Category Archives: YouTube Companion

November 2019 Update

In the month of Blade Runner (look it up), I’ve spent every day adding new content to my NaNoWriMo 2019 project, Washed Up: A Pirate Adventure. That was my entire month. Every day. Writing. Lots of writing. Lots and lots of writing, especially on the 22nd.

In a moment, I’ll share with you the results of that marathon, but first let me tell you that I predicted in October that I would be posting my November update late. Was that prediction by design? Not really, but I do find it fitting that I’m combining a monthly update with a Friday update. Also, it would be difficult to post a November update that is focused almost entirely on NaNoWriMo without recording the last day’s progress. So, waiting until now makes more sense. Plus, it’s Friday.

Also before I show you how NaNoWriMo went, I wanted to say that I did spend one evening working on Snow in Miami, bringing me close to the end of the first draft. I’m almost there. Though, it should be noted by now that I won’t have it publishable until next year. Sorry! But I want to get this one right.

Speaking of getting it right, I think I’ve figured out a new plan for my series of Christmas fables, originally conceptualized as The 12 Fables of Christmas (plus three more). Snow in Miami (the second in the series) features a storyteller character named Douglas McCray, who is essentially the lower class stepfather version of Grandpa from The Princess Bride, who gets his lazy points of view across to his family through a series of self-serving parables, but who must then endure one parable from a family member (or other) as a counterargument to his argument and ultimately a source of change for him and his way of thinking. I’m considering repurposing The Fountain of Truth as the first part of the “McCray Parables.” The idea came to me while I was driving home from Barnes & Noble a few minutes ago, but I think it’s a great idea. I’d have to make a new cover for it (and add a new story to give the current three a reason for existing), but I’m up to the challenge. I even have an idea: Douglas McCray may be justifying a decision he makes at his job during the holidays through his use of allegory. It could work. The downside is that now I’ll have to add him to all five of my planned holiday fable books.

Yes, I said five. More on that in the future.

National Novel Writing Month (NaNoWriMo) 2019

So, like I said at the top, I participated in NaNoWriMo 2019 by starting on Washed Up: A Pirate Adventure, the first book in my new pirate trilogy tentatively called WTF Pirate Adventure. Because I’ve raced through it with minimal research, I can safely say that it’s a mess. But it has potential, and that potential will hopefully spawn a successful series of at least three books. I used my new NaNoWriMo Scrivener template to write it, and now I need to transfer everything I wrote to a new document where I can finish it. I’ll do that today.

Regarding the story itself, I made it to just shy of the midpoint when the NaNoWriMo event ended, but I’ll definitely need to do a lot of editing for any of this to work well. It’s got some bloat at the moment. Bloat and a boat.

But it also has some entertaining moments. And that’s what we want when all is said and done. Right?

So, with that all said, here are the results of my NaNoWriMo participation, taken directly from my Scrivener “Tracking Elements” section. As you can see, I wrote quite a bit this month.

Day 1:

  • -Target Word Count: 2,000 words
  • -Actual Word Count: 2,414 words
  • -Total Word Count: 2,414 words

Day 2:

  • -Target Word Count: 2,000 words
  • -Actual Word Count: 2,000 words
  • -Total Word Count:  4,414 words

Day 3:

  • -Target Word Count: 500 words
  • -Actual Word Count: 1,121 words
  • -Total Word Count: 5,535 words

Day 4:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 1,701 words
  • -Total Word Count: 7,236 words

Day 5:

  • -Target Word Count: 1,500 words
  • -Actual Word Count: 1,529 words
  • -Total Word Count: 8,765 words

Day 6:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 2,060 words
  • -Total Word Count: 10,825 words

Day 7:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 1,050 words
  • -Total Word Count: 11,875 words

Day 8:

  • -Target Word Count: 500 words
  • -Actual Word Count: 830 words
  • -Total Word Count: 12,705 words

Day 9:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 1,801 words
  • -Total Word Count: 14,506 words

Day 10:

  • -Target Word Count: 1,667 words
  • -Actual Word Count: 2,611 words
  • -Total Word Count: 17,117 words

Day 11:

  • -Target Word Count: 1,667 words
  • -Actual Word Count: 1,822 words
  • -Total Word Count: 18,939 words

Day 12:

  • -Target Word Count: 200 words
  • -Actual Word Count: 201 words
  • -Total Word Count: 19,140 words

Day 13:

  • -Target Word Count: 500 words
  • -Actual Word Count: 604 words
  • -Total Word Count: 19,744 words

Day 14:

  • -Target Word Count: 500 words
  • -Actual Word Count: 1,036 words
  • -Total Word Count: 20,780 words

Day 15:

  • -Target Word Count: 1,667 words
  • -Actual Word Count: 2,264 words
  • -Total Word Count: 23,044 words

Day 16:

  • -Target Word Count: 2,000 words
  • -Actual Word Count: 2,746 words
  • -Total Word Count: 25,790 words

Day 17:

  • -Target Word Count: 500 words
  • -Actual Word Count: 539 words
  • -Total Word Count: 26,329 words

Day 18:

  • -Target Word Count: 2,000 words
  • -Actual Word Count: 2,884 words
  • -Total Word Count: 29,213 words

Day 19:

  • -Target Word Count: 1,667 words
  • -Actual Word Count: 1,830 words
  • -Total Word Count: 31,043 words

Day 20:

  • -Target Word Count: 500 words
  • -Actual Word Count: 735 words
  • -Total Word Count: 31,778 words

Day 21:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 2,758 words
  • -Total Word Count: 34,536 words

Day 22:

  • -Target Word Count: 3,000 words
  • -Actual Word Count: 7,625 words
  • -Total Word Count: 42,161 words

Day 23:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 1,397 words
  • -Total Word Count: 43,558 words

Day 24:

  • -Target Word Count: 500 words
  • -Actual Word Count: 1,111 words
  • -Total Word Count: 44,669 words

Day 25:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 1,327 words
  • -Total Word Count: 45,996 words

Day 26:

  • -Target Word Count: 1,667 words
  • -Actual Word Count: 3,302 words
  • -Total Word Count: 49,298 words

Day 27:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 1,524 words
  • -Total Word Count: 50,882 words

Day 28:

  • -Target Word Count: 500 words
  • -Actual Word Count: 1,277 words
  • -Total Word Count: 52,099 words

Day 29:

  • -Target Word Count: 1,000 words
  • -Actual Word Count: 1,178 words
  • -Total Word Count: 53,277 words

Day 30:

  • -Target Word Count: 3,000 words
  • -Actual Word Count: 4,238 words
  • -Total Word Count: 57,515 words

If you want to glimpse the story and the first eight days of my NaNoWriMo experience, please be sure to check out my YouTube channel for the NaNoWriMo 2019 playlist.

What I’m Reading

November hasn’t been just about NaNoWriMo. I’ve also started reading the classic Treasure Island to remind myself what pirate literature looks like (and because I’ve never read it, and I really need to read more classic literature). I have an old paperback version that was printed in the 1960s (part of my grandfather’s collection), but my go-to site for researching pirates, The Pirate King, has a faithful reproduction of the story, complete with parchment background. It’s pretty nice. (It also has better copyediting than the version I’m reading.)

I also finished reading Lee Child’s One Shot (Jack Reacher #9), which is the book that the first Tom Cruise movie adapts, and Christopher Moore’s Noir, who I’ve never read before but wanted to for some time (of his books that aren’t about the supernatural), and found both books quite entertaining. If you’re looking for a great book this holiday season, you can’t go wrong with Jack Reacher or Noir. Though, you also can’t go wrong with my favorite from 2018, Stuart Turton’s The 7 1/2 Deaths of Evelyn Hardcastle. I loved that debut as much as I did Ernest Cline’s Ready Player One (2011). See all of the name-dropping I’m doing?

Finally, I’ve picked two new books on the writing craft: Fight Write and Compass of Character (the latter of which I’ve just bought today). I don’t spend much time discussing the books on craft that I’ve read, but it’s often been my intention to start one of these days. At some point, I’d like to write a series on the best writing books I’ve read. Let me know if you’re interested.

So, that’s November (and the first week of December). Hope yours went well. Stay tuned for the next update, coming in a few weeks.

Cover Image: Pixabay

I Be Winner. NaNoWriMo 2019 Winner.

I’ll list the stats in a few days, but I’m writing this post to announce that I’ve just crossed the 50,000-word mark for the 2019 National Novel Writing Month event, and let me tell you…

It’s a relief.

I don’t have much trouble with writing large chunks of text in short time, but keeping that chunk a piece of quality is a bit tougher. Spending a month writing a historical novel I’ve done hardly any research for is also a thing of toughness. But most challenging of all?

I still have to spend a big chunk of December plotting this story, as most novels typically run between 70,000 words and 90,000 words, with my novels hitting the high end of about 100,000 words, if I’m letting my whims get the better of me.

In short, it’s a relief to hit 50,000 words only in the respect that I’ve “won” NaNoWriMo. What I haven’t yet done is to write something you’d want to read…yet. That, hopefully, will happen in 2020.

At any rate, here’s the badge to prove that I didn’t sleep much this month.

NaNo-2019-Winner-Web-Badge

Let me know if you want a sample of the story.

Oh, actually, you can see my first eight days in action on my YouTube channel by clicking on this playlist.

Yes, I’ve actually recorded myself writing. In real time. You can watch me make typos and rationalize dumb decisions. It’s great fun. If you’re into that kind of thing.

The Coming of NaNoWriMo 2019

I just posted a video about NaNoWriMo 2019 and how we can prep for it with Scrivener. This comes with the idea that I may actually record my writing progress this month, for those of you who want to see a story written in real-time.

Will this likely end in disaster?

Probably! So, now you gotta watch, right?

In the video, I reveal two new templates I’ve developed this year: one for planning a story (and is still a work-in-progress), and the other a basic template for NaNoWriMo that includes options for journaling, tracking progress, and writing a postmortem when all is finished.

If you’d like to use either template for your own prep or writing adventure, you can find them both here.

If you plan to participate in NaNoWriMo, then comment below and talk about it.

Good luck!

October 2019 Update

It’s October, and you know what that means!

No, not Halloween. I mean, yeah, sure, it does mean that, but no, I’m not talking about that. And, no, not pumpkin spice lattes, either, even though those are awesome, and I don’t know why I’m not drinking one right now. But not that, either.

No, not scary movies. Not Oscar-bait films.

Why all of these off-topic guesses? Don’t you know me by now? You know what October really means! Right?

You do know what that means.

Right?!

Time for an update?

Familiar at all?

*blank stares*

Okay, yeah, I guess that was not at all obvious since I rarely post updates except for the exceedingly rare Friday update that I do every twentieth Friday or so in an even-numbered year, and my last monthly update was not in September or August. It may not have even been in 2019. I’d have to go back and check.

I really need to stay on top of this blog more often.

Okay, well, that all said and off-topic, I think it’s time to give you an update about all of the writing-related stuff you either missed or I didn’t share this past month (or year). Given that it’s not yet the end of the month, calling it the “October 2019 Update” is probably weird. If I do a “November 2019 Update,” then I’ll fill in the details that we missed in the weeks between now and November. I may post that update sometime in mid-December. We’ll see.

The point here is that it’s update time, regardless of what we call it, and if you’re a reader of this blog, then hopefully that means you’re interested in what I’ve been doing. And let me tell you, what I’ve been doing is playing lots of videogames.

Kidding. Most of my games are passive and don’t require me to interact with them that much.

Outside of that, I’ve been dealing with pain in my right arm for a number of weeks now. I haven’t gone to the doctor about it yet because I don’t want to deal with pain medication or any other quick fix that could potentially create new complications, nor do I want to deal with the issue that I’m supposed to see the doctor about but have been putting off because I’m tired of getting stuck with needles. But this is not a unique problem. Since about 2014, I’ve been dealing with occasional bouts of long-term muscle strain in both arms (not at the same time), usually brought on by thinking I can do more than 20 push-ups a day or more than one pull-up. This new pain is especially difficult because it’s primarily in my thumb joint, which can affect my typing, but it does seem to hurt less than it did a couple of months ago, so I may be doing better. Either that, or I’ve just gotten used to it by now. Fortunately, I have support gear to help me minimize further strain. So, as long as I remember to wear it, I’m fine. At the moment as I type, I’m not wearing any of it.

Anyway, this isn’t a medical blog, so you don’t care about any of that. You’re here for the writing updates. Or you’re here because you meant to click on something else and your aim is a bit off. Not sure which, so let’s assume you’re here for the writing updates.

Snow in Miami

For those of you who remember that I’m still working on my second series of Christmas fables, Snow in Miami, I’m happy to say that I’m almost finished with the first draft. Yes, after three years of working on it, I’m finally near the end. I think. I’m writing the final section this week, but it’s taken a turn I hadn’t anticipated, and I may end up with a lot more story by the time I finish than I originally planned to have. Hard to say. As of now, the story has over 43,000 words. I’d expected about 25,000 for the whole thing. Not sure why anymore, as it clearly needs every word it has and more.

I’ve also come to realize that the smaller stories that make up the larger tale are in need of details that I don’t yet have, so the final product will likely top 50,000 words, well over twice the length of its Christmas fable predecessor, The Fountain of Truth. Part of what I’m dealing with here is that the three fables are not separate stories like they are in the previous collection but interwoven tales that help form an outer narrative involving a storyteller who must learn from his family how to prioritize their needs better so he can become a better husband and stepfather. This story was always intended to frame the smaller tales, similar to Peter Falk reading The Princess Bride to a 12-year-old Fred Savage, but the story’s final act has taken a life of its own, thanks to the realization that the narrator’s story means nothing if he doesn’t have his own active arc to deal with. So now I’ve effectively turned Snow in Miami into four stories, not three. And because the three smaller stories need more details to really work (to the extent that they’re stories within a story), I know I’ve got a bit more to write before I can start the revision process.

That said, here’s what I have left to do:

The McCray Parables: This is the main story, the narrative hub for Snow in Miami. As of now, I’ve got the story’s narrator, Douglas McCray, wandering around downtown in the middle of the night, searching for a toy to give to his stepson before Christmas officially begins. I think I need a bit more story in the transitional sections to really land the change that he and his family make along the way, but most of what I have left to do is to simply finish it. I’m nearly there.

Unexpected Weather: This is the first fable (and the base story where the name “Snow in Miami” comes from). It’s basically finished, but it needs some continuity checks and possible transitional sections to keep it sensible. I haven’t yet read it from beginning to end, so I’m not completely sure it even works, but I’ll get it to work, even if I have my doubts that it works right now. I can say that it’s comfortably absurd at least. It’s partly about an unexpected change in weather patterns, but it’s also about one man’s adjustment to a new city as he vapes his way to happiness and Christmas.

A Black Friday Tale: This is the second fable and pretty much exactly as I want it. The only work I have left to do here is to edit and revise it. It’s a mashup of clichés in story form, involving a bet that two people make about who can score the best flatscreen television on Black Friday, using the classic clichés in motion: “The Early Bird Gets the Worm,” “Cheaters Never Prosper,” “Crime Doesn’t Pay,” and “Good Things Come to Those Who Wait.” There’s actually a fifth part to this tale, but that’s hidden until the great reveal at the end. Anyway, I’m happy with it.

The Pear Tree: This is the third fable, and I just finished the core story a week ago (finally!). This is the story that’s held up production for the last two years. I’ve always known what I wanted out of the first two fables, but I’ve had a much harder time thinking about the point of this story, especially since it’s not Douglas’s story, but his wife’s, so the heart of the fable had to come from a different place than the previous two. The story itself, I more or less knew what I wanted out of it since the beginning, but the theme has been elusive until fairly recently. I think I’ve got the angle now, so I’ll be spending the revision process making sure the details fit that angle. That said, I have more to do in the first draft, as the early sections of the story are vastly underwritten compared to the late section, and it’s clearly become more character-involved than I had originally intended.

So, what does this all mean? Will it be ready for Christmas?

Probably not. Even though I expect to have the first draft finished very soon, I don’t expect to have it ready for readers until sometime next year. The good news is that once the first draft is finished, I’ll be able to see the whole thing for what it really is, and then I can make sound decisions on how to shape it and make it better. But I won’t be racing through the process like I did for The Fountain of Truth. I want to make sure that every product I release from this point forward is actually ready for readers. Snow in Miami won’t be ready for readers until I get readers to tell me it’s ready. I can’t expect to finish, edit, revise, find cover art, and get several beta readers together before December, not if I want a strong first impression. So, this update is basically to let readers of this blog know that the story is nearly finished, but I probably won’t release it until sometime after September 2020. It doesn’t mean that it absolutely won’t make a 2019 debut, but the likelihood is so low at the moment that it’s probably not worth holding your breath for it. I do think 2020 will be the year it finally makes its debut. Four years after its target release ain’t bad!

Sigh.

What I may do if I can’t get the book done and ready by December is post the first section here for you all to read sometime in the days leading to Christmas. I think that’s reasonable.

NaNoWriMo 2019:

NaNoWriMo is coming up in a couple of weeks, and though I’ve told myself to skip 2019 and focus on completing my second editions for current e-books, I do have a story in my head that needs to get out, and I would like to start it in November, if for no other reason but to get something on paper. But, I’ll talk more about that soon. Until I actually work on it, it’s probably not the right time to discuss it. The most I’ll say is that it may or may not be a pirate adventure in the same universe as A Modern-day Fantasy, and it’s possibly the first in a trilogy. Okay, that’s all you get.

Unless I record my progress for YouTube, in which case you may get to watch me write the thing …

No promises, though. Not unless you ask for one.

Second Editions:

Speaking of second editions, let’s talk about those for a spell, as I’m still putting a few of them together.

First of all, I’m still exploring a new angle for Cards in the Cloak that will leave me more satisfied with the final product than what I currently have. I’ve got one new chapter already written, and I know what I want to do with the rest. I just have to sit down and write it. Once it’s finished, I’ll likely discontinue the current version (on Amazon and the major retailers; Smashwords will continue to host all editions for anyone who really wants it), and make the next update the official story.

Gone from the Happy Place is still in a holding pattern. Because The Computer Nerd is fine as it is, I haven’t been in a hurry to “fix” it. The improved version will come eventually, but probably not before I invest in my own ISBNs. I would like to push out the newer story sooner than later, however. Not much has moved on it since 2018, unfortunately.

Shell Out has a new opening chapter, but I don’t think I’ll attach it to the current story that you can find online. I’m pretty sure it will be part of a from-scratch retelling of the current story, told as a novella, or even a novel, with new stakes, premise, and everything. It will likely endure the same treatment that Amusement and The Celebration of Johnny’s Yellow Rubber Ducky are going through, with the same story receiving a much greater expansion into a much greater world. I’m still trying to figure out how to prioritize certain stories for the backlist so that they’ll be better prepared for my front list series releases.

The Fallen Footwear is probably the next story to receive an emergency update. Because the current e-book is a major update to the original short story that I wrote in college, and because I wrote that update during my ultra-prolific release period of May 2015 to May 2016, which meant I released it before really taking the time to decide if it was actually ready for release, including skipping the time I needed to set it aside and read it later to see if I even liked it, I’ve come to the conclusion that it’s my worst public story, and I need to redo it (though I still really like Chapter 1—it’s that dang rest of the story I can’t stand at the moment). So, that’ll happen soon. I’ve actually begun the update already, but I hated so much of what I’ve read that I had to stop and take a break from it. That was about two months ago. It’s another reason why I won’t be doing any more release blitzes in the future. I can give better first impressions.

The Audiovisual Book Experience:

In other news, last month I recorded myself reading Amusement off of Scrivener and uploaded the video series to YouTube. As of now, each episode has views in the low single digits. Basically, it wasn’t a successful experiment, so I probably won’t do another for a while, but I might if more people discover it. If you’re reading this blog, you can jumpstart the Audiovisual Book Experience series by checking out the videos. The playlist for Amusement contains nine videos, including one overview and one introduction that includes legal information (which I read in a funny voice because legal information is lame otherwise).

If you want to see more of these, please leave me comments and feedback, and maybe vote for the story you’d like to see me read in public next.

Writing a Scene in yWriter6:

As of this writing, my YouTube video “Writing a Scene in yWriter6 (yWriter vs Scrivener Part 7)” has 164 views, the third highest in the series, in spite of it being over an hour long. Its total retention rate is at 6.3%, which is pretty amazing given the type of video it is. One commenter liked it so much that he wanted to see more. I don’t know if he’s ever come back to my channel to see if I actually did make more “Writing a Scene in yWriter6” videos, but he did get me thinking that it’s a good series worth continuing, so I’m probably going to make more of them in the near future. So, if you like the video and want to see more of that series, let me know in the comments either here or on the video’s page. It would also be useful to let me know if you want to see the outlining process included or just the scene writing.

Either way, the scene series will continue with Pop Goes the Waterbed.

Conclusion:

So, that’s what’s going on in writer’s world at the moment. Keep checking this blog for new updates about the stories you care about and the life events that you don’t. Leave a comment if you have anything that you want to ask that I can answer and won’t feel shame about later. As always, click the blue button at the bottom of the page to subscribe to this blog.

And while we’re at it, let me know if you’d like these updates split up into multiple releases. Looking at the word count, I can see I’ve given you a lot of information today. Raise your hand if you’ve read this far.

Cover Image: Pixabay

The Audiovisual Book Experience, an Experiment

Today on YouTube, I launched the beginning of what could become my next big feature: “The Audiovisual Book Experience.” The premise behind it is that people don’t read anymore, but they do listen. At least, that’s what I’ve heard from people who listen exclusively to audiobooks and podcasts and can’t be bothered with an actual book or blog post. I think these same people watch YouTube videos on occasion.

I confess that I don’t get it. And, I do think the information is a little suspect. Of course people still read. I’m a person, and I read! I read books and blogs. I also write both. If you’re reading this blog, then you’re a reader, too. Already, you’re proving them wrong.

But, I also see the point they make. The people who prefer audio text to visual text are the people who are too busy to sit down with a good book; they probably spend more time looking through their windshields, making sure they don’t hit something or someone than they do staring at the pages of a paperback or the screen of an e-reader. Of course, they still stare at their phones for some reason, on the road and off. But it makes you wonder: Has no one told them they can read a book on their phone? What else are they going to do at a red light?

Okay, they shouldn’t read a book while driving. Point made. Audiobooks are much better for that. And they’re also much better for running. I’ve tried reading a book while running a few times. It’s definitely too shaky to concentrate. An audiobook would’ve been nicer for that scenario. If these people are so active that they can’t even spend a few minutes in bed with a good book, then perhaps the audio version is necessary.

But what of the people who want both, the reading and the listening experience? Haven’t we all started our reading lives by reading with an adult, where the adult reads out loud while we follow along and try to understand each word? Would it be so odd if we were to read along with someone else again, but as adults?

Maybe. Probably. But we’re going to try it anyway!

And that’s the point of the Audiovisual Book Experience, to allow YouTube users to read a book while someone else narrates it to them. That way, if they need to, they can do other things while the book is “playing.” Or, if they’d rather follow along, they can see each word in its book form. This gives each reader the option of reading the book however he or she wants. For free!

Is it a good idea? I don’t know. That’s why it’s an experiment. But, if it does generate interest, I’ll likely do another. If not, then I’ll commit my time and energy to something else.

I do wonder, though, how other authors with better voices than mine could make use of an audiovisual book experience. It might be worth it for them to give it a try for their own books.

That said, I’m launching my own experience with Amusement, a short story about a businessman who must confront the corporate entity responsible for the faulty product that ruined his life.

The overview video has already launched. The introduction and legal information video will launch at 1 p.m. tomorrow (Monday, September 23, 2019), and “Part 1: Professionalism” will launch immediately after, at 1:15 p.m., both Eastern Standard Time. Each additional episode will launch on consecutive days at 1 p.m. until next Sunday when the final episode, “Part 7: Crash,” airs.

The entire audiovisual book will be curated into a playlist that you can run at your leisure.

If you decide to check it out, please let me know what you think, either here or on YouTube. Hope you’ll enjoy it.

Writing a Scene in yWriter6 (yWriter vs. Scrivener, Part 7)

Congratulations!

Yep, that’s my way of saying that you’ve made it to the end of the yWriter vs. Scrivener series. (You have been watching the videos and reading the articles, right?)

Before I close, I want to remind you that using either yWriter6 or Scrivener works only if you plan to write an actual story or, at the very least, plan a story. If you use them only for pretending to work on a story, just putting them on your screen whenever you have company over instead of writing the story, well, that’s not effective use of either program, nor is it an effective way to tell a story. So, don’t be that guy.

But, I know you’re going to use them to write your story. Why else have you gotten this far if you don’t intend to use them the right way? That would be insanity! Right?

So, to celebrate the end of the series, I want to show you what it’s like to write a scene in yWriter6. Now, if you’d rather use Scrivener, or even Microsoft Word, to write your scenes and chapters, that’s perfectly fine. Part 7 of yWriter vs. Scrivener isn’t really about yWriter6 or Scrivener. It’s about how to turn your outline into a scene by watching me do exactly that.

Yep, this is your chance to see my brain in action. It’s also a way to stand over a writer’s shoulder and watch him write (and justify his choices).

This is, by no surprise, the longest video in the series, but it’s also the one you’ll get the most out of if you care anything about writing, reading, or creating characters out of thin air. So, be sure to take some time out of your day to check it out. It’ll be worth it. Yes, I say that subjectively. It’ll be worth it if you like writing or reading. Hopefully!

Also, please let me know if you want to see more of Pop Goes the Waterbed, which is the story I’m writing in this video. I may make a separate series out of it on YouTube if enough viewers are interested.

For now, that’s it for yWriter vs. Scrivener, but I’ll be back with another article about books and book reviews soon. Subscribe at the blue button below to find out more about that. You’ll be glad you did! I say that subjectively, of course.

Finding and Using Custom Templates on Scrivener (yWriter vs. Scrivener, Part 6)

Once you’ve had a chance to explore the differences between yWriter6 and Scrivener, you’ll see where both programs shine, and what both programs lack. It may be that you’ll develop a preference for one of them (assuming you’re not a Microsoft Word nerd who swears by its sexy software-giant sleekness and believes that all other programs are but peons in this vast digital soup), but you’ll certainly benefit from using both (or all three, again, if you’re a Word nerd) in creating your masterpiece (or your disasterpiece if that’s the case—hey, the world needs those, too).

But, in this digital highland, when it comes to versatility—and winners—there really can be only one. Thanks to Scrivener’s template system, I’d say the winner in this battle is clearly decided.

For those who missed yesterday’s article on Scrivener templates, the short version is that Scrivener comes with a few built-in templates designed to help writers format their novels, nonfiction essays, screenplays, commercials, etc. accurately and efficiently. But, what the article doesn’t cover is Scrivener’s network of rock star-level users who have made and uploaded their own templates to accomplish development feats that range from detailed outlines, to character creators, to world-building tools, and to genre fiction beat sheets to name a few choices.

In Part 6 of the yWriter vs. Scrivener series (on YouTube), I’ll show you how to find some of these templates, briefly go over how to use them, and I’ll even show you one of my own templates-in-progress that can help manage a writing career. By the time you get to the end, you’ll see just how much more you can do with a Scrivener template than you can with just about any other document type, including anything you’ll find in that oversexed Microsoft Word program.

Granted, you’ll still have to bring your imagination with you. At the end of the day, it’s still an overview. But, it’s a fine overview indeed.

Just watch the video. You’ll learn something about planning a story if you do.

Also, don’t forget to leave a comment if you have any Scrivener templates you’d like to see. Leaving comments is a great way to make yourself even more important!

The Fiction Template on Scrivener (yWriter vs. Scrivener, Part 5)

For anyone who has ever explored Microsoft Word thoroughly, he or she will find that the beauty of Word is not in the user’s ability to type in a bunch of words on a document and hit save, but the ability for him to type in a bunch of words on a pre-rendered template and hit save. For students and professionals, this beauty is a hottie.

But, for the average storyteller, Microsoft Word’s templates are—how shall we say?—quite limited:

word template books

Sure, Microsoft has made the effort to recognize the average novelist by providing a manuscript template that’s great for those who aspire to publish traditionally. For a $300 piece of writing software, it had better do at least that.

But Scrivener has that exact same template, too, and it offers that template because it knows it’s made for writers, not just for business professionals and academics who think a thesis is supposed to be nothing more than a list of three arguable points and a loose interpretation of how those points fit together.

scrivener template example

Yes, Scrivener considers that writers of fiction (and non-fiction and scriptwriting) want the templates to do the job right, but they also want the tools to organize the job so that the scenes and chapters fit into the manuscript format seamlessly. They also want to do all of that stuff while having the freedom to cram all of their research materials (including character and setting sheets and templates) into its own folder where it cannot corrupt the story document, nor can it get lost through the unfortunate process of misnaming the research files and putting them in the same place where you put all of your old college literature critiques from 20 years ago, which you think might be in My Documents 1998_a2_crit lit alpha, but it could also be in that folder you refuse to open because it’s labeled “In the Event of My Kidnapping,” which you created during your intense paranoia stage (or your quarter-life crisis) in the early 2000s (not to imply that I would ever do such a thing…).

But, Scrivener goes one step further: It allows you to compile that manuscript into the appropriate format and includes self-publishing formats for e-books, if you’re inclined to skip the process of pandering to the traditional publishers.

All of this for a sixth of Microsoft Word’s cost.

In Part 5 of my yWriter vs. Scrivener series on YouTube, not to be confused with my Microsoft Word vs. Scrivener series that does not yet exist, I show off the fiction template and how it can help writers stay organized within their chosen parameters. This part will also serve as a foundation for tomorrow’s follow-up video, where I explore other templates in Scrivener.

Exploring and Using Scrivener (yWriter vs. Scrivener, Part 4)

Well, so far we’ve learned quite a bit about yWriter6, about how to use it, and about why we should use it. But, I think we can begin to see its limitations when we consider the things it can’t do. For example, it can’t feed the cats for you. Nor can it pay your bills. It also doesn’t do the writing for you, which, I think, most of us want in a versatile writing program.

Scrivener, on the other hand, can’t do these things, either, but it can provide a much larger viewing field with zoom options, more robust tracking analytics, greater visual and tactile control of the story’s layout, as well as plenty of other features to make sure the writing gets done, and that it gets done well.

Conceptually, Scrivener has everything the writer’s toolbox demands. It even has a built-in dictionary for checking word usage and a project manager that can track your writing progress (which is great for participants of NaNoWriMo). The more you explore Scrivener, the more you realize that, even though you never knew you needed this stuff, you know you definitely need it now!

yWriter6 can be versatile, too, but most of its special features are component-based and require additional downloads and spotty success at modding the program to get them to work properly (assuming most writers are as bad at installing components to existing programs as I am). Scrivener provides the majority of these features out of the box.

Scrivener is also the most widely recognized and trusted writing software for budget-minded writers. For $49 (as of this month), the writer can gain access to a complete story management experience that includes having a canvas to actually create the story along with organizing, structuring, and planning the story.

The drawback with Scrivener, of course, is that the writer needs to create his own resources to make the most of the software. But, that’s sort of the point of Scrivener. It isn’t about fixed rules. It’s about flexibility. Its main purpose is to give writers a place to store all of their ideas in an effort to craft the best stories they can. Where yWriter is fairly narrow in its design (you basically fill out the fields to create your story), Scrivener spreads its wings and flies, giving you the freedom to do what you want in your stories.

Really, the trick to using Scrivener well is to learn how to fly with it.

In Part 4 of my yWriter vs. Scrivener video series, I’ll show you Scrivener in action. But, I must deliver a warning: Scrivener has a steep learning curve. I can’t possibly show off everything that it can do in a single 16-minute video. To get the full picture of what Scrivener can do, I’d recommend Joseph Michael’s “Learn Scrivener Fast” to see what you’re not yet doing.

Note: There’s a basic version of Joseph Michael’s “Learn Scrivener Fast” on Udemy if you’re on a budget but still want to learn something useful. I believe the Udemy version is the first module of the complete program.

Note 2: I like Udemy. You should like Udemy, too.

Note 3: It’s my birthday today. Leave your birthday wishes in the comments below if you want.

Advanced yWriter6: Storyboards (yWriter vs. Scrivener, Part 3)

One of the advantages to using dedicated story software over traditional writing software is that traditional writing software, like Microsoft Word, gives you just the blank document to work with. Now, sure, that document can contain mountains of information and unlimited supplies of inserted media and special formatting to bolster that document’s information, but these elements tend to consider the needs of the student or the business professional while keeping the needs of the novelist as an afterthought.

This isn’t to say that Microsoft Word is terrible, though. No, no, no! Such an accusation is unfounded! But, it is severely limited in what it can accomplish for the novelist (or the fictionist if you want to include all types of storytelling).

For example, let’s say I want to write an article for a blog. Let’s say I want to write this article for this blog. If all I’m doing is typing my thoughts and linking them to Internet resources, then Microsoft Word is plenty fine, as is the case right now as I compose this article (on Microsoft Word).

But, what if I don’t want to write an article? What if I want to plan a story? And what if I need a storyboard for that story? Am I going to find such a luxury embedded in the $300 word processor I had to buy from Office Depot when my old computer crashed (along with my tried-and-true copy of Word 97 that I’d been using for 15 years)? No!

Instead, I’m going to get that option for free in a program dedicated to writing fiction, called yWriter6, for…er, free.

You can see how that option is true in today’s installment of yWriter vs. Scrivener, a seven-part video series I’m doing this week at my companion YouTube channel, Zippywings. Check out Part 3 to see storyboards in action. Then come back and complain about how I didn’t show off enough of it!

Note: In fairness to Microsoft Word, it does provide numerous templates for business-related documents, like letters and résumés, for example—things you’ll never find on the writing software I cover in this series. So, it’s still worth the $300 (or the subscription if you’re on Office 365). You’ll also find as you watch the series that I prefer to integrate Microsoft Word into my writing regimen, but let’s take this one step at a time.