, to character creators, to world-building tools, and to genre fiction beat sheets to name a few choices.

In Part 6 of the yWriter vs. Scrivener series (on YouTube), I’ll show you how to find some of these templates, briefly go over how to use them, and I’ll even show you one of my own templates-in-progress that can help manage a writing career. By the time you get to the end, you’ll see just how much more you can do with a Scrivener template than you can with just about any other document type, including anything you’ll find in that oversexed Microsoft Word program.

Granted, you’ll still have to bring your imagination with you. At the end of the day, it’s still an overview. But, it’s a fine overview indeed.

Just watch the video. You’ll learn something about planning a story if you do.

Also, don’t forget to leave a comment if you have any Scrivener templates you’d like to see. Leaving comments is a great way to make yourself even more important!

The Fiction Template on Scrivener (yWriter vs. Scrivener, Part 5)

For anyone who has ever explored Microsoft Word thoroughly, he or she will find that the beauty of Word is not in the user’s ability to type in a bunch of words on a document and hit save, but the ability for him to type in a bunch of words on a pre-rendered template and hit save. For students and professionals, this beauty is a hottie.

But, for the average storyteller, Microsoft Word’s templates are—how shall we say?—quite limited:

word template books

Sure, Microsoft has made the effort to recognize the average novelist by providing a manuscript template that’s great for those who aspire to publish traditionally. For a $300 piece of writing software, it had better do at least that.

But Scrivener has that exact same template, too, and it offers that template because it knows it’s made for writers, not just for business professionals and academics who think a thesis is supposed to be nothing more than a list of three arguable points and a loose interpretation of how those points fit together.

scrivener template example

Yes, Scrivener considers that writers of fiction (and non-fiction and scriptwriting) want the templates to do the job right, but they also want the tools to organize the job so that the scenes and chapters fit into the manuscript format seamlessly. They also want to do all of that stuff while having the freedom to cram all of their research materials (including character and setting sheets and templates) into its own folder where it cannot corrupt the story document, nor can it get lost through the unfortunate process of misnaming the research files and putting them in the same place where you put all of your old college literature critiques from 20 years ago, which you think might be in My Documents 1998_a2_crit lit alpha, but it could also be in that folder you refuse to open because it’s labeled “In the Event of My Kidnapping,” which you created during your intense paranoia stage (or your quarter-life crisis) in the early 2000s (not to imply that I would ever do such a thing…).

But, Scrivener goes one step further: It allows you to compile that manuscript into the appropriate format and includes self-publishing formats for e-books, if you’re inclined to skip the process of pandering to the traditional publishers.

All of this for a sixth of Microsoft Word’s cost.

In Part 5 of my yWriter vs. Scrivener series on YouTube, not to be confused with my Microsoft Word vs. Scrivener series that does not yet exist, I show off the fiction template and how it can help writers stay organized within their chosen parameters. This part will also serve as a foundation for tomorrow’s follow-up video, where I explore other templates in Scrivener.

Exploring and Using Scrivener (yWriter vs. Scrivener, Part 4)

Well, so far we’ve learned quite a bit about yWriter6, about how to use it, and about why we should use it. But, I think we can begin to see its limitations when we consider the things it can’t do. For example, it can’t feed the cats for you. Nor can it pay your bills. It also doesn’t do the writing for you, which, I think, most of us want in a versatile writing program.

Scrivener, on the other hand, can’t do these things, either, but it can provide a much larger viewing field with zoom options, more robust tracking analytics, greater visual and tactile control of the story’s layout, as well as plenty of other features to make sure the writing gets done, and that it gets done well.

Conceptually, Scrivener has everything the writer’s toolbox demands. It even has a built-in dictionary for checking word usage and a project manager that can track your writing progress (which is great for participants of NaNoWriMo). The more you explore Scrivener, the more you realize that, even though you never knew you needed this stuff, you know you definitely need it now!

yWriter6 can be versatile, too, but most of its special features are component-based and require additional downloads and spotty success at modding the program to get them to work properly (assuming most writers are as bad at installing components to existing programs as I am). Scrivener provides the majority of these features out of the box.

Scrivener is also the most widely recognized and trusted writing software for budget-minded writers. For $49 (as of this month), the writer can gain access to a complete story management experience that includes having a canvas to actually create the story along with organizing, structuring, and planning the story.

The drawback with Scrivener, of course, is that the writer needs to create his own resources to make the most of the software. But, that’s sort of the point of Scrivener. It isn’t about fixed rules. It’s about flexibility. Its main purpose is to give writers a place to store all of their ideas in an effort to craft the best stories they can. Where yWriter is fairly narrow in its design (you basically fill out the fields to create your story), Scrivener spreads its wings and flies, giving you the freedom to do what you want in your stories.

Really, the trick to using Scrivener well is to learn how to fly with it.

In Part 4 of my yWriter vs. Scrivener video series, I’ll show you Scrivener in action. But, I must deliver a warning: Scrivener has a steep learning curve. I can’t possibly show off everything that it can do in a single 16-minute video. To get the full picture of what Scrivener can do, I’d recommend Joseph Michael’s “Learn Scrivener Fast” to see what you’re not yet doing.

Note: There’s a basic version of Joseph Michael’s “Learn Scrivener Fast” on Udemy if you’re on a budget but still want to learn something useful. I believe the Udemy version is the first module of the complete program.

Note 2: I like Udemy. You should like Udemy, too.

Note 3: It’s my birthday today. Leave your birthday wishes in the comments below if you want.

Advanced yWriter6: Storyboards (yWriter vs. Scrivener, Part 3)

One of the advantages to using dedicated story software over traditional writing software is that traditional writing software, like Microsoft Word, gives you just the blank document to work with. Now, sure, that document can contain mountains of information and unlimited supplies of inserted media and special formatting to bolster that document’s information, but these elements tend to consider the needs of the student or the business professional while keeping the needs of the novelist as an afterthought.

This isn’t to say that Microsoft Word is terrible, though. No, no, no! Such an accusation is unfounded! But, it is severely limited in what it can accomplish for the novelist (or the fictionist if you want to include all types of storytelling).

For example, let’s say I want to write an article for a blog. Let’s say I want to write this article for this blog. If all I’m doing is typing my thoughts and linking them to Internet resources, then Microsoft Word is plenty fine, as is the case right now as I compose this article (on Microsoft Word).

But, what if I don’t want to write an article? What if I want to plan a story? And what if I need a storyboard for that story? Am I going to find such a luxury embedded in the $300 word processor I had to buy from Office Depot when my old computer crashed (along with my tried-and-true copy of Word 97 that I’d been using for 15 years)? No!

Instead, I’m going to get that option for free in a program dedicated to writing fiction, called yWriter6, for…er, free.

You can see how that option is true in today’s installment of yWriter vs. Scrivener, a seven-part video series I’m doing this week at my companion YouTube channel, Zippywings. Check out Part 3 to see storyboards in action. Then come back and complain about how I didn’t show off enough of it!

Note: In fairness to Microsoft Word, it does provide numerous templates for business-related documents, like letters and résumés, for example—things you’ll never find on the writing software I cover in this series. So, it’s still worth the $300 (or the subscription if you’re on Office 365). You’ll also find as you watch the series that I prefer to integrate Microsoft Word into my writing regimen, but let’s take this one step at a time.

Exploring and Using yWriter6 (yWriter vs. Scrivener, Part 2)

Now that you’ve decided you want more out of your writing life than just clacking at a keyboard while Microsoft Word is open and hoping for the best, it’s time to check out a piece of writing software that can help you make your dreams of writing a novel come true.

It’s time to check out yWriter6.

yWriter6, in a nutshell, is a stripped-down story development tool that allows you to outline your novel, flesh out your characters, keep track of your important items and locations, manage your storyboards, and, most importantly, write your scenes in a way that makes sense.

Within the program, you can store bits of information on any element you find useful to remember and then organize those elements until you find a layout that works. You can also keep track of revisions, scene lengths, word counts, and the usual essentials you might expect an expert writing software to have.

The creator of the program is a writer himself, and he designed the program to create better works of fiction. But, thanks to his recognition that such ingenious software should be shared by all, he’s provided the software for free so that all writers can benefit from the very same tool that benefits him.

He also has a mobile version that you can find at Google Play for $5 if you’re all about spending money on free stuff.

For a detailed walkthrough of the program using real-time development of an idea, check out Part 2 of my yWriter vs. Scrivener series on YouTube.

An Introduction to Two Awesome Writing Programs (yWriter vs. Scrivener, Part 1)

Are you looking for a more efficient way to write your story? Have you labored over Microsoft Word in vain as you stared at that blinking cursor taunting you over the persistently blank screen that you have before you? Do you wish there was a better way to get your thoughts on paper or the ether than using whatever poor excuse you have at your disposal right now?

Well, fear not. Spacejock Software and Literature and Latte both have solutions to your advancing problems.

Introducing yWriter6, the latest generation in writing software from a bygone era where writing was about putting words in a box and making them dance. It’s direct, it’s efficient, and it’s free. But, is it for you?

Introducing Scrivener (for Mac and Windows), the answer to the writer’s prayer: “Can there be a way to write and organize my documents easier than relying on Microsoft’s a la carte systems?” Why, yes, there can be! For the low, low price of $45, you can have all of your writer’s needs come true (except for the one where the program does the writing for you).

But, which software should you choose? Well, both have benefits. Both have drawbacks. Both require some learnin’ to do before use. So, how do you decide on which one’s the best?

Introducing yWriter vs. Scrivener, the seven-part video series that shows you a sample of the many uses you might find in both programs and why adopting a regimen of juggling both (along with Microsoft Word) can maximize your writing potential.

Check out Part 1 of the video series today and be sure to come back tomorrow for links to the next one!

New Limited YouTube Series Comparing Two Useful Writing Tools, Coming Soon

Welcome back. I’m sure you never left. Thank you.

I just wanted to make a quick announcement about my YouTube channel’s growing range of covered topics. For years, it has been about me playing indie games (made by the OHRRPGCE) with a very limited slide into writing programs. But that slide is about to take a harder turn as the Zippywings Channel will soon expand to include topics about writing and reading and reviewing books (as well as to continue showcasing indie games no one else will play).

And because of this exciting new direction, I wanted to announce a limited series I’ll be launching next week to help nudge it into those new topics: yWriter vs. Scrivener.

Beginning on Monday, June 24, 2019, at 1pm EST and ending Sunday, June 30, 2019, at 1pm EST, I’ll be releasing new installments to the series where I show yWriter6 in action and then show how Scrivener can differ or complement yWriter6, maximizing your potential for organizing a solidly entertaining novel should you choose to use either program. I’ll end the series by showing you how I write, and for those of you who only see the finished product, this process should be eye-opening.

If you have an interest in either program, or if you want to see my nutty brain come up with interesting characters, be sure to come back Monday afternoon for all of the details. Hope you’ll check out the new series and subscribe to my YouTube channel in the process.

See you then. Thanks.

Oh, and in case you’ve forgotten, I do have other articles and videos based on the Scrivener program, if you want to see more about that.

Revisit: Scrivener: The Most Amazing Program for Writers Ever: A First Impression

Revisit: Using Scrivener for Game Design