Category Archives: Novels

Anything to do with my novels will go into this category. This can include published e-books and novels under construction.

Book Trailer: The Computer Nerd

A couple of months ago, I revised my novel The Computer Nerd with new content and an updated paperback edition.

Well, this week, I finally did something else I’ve wanted to do for a long time: I put together a trailer for it.

I might be biased, but I think it’s a good one.

If you haven’t checked out The Computer Nerd yet, you can visit one of its official pages right here to see what it’s all about.

Note: I haven’t updated the book’s information on this site since the revision because I’m moving all of my official book pages to my author site later this summer. But you can still learn plenty from the content that still remains here.

In the meantime, why don’t you check out the trailer?

Thanks for watching,

Planning a Story: Plottr Review

If you’re writing a novel for National Novel Writing Month, or NaNoWriMo for short, then you probably should’ve started already. But if you’re still warming up to the idea, or if you just want to use November as a warm-up month and go for the main event in December (because why do you need a month to tell you what to do?), then you’ll probably want to start planning for it.

Unless you’re a discovery writer (or organic, or pantser, or whatever your label of choice—it’s all the same), which is perfectly fine, you may want a plotting tool to help you prepare.

That’s where Plottr comes in.

Screenshot of Plottr’s Book Series Page

Have you heard of Plottr yet? I’ve probably mentioned it on this blog already, but in case I haven’t, it works like this:

You “create a book” on a series page, give it a title, tagline, short synopsis, and series number (standalones get “1” as their number), and if you have cover art finished, you can attach it to a 3D mockup. Then you click on the book you want to work on and enter the construction zone (my term, not theirs).

Inside the construction zone, you can begin planning your book by creating a timeline, list of characters and places, and establishing keywords to mark important metadata.

Sounds simple and basic, right?

That’s kind of the point. It’s simple. But hardly basic.

Screenshot of Plottr’s Timeline

Once you enter the timeline, you can create plots and subplots, establish chapters and scenes within those chapters, character arcs, etc., but you can also color code everything, insert characters and places inside the scene cards (while also describing them), and tag to your heart’s content.

And best of all, you can import premade templates from some of your favorite story structure devices, including the Hero’s Journey, Save the Cat!, and most recently, the Snowflake Method. In fact, you can also import your existing Snowflake Pro file directly into Plottr (as of October 23rd). So, if you’d rather use an established method over your own, you have plenty to choose from (at least a dozen different structure and beat types).

For creating characters, you can import a template or create (and save) your own. For places, you can do the same. For items…well, that part isn’t available yet, but Plottr is adding new features all the time, so I’d expect to see that available soon enough. You can actually see their active roadmap here, as well as post your own suggestions.

Screenshot of Plottr’s Places Designer

But since this is a review, I think it’s fair to list some of its problems:

It’s still a work-in-progress, so it’s missing some options that are sorely needed, including custom sorting inside of character and place menus, as well as the ability to update your existing template with new entries without having to create a new template (and forgetting which version number you’re saving to now). It doesn’t have features for tracking items, nor does it prepopulate with expected tags like “inciting incident” or “main character” or any of the elements that most writers would like to have available. And, well, it’s an outlining tool, not a writing tool, so you’ll still need another program to do the actual writing.

But it does have an interactive timeline with adjustable boxes, and that’s probably all you really need, especially if you’re coming from other story development software that maybe don’t have as good or intuitive of a timeline feature. It doesn’t track actual time, though, but I think it’s coming, maybe (check the roadmap to be sure). It also has an outline view that you can export to your preferred writing app, as long as it’s Microsoft Word or Scrivener, so you don’t have to worry about switching back and forth as you write.

And don’t forget to check out Plottr’s templates if you give it a try. The premade templates are there to increase its value and usefulness, and I highly recommend you look into them if you’re not sure how to start.

Screenshot of Plottr’s Outline Viewer and Export Tool

Finally, there is a 30-day trial available, and if you do commit to the purchase (and you should because it’s my favorite story developing app so far), it’s just $25 for the program and a year of free updates ($37 if you want Windows and Mac access). You’ll have to renew that fee after the first year to keep getting updates, but you’re not required to buy it a second time to keep using it. If you’re happy with its functionality by the end of your subscription period, you can keep using that version indefinitely.

So, there’s no reason not to give it a try, unless you’re really, really broke. And if that’s your situation, I hope it gets better soon.

Also, if you want a video demonstration of Plottr, you can check out its tutorials on Plottr’s website (recommended) or my review on my YouTube channel (also recommended).

Don’t forget to like, subscribe, and comment below if this article has helped you, entertained you, or kept you from starting your honey-do list.

P.S. I may be uploading some of my own character and place attributes templates here soon.

Here’s the video again:

Using Scrivener for NaNoWriMo 2020

National Novel Writing Month, or NaNoWriMo for short, is right around the corner. Chances are, if you plan to participate this year, you’ve already started getting your materials together. But my question for you is, have you decided how you’re going to write your novel?

“Er, I’ll probably type it. How else would I do it?”

Okay, not exactly the answer to my question. Of course you’ll type it. But will you type it in Microsoft Word, Scrivener, or some other software? Do you plan to write it on your desktop or laptop? Or will you pull an E. L. James and type it on your phone while sitting by a pool (in November, mind you)?

Well, if you plan to type on Microsoft Word, a dedicated fiction app, or your window of great distraction (phone), I can’t help you. But if you plan to type it on Scrivener…

Well, I’ve got a template you might like.

It’s my NaNoWriMo Basic Template, which I created last year for my work-in-progress Washed Up: A Pirate Adventure, and you can now download it directly from Drinking Café Latte at 1pm. In fact, you can check it out, along with some of my other templates, right here on my new writing template page. If you see anything else you like (and the list will be very small as of this writing), all you have to do is click the link, read the full description to make sure it’s right for you, then click the download (from Google Drive, if that matters).

Then after you try it out, come back to the description page and leave a comment letting me know what you think.

Hope it works out for you.

So without further ado, jump on over the new templates page and give it a try. And if you want, check out my other Scrivener template, Story Planning General (still a work-in-progress), if you like obsessive planning and complete from-scratch-to-published design work (read: insanity). It’s another way to bring your story from idea to “What Have I Done?” status.

Once again, if you want to participate in NaNoWriMo this year, check out my Scrivener template, NaNoWriMo Basic Template. It’s good stuff.

Watch the before video:

And the after video (Posted December 1, 2020):

The Writing Workflow for Plotters, Pantsers, and Whomever Sits Between Them

Writing a novel is no straightforward process, in spite of what the “experts” may say.

Okay, the experts, whoever they are, make no actual claim that writing a novel is straightforward, though the pantsers (like me) will argue that it comes pretty close, given that we start at the beginning and drive toward the ending, discovering as much as we can along the way (hardly straightforward, even though the momentum is almost always forward). In reality, of course, writing a novel takes planning, dedication, and follow-through, with a heavy dose of insanity—I mean organization—and reaching its proper ending will require seeing it at both the big picture level and the micro-scenic level. In short, writing a novel means you gotta have some foresight. There’s no way around that.

But I didn’t always have a problem with that.

For years, I would just open a document in Microsoft Word, crank out a chapter in a day or two (or sometimes a week if I let it get too large), and move on to the next one, making sure to save it in a folder dedicated to the novel. Once I’d finish the last chapter (usually six weeks to a year later, depending on the novel), I’d read what I have, take notes on what I like and what I don’t, and then move on to the next revision. Then somewhere along the line I’d decide that something doesn’t work, at which point I’d start adding, moving, or removing scenes, relabeling my documents to something better reflective of its current state, and make such an atrocious mess of my work that nothing would make sense anymore, yet I’d somehow bring it back together, and then I’d shelve it for a few years until somebody would ask me if I’ve written anything lately, to which I’d say no, then go back and see if I actually like that old novel that I blew up in the rewrites now, because, hey, somebody reminded me that I should really finish what I started because, hey, I’m not exactly starting on anything new. At that point, I’d take note of the scenes I like, try to rethink the ones I don’t, and then shelve the thing yet again for another few years because now I have no idea where to begin fixing it.

(Okay, I’m referring specifically to my first thriller, Panhandler Underground, which I wrote in 2005 but put on the shelf until a time I could make sense of the main character’s profession. Fortunately, I’ve ordered my copy of the Occupation Thesaurus, out now, and should receive it in the mail soon, so maybe I can finally sort this dude out and get his story back on its proper track.)

Nowadays, I find that organizing a novel is as difficult as writing it, especially when I go back and try to repair the damage I’ve already done to an existing novel, so coming up with a plan to make sense of it all is necessary. But merely going back through all of my Microsoft Word documents and trying to remember where everything is supposed to go is madness when my memory is so bad that I often read a story I like, check the author to see if he’s got anything else I might enjoy, and discover my own name on the front cover. (Okay, this doesn’t happen with my published titles, but it definitely happens with old stories I find in my documents folder. The fact that my name is on it is the only proof I have that I wrote it because I don’t remember a thing about it.) Because this is no way to work, I’ve decided it’s time to implement a new system for organization.

This is where I’ve decided to integrate multiple resources into my writing workflow, each one dedicated to a particular function within the writing process, and each one designed to keep me on track.

For the record, I just put together a video about this, which you can watch for more information, but the short version is this:

  1. If I’m writing a novel from scratch or nuking a story that no longer works in favor of starting over, then I’ll want to begin conceptualizing with the Snowflake Method and using the software dedicated to the Snowflake Method, Snowflake Pro, to accomplish this goal. This will allow me to develop the idea and move it through all ten steps toward a fully-fledged outline.
Writing Workflow Slide 1
Snowflake Pro in Action
  1. Next, I’ll want to develop the flowchart and additional character and/or scene details (like setting or items) that Snowflake Pro doesn’t visualize for an alternative way to see the story from a bird’s eye view. I can use Plottr or Campfire Pro (or Plot Factory or some other story planning software) to create the visual map, as well as fill in the additional details that Snowflake Pro doesn’t cover. If I use actual maps (created with Campaign Cartographer 3+, for example), then I’ll want to use a program like Campfire Pro to tie my maps to their descriptions. Using these programs, I can create the world and backstory I need to understand my characters and their motivations better, as well as to keep track of the nitpicky items in their lives that I’ll want to remember and quickly access at some point.
Writing Workflow Slide 2
Outline Tool in Plottr
Writing Workflow Slide 2a
Character Builder in Plottr
  1. Once I have a clue what the story is about, then I can start writing my scenes in Microsoft Word. Or, if I’m revising an existing story, I can write whichever scenes are still missing.
Writing Workflow Slide 3
Writing the Scene in Microsoft Word

Note: If I’m revising a novel, which is my case for The Computer Nerd, I probably won’t use the first two development steps unless I need to go for a complete rewrite, which is currently my case for The Fallen Footwear. The exception would be if I wanted to create an outline or summary or synopsis of an existing novel for verification of its integrity or for various marketing purposes. I would also map an existing novel if I know I’m going to write a sequel, as having a snapshot of the previous story would be immensely helpful in developing a new chapter for its characters, because, you know, my memory sucks.

  1. Once I’ve written my scenes, I can move them into Scrivener, where I can then write notecard summaries and provide status labels to help me determine whether the scene is in its proper location and achieving its proper goal. From the notecard view, I can make a more informed judgment about whether the existing work is, in fact, working.
Writing Workflow Slide 4
Creating the Novel’s Assembly (or Repair) in Scrivener

So, that’s the current workflow I’m using to either write or revise my novels. Are you a writer? What’s your workflow? Let me know in the comments below.

You can also check out my video demonstration below:

Publishing with Google Play Books

This week, I’ve uploaded a five-part series about getting your e-book onto Google Play Books. I’ve used my e-book Shell Out as an example. I cover how to prepare an EPUB, a basic but pleasant PDF, and a fancy PDF that makes eyes happy, as well as cover how to get the book onto Google and what the results will look like once it’s online.

Here is the series and episode summary, along with resource links and action checklists. Enjoy.

Series Description:

Now that Google Play Books has reopened its service to all independent publishers, it’s a good idea to publish your books there and expand your audience reach. But how do you do that? This five-part series will walk you through the basic steps to get up and running.

Google Play Books Partner Center

Part 1: Using Calibre to Prepare Your Google Play Books E-Book

(Video Link)

Episode Description:

Google Play Books requires at least one of two formats to get your e-book online and available for consumption: EPUB and PDF. It recommends you upload both. Part 1 of the “Publishing with Google Play Books Series” covers the basics for getting an EPUB ready for the service, using a free EPUB creation tool, Calibre.

Note: This episode covers the simplest method for getting an EPUB built on Calibre and ready for Google Play Books. You’ll need to learn CSS and HTML to develop a more specialized or attractive EPUB file, which this video will not cover. I’ve listed two great resources below to help you take these basics to the professional-level.

Resources:

Calibre Web Page

Calibre User Manual

The Book Designer Guest Writer, David Kudler

The eBook Design and Development Guide by Paul Salvette

Checklist:

  1. Convert source document to DOCX format.
  2. Check and fix broken bookmarks.
  3. Delete drop caps unless you know how to format them properly for EPUB.
  4. Optional: Convert Small Caps to All Caps to ensure all e-readers show compatible formatting (but don’t do this for section headings—just words that characters “see”).
  5. Download Calibre (See Resources for Web link).
  6. Create blank EPUB file.
  7. Fill in title, author name, and whatever else you think is important.
  8. Select proper JPEG image for cover.
  9. Check document conversion attributes.
  10. Check EPUB file type (2 or 3).
  11. Verify table of contents.
  12. Validate external links.
  13. Open file in e-reader to check conversion state (“Click to Path”).
  14. Upload to Google Play Books if happy with results; fix HTML, CSS, or content errors if not.

Part 2: Quick but Effective PDF Formatting for Google Play Books

(Video Link)

Episode Description:

Google Play Books requires at least one of two formats to get your e-book online and available for consumption: EPUB and PDF. It recommends you upload both. Part 2 of the “Publishing with Google Play Books Series” covers the basics of formatting a PDF for the service, using Microsoft Word.

Note: This episode covers the simplest effective method for getting a stylish PDF ready for Google Play Books. For a more complex but ultimately more rewarding result, come back for Part 4 when I talk about a program designed for better formatting.

Resources:

Drinking Café Latte at 1pm Article: “The Art of Hyphenation”

Checklist:

If Presentation Doesn’t Matter:

  1. Create or access source document in Microsoft Word.
  2. Export to PDF (from “File” tab).
  3. Upload to Google Play Books.

If Presentation Does Matter:

  1. Create or access source document in Microsoft Word.
  2. Change layout size and margins to paperback page style (5″ x 8″; 5.5″ x 8.5″; 6″ x 9″).
  3. Reposition headers, footers, and indents to half their normal distances.
  4. Insert blank page at start of book.
  5. Upload cover image to front page and resize and center to fit.
  6. Add cover image bookmark.
  7. Check all bookmarks and hyperlinks for accuracy.
  8. Check other special formatting like small caps and drop caps.
  9. Fix justification and hyphenation.
  10. Create section break between front matter and body text and anywhere that header or footer content should differ.
  11. Set page numbers in the body text section and use special rules for proper counting and display.
  12. Make sure cover and title pages don’t have page numbers showing.
  13. Export to PDF (from “File” tab).
  14. Upload to Google Play Books.

Part 3: Getting the Book onto Google Play Books

(Video Link)

Episode Description:

Once your books are properly formatted, it’s time to upload them to Google Play Books. This video will show you how to prepare your book’s page and get it onto the service.

Resources:

Reedsy Blog Article: “How to Publish on Google Play Books in 2020”

Checklist:

  1. Register a partner account with Google Play Books (consult the Reedsy Blog article in the resources section on how to do this).
  2. Go to Book Catalog section to add a new book or access a book you want to edit.
  3. Once inside the book editing page, fill in the fields on all four tabs of the Book Info section.
  4. Use the same description as you have on the other publication sites to maintain consistency. Use bold text and italics to enhance its presentation. Use paragraph breaks to indicate new paragraphs.
  5. Remember to set the release dates: publication is for today; on sale is whenever buyers have access (good for preorders). Set the on sale date far enough in the future to give ARC readers time to read.
  6. Consult PDF version for accurate page count, or divide word count by 250 and round to nearest whole number if you’re not sure.
  7. Use as many genres as the book may occupy, especially since Google doesn’t allow for manual keywords.
  8. List all essential contributors. The author is the main contributor. Coauthors and illustrators are also essential. Editors are essential for curated materials.
  9. Fill in sample size and publisher information, if applicable.
  10. Go to Content section.
  11. Upload EPUB, PDF, and JPEG files.
  12. Go to PRICING section.
  13. Set desired price point. Set worldwide options.
  14. Return to Content section. Check conversion status. Fix errors if any appear.
  15. Provide ARC and beta reader Google emails in the content reviewer section, if any.
  16. Verify all results in the Summary section.

Part 4: Using Affinity Publisher to Create a Stunning PDF for Google Play Books

(Video Link)

Episode Description:

Creating a simple PDF for Google Play Books is fine. But wouldn’t you rather give your readers something that actually looks nice? In this video, we use Affinity Publisher to create a more sophisticated PDF than the one we made in Part 2.

Note 1: Affinity products are cheaper, non-subscription based alternatives to Adobe products. Affinity Photo, Designer, and Publisher are equivalent to Adobe PhotoShop, Illustrator, and InDesign respectively.

Note 2: All Affinity products are on sale for 50% off until June 20, 2020. Get all three (Photo, Designer, and Publisher) if you want to maximize your development. There is also a 90-day trial period in place until June 20 if you aren’t sure you want to just plop the money down straightaway.

Resources:

Affinity Publisher:

Affinity Revolution:

Checklist:

  1. Visit Affinity Web page (link in resources section).
  2. Try or buy Affinity Publisher ($50 normally; $25 until June 20, 2020)
  3. Optional: Try or buy Affinity’s other apps, Photo and Designer.
  4. Check out Affinity’s tutorials on YouTube.
  5. Learn the difference between Pages and Master Pages.
  6. Learn how to use the inspector panels.
  7. Remember to use layers for complex work.
  8. Remember to link content pages through connecting arrows.
  9. Export as PDF when finished with layout.

Part 5: Reviewing the Product Page for Your New Google Play Books E-Book

(Video Link)

Episode Description:

Now that your new book is uploaded to Google Play Books and approved for sale, let’s check it out and see what the customer will see.

This episode also compares analytics between Google Play Books, Amazon KDP, Smashwords, and Draft2Digital, so you get a bonus part-within-a-part for watching this episode. Congratulations.

Resources:

Books2Read:

Checklist:

  1. Go to Book Catalog section.
  2. Click on book cover.
  3. Go to Summary section.
  4. Click on “Google Play” or “Google Books” link to visit each respective book page.
  5. Explore each page.
  6. View or Buy book to add to library.
  7. Visit “My Books” tab to check the contents of your book (if purchased).
  8. Click on ellipses to access content within book.
  9. Select date range and parameters for analytics information.
  10. Open spreadsheet in Microsoft Excel or Google Sheets to view statistics.
  11. Upload a new book and restart the process.

Thanks for reading. Leave a comment with your e-book information if you’ve published on Google.

Update to “My Books” Page

Just a quick maintenance note:

I’ve updated the “My Books” page with a comprehensive list of not only all of my existing book tiles and brief status descriptions for each one, but also of all of my planned future books.

This is truly the one-stop shop for information on all of my present and upcoming titles. It it’s not on this page, there’s no news on it.

Remember to click the tab, not the drop-down selections, to access the page. Or, you can just click the link here.

If you have any questions, leave a comment below.

I Be Winner. NaNoWriMo 2019 Winner.

I’ll list the stats in a few days, but I’m writing this post to announce that I’ve just crossed the 50,000-word mark for the 2019 National Novel Writing Month event, and let me tell you…

It’s a relief.

I don’t have much trouble with writing large chunks of text in short time, but keeping that chunk a piece of quality is a bit tougher. Spending a month writing a historical novel I’ve done hardly any research for is also a thing of toughness. But most challenging of all?

I still have to spend a big chunk of December plotting this story, as most novels typically run between 70,000 words and 90,000 words, with my novels hitting the high end of about 100,000 words, if I’m letting my whims get the better of me.

In short, it’s a relief to hit 50,000 words only in the respect that I’ve “won” NaNoWriMo. What I haven’t yet done is to write something you’d want to read…yet. That, hopefully, will happen in 2020.

At any rate, here’s the badge to prove that I didn’t sleep much this month.

NaNo-2019-Winner-Web-Badge

Let me know if you want a sample of the story.

Oh, actually, you can see my first eight days in action on my YouTube channel by clicking on this playlist.

Yes, I’ve actually recorded myself writing. In real time. You can watch me make typos and rationalize dumb decisions. It’s great fun. If you’re into that kind of thing.

The Coming of NaNoWriMo 2019

I just posted a video about NaNoWriMo 2019 and how we can prep for it with Scrivener. This comes with the idea that I may actually record my writing progress this month, for those of you who want to see a story written in real-time.

Will this likely end in disaster?

Probably! So, now you gotta watch, right?

In the video, I reveal two new templates I’ve developed this year: one for planning a story (and is still a work-in-progress), and the other a basic template for NaNoWriMo that includes options for journaling, tracking progress, and writing a postmortem when all is finished.

If you’d like to use either template for your own prep or writing adventure, you can find them both here.

If you plan to participate in NaNoWriMo, then comment below and talk about it.

Good luck!

The Audiovisual Book Experience, an Experiment

Today on YouTube, I launched the beginning of what could become my next big feature: “The Audiovisual Book Experience.” The premise behind it is that people don’t read anymore, but they do listen. At least, that’s what I’ve heard from people who listen exclusively to audiobooks and podcasts and can’t be bothered with an actual book or blog post. I think these same people watch YouTube videos on occasion.

I confess that I don’t get it. And, I do think the information is a little suspect. Of course people still read. I’m a person, and I read! I read books and blogs. I also write both. If you’re reading this blog, then you’re a reader, too. Already, you’re proving them wrong.

But, I also see the point they make. The people who prefer audio text to visual text are the people who are too busy to sit down with a good book; they probably spend more time looking through their windshields, making sure they don’t hit something or someone than they do staring at the pages of a paperback or the screen of an e-reader. Of course, they still stare at their phones for some reason, on the road and off. But it makes you wonder: Has no one told them they can read a book on their phone? What else are they going to do at a red light?

Okay, they shouldn’t read a book while driving. Point made. Audiobooks are much better for that. And they’re also much better for running. I’ve tried reading a book while running a few times. It’s definitely too shaky to concentrate. An audiobook would’ve been nicer for that scenario. If these people are so active that they can’t even spend a few minutes in bed with a good book, then perhaps the audio version is necessary.

But what of the people who want both, the reading and the listening experience? Haven’t we all started our reading lives by reading with an adult, where the adult reads out loud while we follow along and try to understand each word? Would it be so odd if we were to read along with someone else again, but as adults?

Maybe. Probably. But we’re going to try it anyway!

And that’s the point of the Audiovisual Book Experience, to allow YouTube users to read a book while someone else narrates it to them. That way, if they need to, they can do other things while the book is “playing.” Or, if they’d rather follow along, they can see each word in its book form. This gives each reader the option of reading the book however he or she wants. For free!

Is it a good idea? I don’t know. That’s why it’s an experiment. But, if it does generate interest, I’ll likely do another. If not, then I’ll commit my time and energy to something else.

I do wonder, though, how other authors with better voices than mine could make use of an audiovisual book experience. It might be worth it for them to give it a try for their own books.

That said, I’m launching my own experience with Amusement, a short story about a businessman who must confront the corporate entity responsible for the faulty product that ruined his life.

The overview video has already launched. The introduction and legal information video will launch at 1 p.m. tomorrow (Monday, September 23, 2019), and “Part 1: Professionalism” will launch immediately after, at 1:15 p.m., both Eastern Standard Time. Each additional episode will launch on consecutive days at 1 p.m. until next Sunday when the final episode, “Part 7: Crash,” airs.

The entire audiovisual book will be curated into a playlist that you can run at your leisure.

If you decide to check it out, please let me know what you think, either here or on YouTube. Hope you’ll enjoy it.

Friday Update #12: The Tale of an Entrepreneur: The Beginning

So, here’s the first Friday Update in four months. Are you surprised? Let’s just say news often happens in chunks, not spurts. You can watch the real news to see that that’s true. But you didn’t come here for real news, did you?

With that in mind, let’s begin our semi-occasional Friday Update for this week.

Book Review Blitz

In my previous post, about two months ago (sorry!), I said I was doing a review blitz on books I’ve read in the recent past, and I had planned to launch it soon. Well, I do have reviews queued up, and I think they’re pretty ready for public reading, but I don’t have nearly as many as I’d like for the blitz, so that’s still in progress. Much of the delay is due to distraction mainly, but also to quality of life. I do things based on whether I can do them well, and whether they’ll be worth my time and yours. Even as I write about the books I’ve read, I have to wonder how many of these books you would want to read, and whether the statements I might say about them would resonate in some profound way. When I review something, I want to give more than just my opinion. I want to give feedback, in case the author should ever stumble across my site. So, I’m checking for quality, of course, but I’m also checking for impact. I want to make sure I’m not wasting my time or the time of my readers. So, it’s been going slowly.

Therefore, I want to revise my previous title, “Book Review Blitz Coming” to a new title, “Book Review Blitz Coming Sometime.” Take note.

The Avengers: Infinity War

The new Avengers movie comes out today. I want to see it. I won’t likely get to go today. Probably not tomorrow, either. But, I want to see it. So, don’t spoil it. Seriously, hush on the spoilers, people. The Internet won’t break if you hold your “aw, dang!” tongues for a little while. That is all.

Oh, and if you liked The Avengers: Infinity War, don’t forget that I still have two massive Game of Thrones sized volumes of superhero fiction available at Barnes & Noble for $6.99 each. (I won’t be putting them on Amazon until I rewrite them as individual novels.) They’re also available on Apple iBooks and Kobo.

The first is Cannonball City: A Modern-day Fantasy, Year One.

The second is Superheroes Anonymous: A Modern-day Fantasy, Year Two.

The third, Alpha Red: A Modern-day Fantasy, Year Three, won’t be released as an annual unless the first two get enough readers to justify me releasing it. So far, I’m nowhere near the readership that would make that decision reasonable. But that can change! It’s up to you to make that happen.

To be clear, these are e-books only. If you buy them, make sure you have a device you can read them on. Smashwords provides multiple formats if you aren’t sure what will work for you.

Gone from the Happy Place

I’ve resumed production on Gone from the Happy Place by adding a new first chapter, and I’ll keep adding new chapters until I’m satisfied with the story I want to tell. I don’t want to spoil anything at this time, but in the new version, we’ll get to spend more time with Anston and Alice in their respective elements before the explosive moment that their lives converge, giving us more time to appreciate them as individuals, and more time to dread what may follow. If you’re a thriller reader, this should sound like a positive. To all you romance readers who somehow found my site, well, people still kiss, so…

I have no ETA on when the book will be ready for the public, but I will likely release it in this order:

  • E-book (Amazon only)
  • Drinking Café Latte at 1pm (serial)
  • Ebook (Barnes & Noble, iBooks, Kobo)
  • Paperback (through CreateSpace and Ingram Spark)
  • Audiobook (if sales on the other formats are significant enough to warrant it)

Normally I’d want to release the title on all formats at the same time. And, in a future time when I have lots and lots of money to roll around in like Scrooge McDuck, I will. But, in my efforts to rebrand myself with an actual brand, I need to lay some new tracks to give myself the opportunity to have better launches and better IPs, so until I can claim all of the resources I need to do this right, I’ll be staggering the release through specific channels that won’t complicate things for me or the book down the road.

The thing about Amazon’s e-books is that they don’t require an ISBN, so I can upload it without compromising my brand. Later, when I have the packaging the way I want (the cover I release with, shown below, will likely be temporary until I can afford a legit cover artist), I’ll rerelease it, and I’ll do so with the other formats. By that point, I should be able to afford my own ISBNs and not have to rely on the freebies that tie my book to the identity of the distributor rather than me. I want them related to me and my company.

gone from the happy place concept 3

Once I have the means to produce the other elements properly, I’ll do so. When this happens depends on how much and how quickly the money comes in. Again, readers can help speed up this process by voting with their wallets.

Regarding the Drinking Café Latte at 1pm serial, I’ve wanted to try releasing at least one of my books as a weekly serial, to see if I can get new readers, and this will be the book I do that for.

For those who haven’t been keeping up, Gone from the Happy Place is the book that will replace The Computer Nerd as the story I want to tell about a marriage gone wacky, not the story I did tell. When I wrote and released The Computer Nerd in 2015, I was racing a self-imposed deadline, and trying to maintain a book-a-month release cycle, which really isn’t my style, and one I’d ditched by mid-2016. I’d broken rules that I generally keep for myself in order to get it to the public in a timely manner, and even though it was fine, that’s all it was. When my first review came back with one star, I knew I’d made a mistake racing it out the gate. Sometimes you do want to take your time with a project before offering it to the world, which is what I usually do with my projects. It’s the reason you haven’t seen a new release out of me since 2016 and only three updates to stories I’d released back in 2015. All indie artists should take note that patience is worth it, as long as that patience produces results.

Entrepreneur: The Beginning

Okay, so that’s not the only reason you haven’t seen a new release out of me since 2016. As some of you may know, I also have a computer game I’ve been working on, on the side, called Entrepreneur: The Beginning, and I’ve been putting a lot of work into it this past year. I may post a separate article about it soon, but the scope of my work since about this time last year has been to rewrite the handcrafted code I’d been using since 2009 to use templates and machine-thinking instead.

I’ve wanted to make my own games since I was a kid, but because I’d never learned programming properly, I had to find premade engines to help me along. The engine I use for this game, OHRRPGCE, is made by one developer, maintained by two, and in a constant state of catching up with other engines built by larger teams. I use it because the language is simple, and it is something that I, as a writer, can easily understand. However, because it’s written for accessibility, to simplify the coding process for non-programmers like me, much of the scripting language is built from the ground up and doesn’t yet include many of the conventions that proper programmers would use in their programs. This means that some of the shortcuts I’d need to build this game quickly aren’t there, and even if they were, I’d have to learn about them because I’m not a programmer, and good programming practice is something I hadn’t learned until about a year ago, eight years after I’d started the game.

So, I’ve been spending the last year trying to practice good programming etiquette, and that means rewriting all of the mess I’d made in the years before. It’s the programming equivalent of cleaning out or cleaning up a junkyard all by yourself. It takes time, patience, and a little bit of strategy. In a future article, I may talk more about the experience and how it relates to art, writing, etc., and how such practices could be adopted for all elements in life. We’ll see how that goes.

If you want to read more about this game and keep up with its progress, you can check out the series of posts I make about it here at “Entrepreneur Central.” One of these days I’ll give it a proper website with a proper online version of the journal I keep about it. Unlike this blog, I keep up with the journal, writing in it every day that I work on the game.

The Celebration of Johnny’s Yellow Rubber Ducky

The novel-sized update for The Celebration of Johnny’s Yellow Rubber Ducky is coming along well. The new opening sequence that takes place during Johnny’s childhood is nearly finished (or, at least the first draft is). I still have a few scenes to write for his teenage years, but I expect to have the new first act finished soon. In this section, we learn how Johnny gets the duck and why he’s so attached to it. We also get to spend time with his semi-dysfunctional family, and who doesn’t want that?

I’ll be keeping the original novelette online indefinitely, but for those who want the complete story of what happens to Johnny before and after the events in the current version, the novel should satisfy that itch.

I may post a clip from the rewrite soon. Stay tuned.

Snow in Miami

Yep, Snow in Miami is still under construction, four months after Christmas and eight months before next Christmas. It’s nearly finished though. I still expect to have it done and released by September. Did you forget I was writing it?

So, that should cover the latest updates on upcoming events and current delays. I’ll come back soon with more information as it develops. Keep reading, folks. Or start reading. Do whatever’s more relevant.

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