Category Archives: Published Ebooks

This denotes ebooks I’ve published or are getting ready to publish. Serves primarily as my official information center for readers who want to know more about my current and upcoming ebooks.

Rush to Preorder: Write at Your Own Risk…er…Pace, Part 3

Missed a part? Play catchup here.

“Rush to Preorder”

In August 2015, I gave my novel, The Computer Nerd, a preorder date for October 20, 2015, the day before Back to the Future Day. Then I started to write it, or add to its existing short story form, rather. I thought this was a good idea. I was on such a hot streak that I thought two months was plenty of time to produce a great title. I thought wrong.

I had just finished and uploaded the revised version of The Celebration of Johnny’s Yellow Rubber Ducky, a novelette that I’d written as a simple short story years earlier (and am currently in the process of revising again to include more story and less fable, but more on that another time), and because I was trying to keep my release momentum up to one new title a month, it was time to get my next e-book title in motion. I was planning on revising and releasing the short story version of The Computer Nerd, which was only about 6000 words and ended with the protagonist taking a chance on his wife not murdering him in his sleep by going to bed with her, but I decided rather quickly that the story was just a first act and really needed more. So, by the second week of August, I ditched my progress on Teenage American Dream, which was supposed to be my next title at the time, and went to work crafting a novel out of that single-act short story. By September 9, 2015, I finished the first draft of the complete novel, and I was happy with it.

I’d set the preorder date for October 20th, because I thought that would give me plenty of time to revise it and get enough beta readers to tell me how to make it better, even though setting a preorder for October 20th meant I’d actually have to have the whole thing done and uploaded by October 10th. But I couldn’t get the beta readers I wanted even though I asked. I got one reader and two advisors for certain moments in the story to cover my every question. Hardly enough feedback to tell whether the story truly worked, or if it was even any good. Had I given myself, say, six months, I might’ve gotten more feedback, or even given myself enough time away from the story that I could read it with greater objectivity and see for myself what works and what doesn’t. Had I given myself that kind of time, or even a year, I’d have been able to learn enough about editing for genre that I could clearly see what was off about the story and worked to fix it before anyone in the public eye would ever see it.

But I didn’t do that. I obsess over most of my stories, which is evidenced by the fact that I keep going back to stories I’ve written more than ten years ago to see if I can improve them, but I didn’t give myself time to obsess over The Computer Nerd. In fact, as I write this two years later, I still don’t know if my ideas for improvement are actually good enough to make it worth public attention even now. All I know is that my plans for its revision are better than what I actually published in October 2015, as a preorder, in an attempt to publish something new every month.

In Part 1 of this unintended series (I thought I would tell this story in one part, not three), I mentioned my plan to rerelease this story with new content and a new title. This is why the planned update for a “finished” novel that people have bought on Amazon or downloaded for free at Smashwords during promotion seasons. I rushed the current version without giving myself enough time to really let it sit with me. I rarely rush through anything without giving myself adequate time to meditate on its details and fix whatever doesn’t work. But the conventions of indie publishing pushed me in ways I wasn’t ready for, and I broke my own personal conventions (and convictions) to see how the story would perform in the marketplace. The result of that performance was poor to say the least. I had no sales at Smashwords or its affiliates, short of a couple hundred free downloads during my I-no-longer-care phase, which aren’t sales, and may not even be reads, and only a couple on Amazon, the first of which yielded a one-star review. The print book never sold. As of this writing, I have the only print copy in existence, and I don’t get far into reading it without cringing. It’s not bad, but I know I can do better.

I intend to do better.

And I wish to do so by giving it a new identity, hence its retitle to Gone from the Happy Place. I want to make sure that readers get the story they deserve and not the one I felt obligated to rush out the door. I still have logistical questions to answer, like whether or not I want to change the opening, or even scrap the original first scene (my gut says yes), but I also have to consider conventional rules for its genre and figure out how best to incorporate those ingredients that the current version lacks, like, say, adding a new character who complicates everybody’s relationship to each other by simply being in the same room as they (because she’s trying to arrest two of the three characters while stealing the third away as a romantic interest even though he’s married to one of the two she’s trying to arrest, and you get the idea…spoiler alert).

The end result of this tale is that each of my stories are now under scrutiny, and some, like Gutter Child, as much as I like their current versions, still need more to become competitive in the marketplace. I can’t save every story or turn them all into blockbusters. But I can still do my best to give each one a proper foot forward, and that’s why I no longer wish to rush anything I write, even those stories I need to rewrite. Gone from the Happy Place is “finished” already; at the same time, I haven’t actually begun the version that will earn its new name, and I won’t start it until I’m satisfied with my rewrites for The Celebration of Johnny’s Yellow Rubber Ducky, Shell Out, and whatever else needs my attention. And even when I do finish it, I won’t release it until I can get proper marketing in its fuel tank. I want to have a better launch for its next version.

So, if you’re wondering why my publishing pace has suddenly slowed to a crawl, or why I’ve produced nothing commercially since May 2016, that’s why. I believe in quality over speed. I ignored it in 2015. I won’t do that again. It’s the same reason I don’t blog all of the time. I’d rather spend my writing on novels than on lectures.

But thanks for reading this all the same! Please come back. Next time I’ll write about…er…stuff, I guess. You won’t want to miss it!

Note: You can find links to most of the books mentioned in this series as thumbnail images to the right. If you’re reading this on your phone, you can find the links at the top. Alternatively, you can wait until I release the revisions and just subscribe to this blog for updates instead.

Please be sure to subscribe to Drinking Café Latte at 1pm to receive alerts when new posts go live. The handy blue subscription button is located at the bottom of this page.

Cover image by Pixabay

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The Experts Aren’t Always Right: Write at Your Own Risk…er…Pace, Part 2

Missed Part One? Play catchup here.

“The Experts Aren’t Always Right”

As an independent author, when it comes to writing and selling books, I have to take matters into my own hands. As much as I would love to have someone else handle my marketing, cover design, copywriting, actual writing, etc., I don’t have that luxury. If I want people to read my stories, I have to get the word out on my own, or convince others to help me by convincing them that what I have to share is worth reading. And to convince them to read my work, I have to market to them, which means, ultimately, the cycle is unavoidable, and I’m responsible for getting the word out regardless, help or not. If it’s near impossible to get any reader interested in reading my work, then it’s even more nearly impossible to get them to market for me. If I don’t do it myself, it won’t get done, and the book will undoubtedly flop.

But even if I do get readers, and even if I can convince a few of them to help me get even more readers, it doesn’t mean my career is set and ready to launch. I also have to figure out how to get and retain fans, which is even more nearly impossible than the even more nearly impossible task of getting a support system to help me find those fans.

But nearly impossible isn’t the same as impossible. Fortunately, impossible is a dead adjective in independent publishing. Okay, more like an animated corpse that seems lifelike. But it’s still dead.

Through traditional publishing, authors have a chance to get their books displayed on a shelf at a bookstore, and by proxy, open an avenue for exposure that indie authors often don’t have. This doesn’t necessarily improve the author’s chances at discovery, as any book that’s displayed with the spine out is no more likely to get discovered than a specific crack in a sidewalk in the heart of a beautiful park would get discovered. But even shy people can discover that crack in a sidewalk if the alternative is to make eye contact with other people, so at least it’s an extra opportunity.

For an independent author, that chance for discovery is almost entirely limited to marketing, whether via e-mail, or word-of-mouth, or blast system like Bookbub or Instafreebie, which tends to succeed only when the author already has a following or fat marketing account and strong copywriting and cover design, and getting a sale through that market or discovery is dependent on whether or not the moon passes by the sun at the precise time a chicken crows while a dog pees on its head, which is, to say, not easy.

And that’s just for one book. What happens when the independent author writes another one? How many times does the moon eclipse the sun? (At the time of this writing, the total eclipse is scheduled to begin in Oregon and proceed through the heart of the United States and into South Carolina in a few hours, so, timely! But by the time this goes live, it’ll be long gone, so ha ha, you gotta wait another 18 months for the next one! But I digress.)

Because it can be difficult to build an audience, and even more difficult to retain one, independent authors are often encouraged to write books quickly (one every month or two) to earn enough income to write full-time. And this is assuming they have at least 3000 e-mail list subscribers who are ready and willing to buy every book the independent author writes, or tens of thousands of subscribers that can balance the odds enough to glean about 3000 loyal readers from the list. With the average $2.99 e-book earning its author 70% of its sales, 3000 loyal readers can earn him over $6000 a book. And that’s great…if he can pop out a new book every couple of months on average.

Traditional authors can’t do that because the industry takes about 18 months to contract and release a book via publisher (the length of time you’ll have to wait for the next total eclipse to happen after today, August 21, 2017, aka the day I’m writing this post, not necessarily the day I’m posting it). But independent authors can release books as quickly as they can write them, which is awesome for anyone who writes quickly and cleanly and doesn’t mind ignoring his loved ones most days.

The key idea here being how quickly one can write, edit, market, and release a full-length book of about 200 or more pages (50,000 words or more) and still be good enough to keep the reader coming back for more. Is one-to-two months for each book really long enough?

I guess it could be. Ian Fleming wrote the James Bond novels in the summers he spent at Goldeneye, his home in the Caribbean (Jamaica, I believe), and spent the rest of the year working as a real spy, leaving his publishers to take care of the rest. That’s about two months per book for his part. I don’t know if he had to do anything more than just write the books. But even still, at that rate, he produced just one book a year. You could say he spent the other ten months researching.

I’d argue that producing a new book every one or two months is beneficial for keeping readers’ attention, but it may also be too much for those who feel oversaturated by reading books only from a particular author who, for some reason, is more prolific than even James Patterson or Stephen King. Ian Fleming had a dedicated readership, and even though it took him just two months to write each novel, it took about a year for his readers to get each one. In spite of the gap between stories, they came back anyway. They had other authors they could read in the meantime.

Indie authors don’t have to wait a year to get a book they’ve spent two months writing into their readers’ hands. But is that a good thing? I have authors I’m subscribed to that I still haven’t read because I simply can’t keep up with their pacing. It seems like every time I think about starting one of their freebies, they’re pitching me a new book. I’m not ready for it yet! Of course, it’s not their fault I’m not ready for it yet. I’ve just got so much else to read. Maybe a year between releases isn’t so bad. But, for the indie author, a year between releases is the same as starving. Seems like neither party really wins here.

I don’t know how involved Ian Fleming got with his books after he submitted them to the publisher, and it may be that two months dedicated to his author career was plenty, but independent authors don’t have the luxury to stop at the writing process or spend two months a year on a single book. They have to maintain the editing process, as well, and that can cost time and money. If an editor charges between $1000 and $2000, for example, then that reduces the author’s $6000 in sales profit to just $4000. And that’s not including cover design costs ($300 on average), marketing services (conditional, but probably more than $100 and upwards to about $600), and any subscriptions to web hosting or e-mail list providers ($100 a month or more), and now the author is down to earning an ROI of about $3000 or less for his book, and that’s assuming he’s grossing $6000, and if it took him two months to produce that book from zero to hero, then he’s earning about $1500 a month as an author, which is about what I make tutoring college students how to write.

It’s not a lot when you crunch the numbers. And it takes a long frickin’ time to get enough subscribers and fans to produce those kinds of numbers in the first place.

Now, these are estimated costs based on research and not based on experience. In contrast, based on experience, each book earns about $3 a year. This is without a mailing list, or marketing system, or editing service, and so on. This is based simply on writing and uploading a book to Amazon or Smashwords and crossing my fingers (what all writers wish they could do successfully) and seeing what happens. This is based on zero reviews, or a three-star average thanks to a one-star review cancelling out a five-star review, and, while I’m at it, wishing upon a star.

And that three-star average is based on cranking out a book in two months without editing, marketing, or having any real beta reading support, save for a single reader who says the book is “pretty good,” which isn’t the same as saying the book is “freaking amazing.”

It’s also based on beating a preorder deadline on the advice of experts who say preorders increase first-day sales and that preorders should be given to all books. No, I’m gonna have to disagree here. Preorders are yet another marketing stage for increasing exposure on a title that needs marketing to get that exposure, but it’s only helpful if the author produces a book that readers would actually want to read, which usually requires something called quality, which is hard to achieve on two months’ worth of writing, marketing, etc. I’ll cover that in more detail tomorrow.

But everything about writing and publishing independently comes down to costs, both in money and time, and neither produces guarantees for success, even though more of each increases the odds.

Now, there are things in my life I wish I could reset like a videogame, most of them having to do with career choices or women, but I don’t regret giving independent publishing a chance. What I do regret is rushing through my titles in order to match the speed that some authors claim they need to produce their own success. It’s that regret that has led me to the decision to otherwise disown the current version of my novel, The Computer Nerd, and seek to revise and release the story under a new title, and to do so at the pace I need to make it worth buying and reading. This isn’t to say that it’s bad in its current form, mind you. But it is to say that it needs better.

More on that tomorrow.

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Cover image by Pixabay

Public Revision: Write at Your Own Risk…er…Pace, Part 1

Would you like to go back in time a few years and redo something you screwed up? Or maybe just a few days? Or even this morning, perhaps? If you could do it all over again, would you refuse that job offer, or decide not to date that person (or marry them), or make that investment in that swamp that was supposed to be the home of the next big mall but to this day remains a swamp? If given the chance, would you have decided against erecting that statue of a controversial figure to our national history?

We all fantasize about correcting the bad choices we’ve made in life, but rarely can we ever do anything but forge ahead and hopefully make better decisions the next time we’re faced with something similar.

In videogames, we see this fantasy realized in two places:

  1. Most games come with a reset button of some kind. We make a mistake in the game, we turn it off, we reload from our last save, and we try again but tackle the problem differently and see if that earns us better results.
  2. Game developers who release a bad or buggy game have many opportunities (if finances allow) to patch it before their clientele finishes lighting up the pitchforks, as long as they remain in communication with their fans and customers that improvements are coming. In this way, they can turn a bad game into a great one, if they pour in the time, money, and love to see it through.

Okay, three places:

  1. In the case of old or poorly executed games, creators can remake their games with better technology and/or better ideas, and anyone who appreciates the idea behind the original may be onboard for trying out the new version. Take a look at SimCity for example…

Or don’t; your choice.

It’s the perfect medium to work with because gamers are the most forgiving people on earth…at least it could seem that way as long as you ignore the flames they fan on gaming forums (especially on Steam) or if you constantly update your game, preferably weekly, even after you’ve released the final version of the final version of the version that jumped the shark because people keep demanding updates when the game has outlived its need for updates and you just want to get on with the sequel or a new property already, but can’t because those ingrates won’t leave you alone about adding that stupid feature where the hero blinks when you press the mouse button three times while upside down because real heroes blink and your game sucks if the hero doesn’t blink and you said that the hero would blink way back when you announced the game was coming and foolishly published your wish list of features as a motivation or goal for yourself, which included the possibility of having the hero blink at the click of the mouse, as if you were making promises to the people to implement these features when you really intended to implement them only if time and money permitted and that anyone who trusted this wish list to double as your infallibly planned features list would inevitably have their hearts broken, and as a result cry out to the masses that you’re a fraud who only cares about grabbing cash and couldn’t give a crap about releasing a quality or finished product to everyone who deserves the game that they want because they spent a whopping five bucks on it, dangit, and demand to get their every penny’s worth! See, it’s the perfect medium.

But books and movies don’t get the same love, it seems. Or do they???

I can’t speak much for movies, as I’m neither a filmmaker, nor am I in the loop with filmmakers, and the only time I ever see a movie “revised” after its theatrical release is when it goes to DVD or Blu-Ray as a director’s cut. But books are becoming friendlier as a medium for post-release revisions, and I think readers may even be at a point where they’re ready to accept it.

Okay, I don’t actually know if that’s true, but it should be. Here’s why.

Remember The Hobbit by J.R.R Tolkien? Have you read it? It’s, in short, a brilliant fantasy novel that jumpstarted the fantasy craze that continues today, eighty-five years after its publication. It’s a tightly-written children’s book about hobbits, dwarves, elves, trolls, adventures, wizards, and kings, told in a sing-song, fable kind of way, mixed with rhymes, riddles, and rendezvous with fate that captivates the imagination of any of its readers. But did you know that, according the video interviews by Peter Jackson, Tolkien had plans to revise it? After the success of Lord of the Rings, he decided he would write a revision to The Hobbit to better tie the two stories together thematically and theatrically (sounds better than plotrically, so, you know), which, to me, sounds like a worthy plan. If you suffered through The Hobbit movie trilogy (I have, and I’m a better man for it), you’ll get an idea what the rewrite could’ve been like, as Peter Jackson, the director of both Middle Earth trilogies, took Tolkien’s notes about the planned revision (that he clearly never finished) and filmed that, according to the documentaries that come with the films, which are worth watching, even if you don’t care for the movies themselves. Whether that revision would’ve been better or not remains to be seen, but after the success of Lord of the Rings, both in book and movie forms, it stands to reason that readers, whether they’d like it or hate it, would’ve been willing to give it a shot.

And that’s a fair assessment, as we give movie adaptations of books a chance all the time. Sometimes, in the case of movies like Silence of the Lambs and Silver Linings Playbook, these adaptations work. Sometimes, like in the case of The Running Man, the movie even improves on the book. Revising an already published work is not a bad thing, nor should it be a problem, especially in today’s world where e-books are biting off a piece of the reading market.

To revise is to sand off the burrs that mar the otherwise perfectly sculpted image, and reshape that statue of Mr. Controversial into one that looks more like Miss Congeniality, and that revision can happen at any time, even decades after the first version originally went live. The goal is to make sure the new version is better than the old one, and to make sure the end result won’t piss anyone off or cause a riot in the streets.

Having said that, tomorrow I would like to move toward a discussion about my book The Computer Nerd, and why I think it’s important to write and release a revised version, retitled Gone from the Happy Place, and why you should be happy that I’m doing so. I’ll begin by discussing the nature of independent publishing and why it’s a tough business. Hope you’ll come back for it.

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Cover Image by Pixabay

Friday Update #10: The Summer of Silence

It’s been a while since the last Friday Update, and any update for that matter, so I figure with summer ending soon, I should give a progress report about how things are going.

Drinking Café Latte at 1pm:

First of all, the site isn’t dead. It may look it, given that my last post was on May 3rd, but to be fair, my traffic here is so low that sometimes I think I’m wasting my time posting anything new. One of the important things about making the most of our time and resources is to feed the things that work and ignore the things that don’t, and this blog is ignored enough by others that I feel justified in minimizing my time keeping up with it.

But, that’s not the only reason my posts have become infrequent. Frankly, I’ve been preoccupied with other projects of the likes that can’t be posted here, at least not in a way that I’d consider interesting to anyone but me, so rather than bore what audience may happen across this site, I’d rather post nothing.

If you’re wondering, though, I’ve been spending a lot of time rewriting the “code” for a game I’ve been working on since 2009. More on that in a future post.

But, as I said, the site isn’t dead, and I do have some new posts planned for the coming weeks that you should keep an eye open for. I hope to post the release calendar for these posts in the next few days, so keep an eye open for that, too.

Writing, Authorship, etc.:

Even though I haven’t been posting anything on my blog the last few months, I have been picking at some old stories with the intention of rereleasing them with new content. This has been slow-going, with most of my focus on game design lately, but certainly not nonexistent. I’ve since scrapped the idea of releasing a new annual Zippywings title, as my 2016 titles are too few to justify making a new book, and my 2017 titles haven’t been in progress, period. But, I do plan to release a special edition volume that includes rewrites of my 2015 titles, print versions of my 2016 titles, and a handful of extras never before produced as an e-book. It may not be the only Zippywings master collection I produce, but it will be the first of the definitive editions, and hopefully the final short story/novella versions of these stories that date as far back as 1995. If I produce a second volume, I plan to include all new material for that. But that’ll be a while still.

Anyone who follows my e-books will know that Superheroes Anonymous: A Modern Day Fantasy, Year Two, is my most recent release, and is now 15 months online. After a year of releasing one title after another, it may seem like I’ve run out of juice. But that’s not the case.

For those who have not been keeping up with me the last year, I have spent much of the last 15 months relearning not only my craft, but also editing and marketing, and I’ve purposely held off on getting too deep into any new project without having a stronger foundation of professionalism, product value, and delivery.

To boost my chances at getting my voice heard by more ears (or seen by more eyes), in March I’d enrolled in an online course called Author Remake, by Alinka Rutkowska, which outlines step-by-step the process for reaching and retaining the most fans and for getting my work out to the most venues possible, and I’d also subscribed to a few programs, including, most recently, KDP Rocket, to increase my chances at gaining exposure for my books. I’m still figuring out how to make the most of these tools, but the good news is that by this time next week, I’ll be fully paid off on all of it and can start moving toward developing a better central hub and mailing list (and freebie incentives) for those who want to become fans. It should be noted that most of my online presence will likely transfer to that hub when the time comes.

Even though I’m still making updates to previously published stories (because, I can, so why not?), I have new ideas that I hope to break ground on soon. I don’t want to spoil any surprises, but let’s just say that one of my ideas may or may not include a couple of dumb teenagers who somehow save their town from destruction. More on that another time.

In-progress Projects:

In the last year, I’ve mentioned or posted details on future projects that still have not seen the light of day. Here’s a basic report on where everything is at the moment:

Gone from the Happy Place:

This is my rewrite/retitle of The Computer Nerd, which will address some of the story flaws I’d either ignored or didn’t think about when I was rushing to release it back in October 2015. I’ll write postmortem on that story at some point, but let’s just say some practices should not be done, regardless how many “experts” say that you should.

The story is still coming, and I hope to release it soon. But I won’t do so before my author hub is ready. For the time being, The Computer Nerd (or, The Computer Nerd Scandal, depending on where you’re finding it), is still available for sale, and will probably remain on sale until Gone from the Happy Place is released. After that, I don’t know. I don’t really want to confuse readers, but I also don’t like the idea of making anything unavailable, especially for historical purposes. We’ll see.

Teenage American Dream:

The short story version will more than likely make an appearance in the next Zippywings title, but the novel is going poorly, in my opinion. I haven’t spent any length of time powering through it, and for good reason. I’m having trouble deciding if it even works. To be clear, I’m sure I can get it to work, but there are problems I have with it that I haven’t figured out how to fix, and because it’s like a bronco that I have to tame, and finish for that matter, I’ve made it easy on myself to find distractions in other things.

I do still pick at it, and at some point I’ll figure out what’s wrong with it and reshape it into something worth reading. But for now, it’s going to take a while for me to finish it. Don’t expect it before 2018.

Oh, and when I do release it, it will also have a different name. “Teenage American Dream” will remain as the title for the short story version, however.

Sweat of the Nomad and Zipwood Studios:

I haven’t really done anything with these stories yet. Like “Teenage American Dream,” the short story/novella versions will appear in an upcoming Zippywings anthology, but the novels will be further off. Can’t yet say when I’ll have more information. They’re still on the planner, though.

A Modern-day Fantasy Series:

The main hold-up on these books is in deciding how I want to block them. For the longest time, I had a clear vision about how I wanted this series to unfold, but after all that I’ve been learning this year about editing for genre, I’m starting to rethink this vision and how to restructure these stories to fit conventions better. I’m also giving thought to a prequel trilogy called Pawn of Justice, which follows series regular FBI Special Agent Thomas Sturgeon as the lead, and how it sets up the A Modern-day Fantasy story line. At some point, I’ll just need to dive in and write them. But, I want to make sure I don’t dive in blind. Again, this will be addressed in a future blog about The Computer Nerd (if I haven’t written it already and simply forgot).

Snow in Miami:

I got about halfway through this story last December and then stopped. I don’t remember why I stopped, but I think it had a lot to do with the season ending before I could finish, and my plans to release it as part of Zippywings 2016 also ending. Incidentally, that was about when I decided to give up on Zippywings 2016 even though I highly considered releasing it anyway as a June 2017 book. Sometimes deadlines approach faster than endings. They aren’t supposed to, but there are plenty of things in this world that aren’t supposed to happen. Anyway, my current plan is to finish and release it as part of a Christmas trilogy, which would include 2015’s The Fountain of Truth and whatever I write at the end of this year. Hopefully that’ll work.

Gutter Child:

Can’t remember if I’ve spoken about this online, but this remains my least popular story, and I’m sure it’s for good reason. I want to turn the existing story into a subplot for a greater story, and I’ve been reading a number of thrillers lately that have given me some ideas on how to make this better (and more commercial). Like The Computer Nerd and Teenage American Dream, this will get a name change when I’m finished. More on that another time.

Previous Titles:

As part of my plan to rebuild my platform on more solid footing, I’ve either rewritten, am in the middle of rewriting/revising, or plan to revise the following stories (by adding new content and deleting irrelevant content):

  • Shell Out – New chapters to better frame the character’s motivations. (to be done)
  • When Cellphones Go Crazy – New chapters to add subtext to the story and provide a stronger ending. (done)
  • The Celebration of Johnny’s Yellow Rubber Ducky – New chapters to make it less of a fable and more of a story with proper antagonists and goals. (in progress)
  • Cards in the Cloak – Rewritten scenes to keep the conflict front and center. (done)

I need to review The Fallen Footwear for content, but this, too, may get an update if I find one warranted.

It should also be noted that, due to length, I may spin Cards in the Cloak off to its own book and leave it out of the next Zippywings anthology. It’ll depend on how long it is with and without Cards.

If you want to keep up with progress on these existing stories, feel free to check out my page at FictionPress (my user name is zippywings), where I’ve been posting new chapters these last few weeks. They’ll appear there first. It’s the only place I’m getting proper feedback.

My First Mullet:

Stay tuned…. That’s all I’ve got to say about that.

Life in General:

Other than that, I’ve been trying to keep from getting heat stroke this summer. I’ve read a few good novels, which I’ll likely reserve my reports on for a separate post, as this one is getting long. I’ve also seen just a handful of movies—Spider-Man: Homecoming was the only good one since my last post—and I’ve been watching a lot of news. I’ll keep my opinions to myself about current events, though. Socially, things are awful, but that’s nothing new. My car is making strange noises. My debt is less than it was a year ago, but still higher than I’d like. Work is work.

I guess that’s good for updates right now. Oh, I’ve spent a lot of money at Wawa this summer. They’re aggressively opening stores in my area, and I’ve made the mistake of giving them a chance. Now I seem to eat there every week. Sigh. This is why I can’t have nice things. I spend too much on temporary things. But it’s so good. And it’s a gas station. Sigh.

Don’t forget to check back here in a few days for the release calendar of upcoming posts. The future is exciting (unless you’re lame).

Friday Update Bonus: Saturday Night Special – Happy End of the Year Report

So, 2016 is finally over. Hooray!

To celebrate the passing of one of my least favorite years in a long, long time, I would like to point you in the direction of the header where you might see the tab “My Books” awaiting your attention. Doesn’t that look nice and official up there?

Now, look a little closer. If you hover your mouse over the tab, you’ll see a dropdown menu cascade before you. In that tab, you’ll see a list of all of my currently available e-books. You may also notice that some of those titles have right-facing arrows beside them (looks a little like this > ). Note: For you phone readers, you may have to click on the three lines beside the magnifying glass to see what I’m talking about.

A couple of those title selections have had arrows there for months and months, but perhaps you haven’t noticed until now. Those arrows, if you see, point to sample chapters for the matching books. For nearly a year, the only books you could sample were The Computer Nerd and Teenage American Dream (in “Future Books”), and only the first six and five chapters respectively.

Well, as a belated Christmas present and in celebration of 2016’s much anticipated exit, I have not added anything to The Computer Nerd (sorry, keep reading to find out why), and Teenage American Dream remains unreleased, but I have added the entire stories of not one, not two, not three, but eight of my current e-books to Drinking Café Latte at 1pm, each for free, and each completely. All you have to do is select the chapter or part you wish to read from the submenu marked “Read (Title),” or access the store page for that book and scroll down to the bottom, and follow the chapter links to read the stories in their entirety. If you’ve ever been on the fence about reading these books before, now you can test drive them to your house and back risk-free.

And, if you’d like to download the official e-books for your phone or e-reader from the store of your choice, you can still do that. Those links are open. Smashwords, Barnes & Noble, Apple iBooks, Kobo, and Inktera have them available for free. Amazon Kindle has them for $.99 each, though I’m pretty sure it’ll price-match Apple, so I think you can get it free there, too, even if it doesn’t say you can (I’m basing this on recent sales reports). Basically, there’s no reason not to check them out, now that you can have free access to them whenever you want and wherever you are. Want to read at the beach this January? You can do that! (Yes, I know it’s not the right season for that, but I live in South Florida, so every day is a beach day for me.)

The titles you can now read for free in their entirety here at Drinking Café Latte at 1pm include:

  • Shell Out (2015)
  • Eleven Miles from Home (2015)
  • Amusement (2015)
  • When Cellphones Go Crazy (2015)
  • The Celebration of Johnny’s Yellow Rubber Ducky (2015)
  • Lightstorm (2015)
  • The Fallen Footwear (2016)
  • Waterfall Junction and The Narrow Bridge (2016, two stories in one)

I will also likely make Cards in the Cloak and The Fountain of Truth available here for free in the near future. But Cards in the Cloak is almost the length of a novel, with the first chapter in need of a slight rewrite, and The Fountain of Truth has one section that I’ll need to split into pieces, which I haven’t figured out yet, so it will take a little more time to get those online. Keep an eye open for them.

Regarding The Computer Nerd, I am still contemplating the possibility of changing its title and relaunching with a new cover, new first chapter, and a few other changes in 2017. So, I don’t foresee the Drinking Café Latte at 1pm version of the story (in its entirety) going live before then. Again, stay tuned for updates.

Finally, Christmas is over and I did not finish Snow in Miami in time. Rather than rush and release a terrible version of the story, I decided to hold it back for now, until I have a draft I’m happy with. I’ll release it as part of Zippywings 2016, hopefully at the end of February, and I’ll likely release the standalone version next Christmas, hopefully with a companion book. I was too swamped with other things this year to really focus on any one story for long. Plus, I want to launch books a little smarter in the future than the way I’ve been doing before. That said, 2017 will probably yield low in my slate of upcoming books, but I do hope to start releasing new titles after April (when I finish the CPT class I’m taking on Saturdays).

So, that’s your end of the year report. Hope you have a happy start to 2017. I know I will. Thanks for your readership. One of these days I’ll get my mailing list up and running so that you don’t have to stumble upon each update here. For now, keep watching Facebook or Twitter for updates, or, if you hit the subscribe button below, you can get updates in your mailbox. It’s the best way to find out what’s new. You can also send comments whenever you think I’m taking too long to do anything around here.

Happy New Year!

Friday Update #9: Superhero Switch and the Coming of Christmas Brings Snow in Miami

Welcome back to Drinking Café Latte at 1pm. As you’re aware, Christmas is coming fast and hot (well, depending on where you live, I guess), and that means eggnog, gingerbread coffees, cookies, and all sorts of goodies are on the way, and I’m here to let you know about some goodies that are coming your way from me.

Goodie #1:

For those of you who have been reading Cannonball City: A Modern-day Fantasy, Year One this past year (the anniversary of its worldwide release is coming at the end of the month), I have great news. Its sequel, Superheroes Anonymous: A Modern-day Fantasy, Year Two, is now free for a limited time. How limited is this time? Hard to say, but I’ll keep it free throughout the holidays for sure. However, it’s best to pick it up while you can, before I put the price back on. You know what happens when you procrastinate? You forget. And then you lose. So, don’t procrastinate.

This freebie comes with a trade-off, however. My plan since day 1 has been to develop and release a bite-sized version of the series, where the Annual Editions are broken down into individual story units closer to the length of a traditional thriller or adventure novel. The individual stories would add up to the same universal conflict, but due to the way that conventions dictate how a story unfolds, the core story points would inevitably change. Essentially, A Modern-day Fantasy Annual Edition and A Modern-day Fantasy (Standard Edition) would develop at different speeds and in different ways, while keeping the story line roughly the same.

Because I don’t want to confuse readers with the option to choose the bulky Annual Edition over the easier-to-manage Standard Editions (which would take two or three books to equal the story of an Annual Edition entry), I want the pricing to make it easy. In short, I’d rather readers stick with the Standard Editions. The Annual Editions serve as my original vision for the story, but experience has since taught me that the Standard Editions make for a better fit (and more satisfying read). It doesn’t mean they will be over before they begin, but it does mean the story can be delivered at a more sensible pace.

So, the trade-off for Superheroes Anonymous: A Modern-day Fantasy, Year Two going free for the holiday season is that Cannonball City: A Modern-day Fantasy, Year One will now cost you $4.95 to pick up. So, I hope you were one of the people who contributed to its 543 free downloads this year, and not one of the procrastinators who kept putting it off.

It should be noted that I don’t plan to make Cannonball City permafree again. It was free for a year to introduce readers to the character of Jimmy Knightly, but with the Standard Editions on the planner, I don’t see a reason to keep it free, as one of those books will surely come out with a free price tag. Likewise, Superheroes Anonymous will be free for a limited time, but limited times run out before you know it.

Moral of the story: Don’t put things off. You’ve got a good goodie to get, so get the goodie while the getting is good.

Goodie #2:

A year ago, I released an e-book called The Fountain of Truth, which is a collection of three holiday-themed fables, one of which is a revision to the classic tale of how Santa Claus began, one which teaches us to listen rather than to assume, and the titular title reintroducing a story I like to share on Facebook every Christmas Eve about speaking truth. This year, I am preparing another holiday-themed collection called Snow in Miami, which will feature an update to my flash fiction story “Unexpected Weather,” with two new stories, “A Black Friday Tale” and “The Pear Tree,” included. In this book, the three stories will be threaded together through the lens of a husband and father who must learn how to actually be a caring husband and father through his sharing of holiday stories with his wife and son. We get a sense early on that his wife and son are just people who live in his house and demand things from him that he doesn’t want to give. But throughout the course of telling and hearing these stories, he begins to understand just how lucky he is. So, you’ll actually get four stories for the price of three.

I don’t have an estimated release date for Snow in Miami, as I’m still having to split my time between work, CPT test prep, and other projects. But I do expect to upload it to Smashwords before Christmas. However long it takes to get through the channels to the other stores will depend on that upload date.

In the meantime, enjoy this opening sample from “Unexpected Weather”:

Mr. Carson propped his feet on his desk and lit the cigar he had been waiting all day to smoke. Chicago’s temperatures were falling by the minute, and the muzak filling the room was gradually integrating bells and chimes into its drowsy score. Christmas was coming soon, and the bonus he was sure to get from his most recent mega-sale would pay for gifts for the entire family, the neighbor’s family, and even the meter reader who occasionally showed up on his property to gauge him for his utility usage. It would be a Christmas like no other. He’d finally have the means to stock his yard with a holiday scene so spectacular that he would surely win the neighborhood decoration contest this year. He’d even hire that ice sculptor to carve out the outdoor ice bench he had always wanted to sit on, on Christmas day.

His success was a long time coming. Months of proving to the boss that he was capable of leading his office would have to pay off now. Months of top-level ignorance would have to come to an end.

He puffed on his cigar and let the smoke fill his mouth. He was forming cloud nine between his cheeks.

His chair started its backward arc toward the cubicle wall when his boss, Mr. Rivers, popped into view. He had snuck up on Mr. Carson wearing those dang moccasins again.

“Carson,” he said, “how many times I gotta tell you not to smoke in the building?”

Mr. Carson pulled the cigar from his mouth and dangled it over the edge of his desk, just above the trashcan. He wasn’t permitted an ashtray, so he made it his habit to catch the ash in the can. He kept a separate can for paper to the right of the desk to prevent accidental fires. This one just held a single plastic bag.

Mr. Rivers shrugged. Then he handed him a narrow, gift-wrapped package.

“Here, no need to apologize. I decided to make your life easier.”

Mr. Carson took the package, flipped it over and under, listening for something to rattle inside.

“Open it,” Mr. Rivers said. “Early Christmas present.”

Mr. Carson was a little suspicious. He knew Rivers had heard about the mega-sale, and per the standards of the company, sales that large warranted bonuses. Mr. Carson hoped that this wasn’t his bonus. He had been counting on a large check.

But he obliged his boss. He pulled off the wrapper and tossed it in the can to his left. A narrow green box was exposed. He opened it. Inside was a skinny electronic device.

“E-cigarette,” Mr. Rivers said. “Or vape, as they’re calling it now. Unobtrusive and mostly safe for indoors.”

Mr. Carson opened the battery hatch to find it empty.

“Sorry, batteries not included. Figured you could try it at home first, in case it’s not as safe as I assumed.”

Mr. Carson looked up at his boss, but didn’t say anything. He wasn’t sure what to think about this gift. He was an authentic smoker, proud to carry around his packs of real nicotine darts with the silver lighter that had the naked woman silhouette he was so fond of. Gift from his dad on his eighteenth birthday. Refillable fluid. A real gift from a real man.

“No need to thank me,” Mr. Rivers said. “I should be thanking you for nailing the Trifecta Account today. In fact, I am.” He gestured at the e-cigarette. “Stroke of genius.”

Mr. Carson shrugged. No big deal.

Okay, it was a real big deal, but he didn’t like to brag in front of people who cut his checks. They were a notoriously humbling lot, positioned to strike down anyone who displayed too much pride for a job that was somehow enhanced by the assistance of a team, which this particular sale was not: he certainly had a right to say it was all on him, because it was. But Mr. Rivers didn’t like braggarts, so he kept his mouth shut.

“Anyway, I had a talk with the bigwigs upstairs, and they agree that your work on this account was of stellar performance, and they think you would be perfect for their starter office in Miami.” A wide smile formed on Mr. Rivers’s lips. “You start in two weeks. Isn’t that exciting?”

Mr. Carson finally opened his mouth. The smoke he had been savoring finally blew out into the opening and evaporated. The space between his cheeks was now nothing more than a tongue that had lost its taste for change.

“In lieu of a bonus, the board has agreed to pay for your moving fees instead.”

Mr. Rivers leaned over the desk and patted Mr. Carson on the shoulder.

“I’ve already asked Mrs. Williams to set up the conference room with finger foods for your going away party. You like bologna sandwiches, right?”

Mr. Carson was partial to turkey, but his boss never paid attention.

“Anyway, you’ll like Miami. Never gets cold there. Just think, you’ll get to spend Christmas at the beach. Isn’t that exciting?”

Mr. Carson thought about the ice bench he would not get to sit on, on Christmas day.

“Anyway, enjoy your last day. Again, sorry about the batteries. I was thinking I’d let you wait for the party in the observatory. I know you often talk about the big window overlooking the lake. Thought you might want to remember the view.”

Mr. Carson’s sister’s apartment overlooked the lake. They were just over there for Thanksgiving. Mr. Rivers was thinking about someone else.

Mr. Rivers’s eyes drifted down toward the trashcan to Mr. Carson’s left. He reached in it and pulled out the gift wrapping.

“Here, don’t want to cause a fire, right?” Then he found the small plant that Mr. Carson had bought a few months ago to liven up the cubicle. He snuffed out the cigar in the soil. Then he tossed the cigar in the trash. “Housekeeping will take care of your garbage today.”

Mr. Rivers paused at the opening as he headed out to the walkway outside the cubicle. He tried to look at Mr. Carson from over his shoulder.

“Good luck in Miami, Carson,” he said. “You’re going to do amazing things there.”

Mr. Carson was barren of thought by that point. The world stopped making sense to him.

***

            At home, Mr. Carson didn’t know how to tell his wife that the money in Chicago was coming to an end, and that to keep the money flowing, they would have to fly south with the birds. As he rehearsed his speech in his mind, and subsequently shot each version down as ridiculous and an invitation to make Mrs. Carson cry, he took the carton of cigarettes from his trusty brand out to the front porch and lit one stick after another. By the fifth smoke, he was feeling a bit more relaxed. The chill in the air was giving him goosebumps, and the night was steadily growing comfortable.

By the time he had stubbed out half the pack, he was feeling pretty confident in his speech. She would understand. She would have to.

***

            Mrs. Carson didn’t understand.

“Who does he think he is?” she asked, when Mr. Carson told her the news.

“The Great and Powerful Mr. Rivers,” Mr. Carson said.

“We have a life here, John. A life.”

“Yes, I know that, and you know that. But knowledge hasn’t had much power around here lately.”

They were sitting at the dinner table, and Mrs. Carson was just about to pour the wine when Mr. Carson got to the dark side of his speech. It had begun beautifully, with the news that he had succeeded at his big sale. Mrs. Carson was so happy for him that she retrieved the bottle of Chianti from the rack to celebrate. But Mr. Carson didn’t want to lose his place from what he had practiced, so he continued talking. Mrs. Carson put the cork back into the bottle before the first drop hit the glass. Uprooting everything she knew to start over in some gaudy place where the natives walked around half-naked in their front yards at Christmas time was no cause for celebration.

“I just wish you’d stand up for yourself every once in a while,” she said.

“I do. But they don’t listen.”

“Standing up for yourself requires getting them to listen.”

Mr. Carson shrugged. He knew she was right. It wasn’t like him to marry someone who didn’t see the truth in things, and she could see the truth in anything. He liked that about her, even though it caused him stress most of the time.

“Maggie, here’s the thing. The door here is closed. Once they close it, they close it. I know this isn’t ideal, especially with Christmas coming up. But it’s a great opportunity to—”

“Great opportunity? You’re already sounding like them. Have you really thrown in the towel that fast? Without consulting me first?”

Mr. Carson set his fork down. He could sense the conversation was going to interrupt his eating rhythm for a few minutes.

“This isn’t a matter for consultation. They didn’t ask me if I wanted to go. They told me I’m going. Even if we don’t go, I can’t go back to that office, not for anything other than to throw my stuff into an empty box.”

Mrs. Carson’s eyes began to tear up.

“I don’t understand why they won’t give you a choice,” she said.

“It’s called business, Maggie. Relocation was always a possibility. Said so on my contract. I just didn’t think they’d ever call on it.”

Mrs. Carson pushed her plate away and stared off to the side for nearly a minute.

“You know,” he said, “you’ve been wanting a tan for a long time. This could be your chance.”

She rolled her eyes. He noticed the corner of her lips turning upward slightly.

“Your dream body will follow. Imagine the influence of all those bikini-clad beach bunnies turning you to an obsessive fitness and diet fiend. For the holidays no less. Make all your friends up here jealous of your luscious figure.”

Mrs. Carson’s expression lightened. She was considering it now.

“Think of Nancy and her big butt. Then think of you and your smaller butt.” He brought his palms close together to signify the differences in the two butt sizes after hers would shrink.

Mrs. Carson pulled her plate in front of her and started eating.

“I should probably enjoy this dinner while it lasts then,” she said.

Mr. Carson leaned over the table, angling as close to her as he could.

“It’ll be okay, I promise.”

He wasn’t sure it would be okay. He knew nothing about Miami, except that it was hot, crowded, and the music was bad.

Mrs. Carson nodded. “Okay. If we’re stuck, I guess we have to go where the money is.” Her face was still solemn, but not like it was when he had broken the news.

“We’re not stuck. We’re going to be better off than we are here. Richer and happier. And thinner.”

She put her hand up.

“Fine,” she said. “We’ll make it work, I guess.”

After dinner, Mr. Carson retrieved the box that Mr. Rivers had given him earlier and took out the vape. He found a box of batteries in the refrigerator and popped one into the compartment. He wasn’t sure what to do with it exactly, but he started with the button on the side. The thing began to smoke almost immediately. It was as if he had put a thermometer in his mouth and a fever had set it on fire.

“What’s that thing?” Mrs. Carson asked him, when she returned to the table after clearing it.

“Gift from the boss. It’s one of those electronic cigarette things.”

“How is it?”

Mr. Carson thought about it for a moment. It was considerably weaker than his normal cigarettes. And yet, it had a certain flavor to it that he found pleasant. Even fragrant.

“Weird,” he said. “Well, different.”

He pulled the device out of his mouth and stared at it.

“It makes me feel different.”

He put it back in his mouth.

“But in a good way, I think.”
 

(end sample)

Have a good week.

Friday Update #8: Quiet, yet Still Here, and Still Making Strides toward a Better Future

I’m looking at my update history, and I see that it’s been a couple of months since my last post. If you’re following my blog, I have likely given you enough time to forget that Drinking Café Latte at 1pm is a thing, so let me step back into the light for a moment to ensure you that it is still a thing.

But where have I been?

I’ll give you a quick summation of things, and then I’ll get to the stuff you’re probably on here to find out more about.

Hurricane Matthew

So, I live in South Florida, and one of the big issues that South Floridians had to face in early October was a little thing that could’ve been utterly disastrous called Hurricane Matthew. Even though the hurricane did some damage along the eastern seaboard, it didn’t do anything close to what meteorologists were promising us back on October 6th, which was essentially total devastation. A Cat 4 rolling in with a 15-foot storm surge in a place that rarely gets hit so hard is only manageable when the ground is higher than sea level. Where I live, we are pretty even with the sea, so a storm surge of 15 feet would bring the ocean into many of our neighborhoods, and even though I don’t live in a flood zone, a surge that high would possibly turn my neighborhood into a flood zone. So, I was understandably living on pins and needles that day.

Fortunately, the storm did not quite reach our coast—an act of God perhaps, as all the models were telling us that we were screwed, and even the weather reporters on the local stations were visibly nervous, and justifiably relieved when the storm took a new track in those final moments. The storm turned so early, in fact, that I didn’t even lose power.

But because it was forecast to bring doom to our town, I had to spend some time preparing for it, and writing and researching wasn’t really top on my mind.

A New Course

The following Monday, October 11, my manager pulled me into her office and handed me a sheet of paper, saying, “Here, I think you’d be good at this.” I looked at the flier and saw an invitation to sign up for a CPT certification course in manufacturing at the college I work at (different campus, though) for just $300, thanks to the school winning a science grant (normally a course like that would run for $1800). The benefit to signing up was that I could earn 15 credits toward an AS degree in engineering, should I ever elect to work toward one, and earn an extra $5000 a year in a related field. Because I make very little doing what I do for a living already, and because I make far less doing what I love on the side, I thought it was worth looking into. Of course, because I make so little doing what I do, and far less doing what I love on the side, spending $300 on anything these days is a luxury I often cannot afford.

However, this program was set to begin on October 15th, payments would’ve had to been submitted by the 14th (remember, I found out about this on the 11th), and if I were to sign up, I wouldn’t have had much time, if any, to really debate the pros and cons of changing my direction on the fly, to rededicating my time to something I didn’t even know if I wanted to do, or even to figure out if I could afford the cost. Whatever I’d decide would’ve been a snap decision that could ultimately change the course of my professional future, and making a choice for or against would’ve affected me for years to come, most likely.

Then I considered that the 14th was payday, and that I would’ve had just enough to cover the bill if I were to skim on a few others, and that I’d been praying for opportunities to embark on a more profitable life for a long time now, and I saw this as an answer to that prayer, so I took the chance on it.

November 5th was the day of our first exam—on OSHA standards and safety—and I passed. I’ve got three tests to go before I earn that certification. The class will continue off and on until April.

What that means for my writing and other projects is simple: I have to actually study something for school again—something I haven’t had to do in 12 years—so I’m relearning how to be a student, and doing so is cutting into much of the time that I had originally put into my other projects. So, I haven’t been doing much work outside of studying and game designing (one of my secondary hobbies) since my last Friday Update.

The Computer Nerd

But, I did make time to update the ending to The Computer Nerd. I still have a few changes to make before I can call myself satisfied with the story enough to push out a final revision (or at least final until I learn yet another important lesson about mysteries and thrillers), but I’m getting close to updating Amazon and Smashwords with the newest version. I won’t give an ETA because I haven’t made it priority since October 15th, but I do have a few holiday breaks coming up, so I foresee the possibility of an update happening in December sometime.

Zippywings 2016

Finally, because the end of the year is fast approaching, I feel it’s time to discuss the likelihood of a new collection of short stories appearing at various e-book retailers come the last days of 2016.

My original plan (as of last year) was to produce an annual collection of short stories (called Zippywings, which is based on my online presence) for the years 2015, 2016, and 2017, to supplement the forgotten volumes I had produced between 2004 – 2006 called The Collection of Junk. I had developed this plan based on the assumption that I would be producing revised editions of my existing short stories throughout these three years, with novelized versions of select stories appearing beside them.

However, this plan has been significantly altered thanks to the lack of sales I’ve made on Zippywings 2015, or anything really. Pretty much my entire e-book success has been based on the free short stories I released in a yearlong burst of productivity, and not one paid book has generated more than four or five sales. This greatly reduces my desire to even produce Zippywings 2016.

However, I am a perfectionist at heart, and I still like the idea of having the book exist, even if it exists only in my personal library. So, I will be putting it together. But I don’t think it will include much more than what I had already produced at the beginning of the year.

The stories that will be included in the volume:

  • Gutter Child (novella version)
  • The Fallen Footwear
  • Waterfall Junction
  • The Narrow Bridge
  • Teenage American Dream (short story version)

The stories I hope to revise in time for inclusion:

  • Sweat of the Nomad (novella version)
  • Zipwood Studios (novella version)
  • Snow in Miami (the Christmas special)

Of these stories, “Snow in Miami” is the only one I plan to also release as a freebie on Smashwords, if I finish it in time. Like I said, writing hasn’t been a priority with everything else coming at me this season.

The other three, which you’ll probably recognize as the titles of the next three novels I had planned, exist as short stories, and have for years, but I had wanted to rewrite them as longer form stories. Because that plan is on hold for now, I figure there’s no harm in releasing the original versions (with better writing) as part of Zippywings 2016, and then address their novel versions, which will likely endure different titles, later.

The Next Friday Update

Because I’m not writing as often as I’ve been in the recent past, I don’t expect to deliver a new Friday update each week like I had planned this past summer, but I will stay in touch as important developments arise, so do subscribe to my blog, or check back here often for new news. I expect to post at least one more by Christmas, maybe a couple, so don’t forget about Drinking Café Latte at 1pm. Updates will continue, even if they’re slow.

Post Script

Oh, and we elected a new president last week. That’s new, if you haven’t been keeping up. To quote a line from the 1996 film, My Fellow Americans: Hail to the chief, for he’s the chief and he needs hailing.

Friday Update #7: A Primate Mailman and Other Marketing News

Since my last update, I’ve written part of a new prologue to The Computer Nerd, in an effort to raise the stakes of the story a little sooner. I still have to finish it and clean it up, but it’s there and in progress. Here’s a snippet of what’s to come:

            Something in the dark slammed against the handle to her locked bedroom door, and she shot forward out of her restless sleep. The ringing echo of clanging metal had barely died when the unknown force hit the handle again. This wasn’t the usual wakeup call she had every morning. If it was even morning.

A pair of stem-shaped shadows divided the dim light shining through the crack under the door and stretched across the floor toward her. They didn’t shake, just remained stock still as the source of the shadows jostled the handle, cursed, and jostled the handle again.

The woman slid her feet out from under the sheets and reached for the table near her bedside. Her robe was folded on the tabletop. She had asked the assistant who placed it there to keep it neat, but now that she needed it, she wished she had left it near her pillow where she could reach it.

“Come on, you useless tool,” said the gruff voice on the other side of the door.

The woman felt anxiety creeping up on her. She expected someone to unlock her door as they always did first thing in the morning, but they usually had keys. And they rarely cursed at the door. She didn’t know who was trying to break in, but the last thing she wanted was for the impatient man to see her undressed. In spite of her circumstances, she still wanted to look classy.

She stretched toward the table again, but the handcuffs locking her to the opposite rail prevented her from reaching all the way.

“Fine, you leave me no choice,” said the man on the other side.

The woman was given one pillow. It was hardly big enough for her head. She tried batting at her robes with it, but she merely brushed the edge of the table.

The shadows finally shifted to the side. The man on the other side of the door was changing his entrance strategy. She had no idea how long it would take him to enter, or what he would do once he finally broke in. In spite of the near frigid temperature of her room, she began to sweat.

And that’s just the beginning. I hope to upload a new version of The Computer Nerd in time for the first-year anniversary of its worldwide debut on October 20th. Keep an eye on the news.

Time for MailChimp

After an unnecessarily stressful time at my job this week, I decided it was time to pull the trigger on setting my marketing strategies to get more attention on my books, as a way to bring me closer to financial independence. Seminar after seminar I’ve been listening to this summer has universally agreed that the mailing list is the way to go, and that MailChimp is the best site for beginners to use. So, that’s what I did this week. I signed up for the service.

Now, I haven’t done anything with it yet. And I probably won’t for a while still. But what I think I’ll aim to do is to write a pseudo sequel to The Computer Nerd (more like a side story involving the bounty hunter Mr. Sanders) and make it free. Then anyone who subscribes to the mailing list through the second book can get the first one free. Then I can resume marketing strategies as usual for the third and, if I deem it necessary, fourth books.

If you’ve read The Computer Nerd and you’re wondering how on earth I would pull a trilogy or tetralogy out of that story, then I would say think of Mr. Sanders as a potential protagonist, and you might figure it out.

Anyway, I’ll be spending some time figuring out how I want to set up my first marketing campaign. It’ll be a while still before I do that though.

The Cost of Marketing

Which brings me to my other eye-opening point. I’ve listened to several of Nick Stephenson’s freebie seminars since June, and garnered a lot of information and tips on how to grow my audience. Obviously, without spending the $600 necessary to get his whole course, I can’t find out all the details, not without extensive independent research. Even though I would like to enroll, I can’t afford that right now. Too many bills and too little income.

But, this week, he sponsored the release of a new book called Broken by author Gordon Hopkins, based on Stephenson’s Leopold Blake character, and offered a 75% launch week discount on the title. Anyone who bought the book between September 10th and September 14th (his traditional five-day window) would gain free access to a new course he’s designed called Your First Six Figure Launch, as well as all six of his earlier Leopold Blake novels.

I bought the book, got the freebies, and listened to the course. And I finally learned of a detail I’ve been trying to figure out since June. Turns out, to get a really good, consistent marketing campaign going, I would need to set aside about $230 a month or so, minimum. And I think that’s before the free 2000-subscriber limit on MailChimp kicks in.

So, for someone whose bills constantly flirt with his matching line of income, I think that’s going to be a huge challenge for me. So, I don’t actually want to get the mailing list active until I’m close to launching the third book (but I’ll start it with the second).

And that’s what I’ve been thinking about this week.

Oh, and I’m back to eating healthier. I’ve lost about ten pounds since the beginning of the month. Cutting way down on the carbs to get that weight loss.

End-of-the Month Roundup: August 2016

My Friday Updates started off with a bang, and then they tapered off, and most of August has been without. “Why?” you may ask. Well, the simple reason is that I haven’t had much to talk about in August.

But, I suppose that’s not entirely true. I have actually done a lot of work, but not on my writing. I’ve been spending much of August studying, marketing in particular, but also editing. It’s the editing I’ve been learning that’s stalled my free-flow of writing. In short, I want to get my stories right, and to do so, I have to better understand the genres they fit in.

I’ve always had a problem with genre classification. I get the general genres like action and drama. But I’ve never been taught the conventions of these global genres, nor the conventions or obligatory scenes of their more defined parts (like action adventure, for example). Thanks to The Story Grid, I’ve been learning more about the genre types, and to some extent the conventions that make them work. More importantly, I’ve been giving more thought to what defines certain stories within their chosen genres, including my own stories. Especially my own stories.

I’ve been wanting to write an update to The Computer Nerd for a while, but I’ve been holding off because I want to attempt to run it through the grid (as outlined at The Story Grid website), and I want to be sure I fully understand how the grid works, and in turn figure out what I still need to do to make The Computer Nerd work. I also want to pick up Shawn Coyne’s book so that I have some kind of textbook to refer to when I give storygridding (a term Shawn Coyne coined) a try. I think it’ll be easier to graph once I know exactly what I’m supposed to do.

To be clear, I do think the story works based on the genre I’ve established. But now I’m wondering if I’ve picked the right genre. And I also think I can make it better. Even still, I have pictures in my head for improving it.

But, of course, that’s not the only thing I’ve been studying, nor the only thing keeping me up late at night.

When I do put it through a new rewrite, and eventually rerelease it, I also need to consider the cover image. I like what I have, but I don’t know that it’s appropriate for the genre. So much to consider, and I feel like no matter how much I learn about my craft, my awaiting knowledge seems to stack and stack.

There’s also the secondary concern about marketing. Whenever I do reedit and repost the story, I’ll want to do so with a change to the metadata. In short, I want this thing primed for marketing, and that means stripping out much of what’s already in there and replacing it with a more direct (and beneficial) link.

But how do I follow that?

The primary marketing tactic I see and hear all over the Internet is that the mailing list remains king. And guess what. I don’t have one. Nope, no mailing list. My blog subscription option is the best source I have for sending out new information, and most of the people who come here come to read my one comedic post about hoverboards, so they’re not going to subscribe. Clearly, that needs to change. So, I’ve been giving a lot of thought to the mailing list and when to start it. But, I don’t want to really push the thing until I have what Nick Stephenson calls a “reader magnet” ready, and I’m starting to think that moving the post-credits scene to a mailing list exclusively is a bad idea. That scene is really part of the book, and should remain with the book. So, I’ve been toying with the idea of writing a novella about the bounty hunter who’s searching for our mental institution escapees (spoiler alert if you haven’t read The Computer Nerd) and using that as my subscription incentive.

Would you be interested in reading the story of Mr. Sanders’s pursuit of our escapees?

Of course, getting people to subscribe means giving them something else to buy down the road, and The Computer Nerd is not something I plan to make a sequel or an entire series out of. It’s supposed to be standalone. Assuming they want something in the same genre, what do I give them?

I’ve been giving more thought to other stories I’ve posted or have planned to post by now–Gutter Child and Teenage American Dream specifically–and considered that maybe their stories could fit more into a mystery or thriller convention, and less in the convention they already have. So, among all of my other stray thoughts, I’m wondering if I should expand Gutter Child and turn the current plot into a subplot, and give Teenage American Dream a darker problem. I have some ideas on how I can expand them, but that will undoubtedly hold up my current plans of the other stories I’ve mentioned on this blog. I feel like I’ve been ignoring them long enough.

So, that’s how my month has been. No progress, just a lot of studying.

I also host a biannual game-making contest, which had a deadline this month, so I’ve been giving that a lot of my attention. But you came here to find out about my writing, didn’t you?

Friday Update #4: Market Research Continues and Other Book Updates

Short update this week. I’ve spent most of my free time ingesting more and more information about how to increase my readership and how to give readers what they want. Specifically, I’ve been watching videos from Your First 10,000 Readers creator Nick Stephenson and stocking up on relevant information about building an audience. I know the sales pitch is coming to my inbox very soon, and I’ll have to figure out what I can afford and what I can’t when the time comes. The short understanding is that to move my business forward (and we’ll have to call that what it is, won’t we?), I have to start investing in growth solutions, and that includes implementing the strategies necessary to grow and nurture an e-mail list. So, that’s what I’ve given most of my concentration to this week.

But, my research of indie trends and successful entrepreneurs doesn’t stop there. I also found out this week about an extremely useful resource called The Story Grid, both a blog and a book by highly respected book editor Shawn Coyne, which helps writers target their books with an editor’s eye. It’s in the same camp as Larry Brooks’s Story Fix, a book that I hope to review on this site in the near future, but goes even further down the editing path by identifying genre needs and expectations and providing helpful charts that measure out like a medical reading to diagnose the “works, doesn’t work” qualities of a book. Anyway, I’ve started reading the blogs associated with that site, and I hope to pick up the book (which is essentially an edited collection of these blogs, arranged in a teachable manner) sometime soon. It’s more expensive than most writing books out there, so it’s one I have to plan for. But I do hope to pick it up this summer.

The Computer Nerd

The first few blogs posted in The Story Grid (the early ones from October 2014) have already gotten me thinking about my currently released titles and whether or not they “work.” Some of them are just short stories and novellas, and have smaller structures with smaller needs, so I’m not too worried about where they stand at the moment.

But I am thinking more about The Computer Nerd (or, The Computer Nerd Scandal, if you’re coming here from Smashwords in July) and its climax, and I’m wondering if I’ve really given it all of the scenes it needs. I had this question back in April when I worked on its first post-release revision, but now I’m starting to think the resolution with the story’s villain isn’t quite what the convention needs, so I plan to write and release another small update this weekend addressing the villain’s exit from the story. I’ll be sure to announce its update when it becomes relevant, so check back here soon. But I’ve already gotten a clear idea what this resolution needs, so it won’t take me long to implement it. If you’ve already read the book, there’s probably no need to read it again—unless you want to. However, if you were unsatisfied with the way the villain exits the story, then I hope the next update will do more to please you.

Because I’m learning something new all the time, I cannot guarantee that the next update will be the absolute final. But I do know it’ll bring the story closer to its expected conventions, and that with each update I give it, I’ll feel more satisfied with the product and less certain how to improve it. So, eventually the updates will stop.

Other Books

In the coming week, I’ll likely be making changes to the status of my three novels that are up for preorder. Based on all that I’ve been learning for the last month or so, I’m finding it harder and harder to justify sticking to the schedule, or even to the plan that I’ve established for these books. In short, I’m planning on canceling the preorders for them soon, so apologies if you’ve preordered any of them since they went live last October, but based on the preorder counts of my other books that have since been released, my feeling is that I’m not sacrificing anything by making this decision. I’ll speak more to that thought next week though, as that will require a fuller announcement.

In the meantime, check out those sources I spoke about at the top of this post if you want to improve your writing and marketability, as well. They are very helpful, and I think anyone who’s serious about writing and publishing should give them a look.