All posts by Jeremy Bursey

My Personal Profile: I'm a pretty normal guy with normal interests, which means I probably need to get out more. And, well, sometimes I do, and sometimes I write about what happens when I do go out. My blog is a reflection of me as a whole, not just one particular flavor. Sometimes this means writing about awesome things. Sometimes it means writing about heartbreaking things. Sometimes it means showing my best side. Sometimes it means showing the side that should probably be kept hidden. I'm an explorer at heart, and my writing will generally reflect that. However, if there's a category you particularly like, please let me know. I'm certainly willing to focus more on those subjects that have an audience. I'm also a fiction writer, which you can read more about in the next (third-person) paragraph. My Author Profile (as written in the back matter of my e-books): Jeremy Bursey is the author of many short stories, essays, and poems, along with a modest number of novels and screenplays, each covering topics and genres that differ from what he had written previously. He hopes to bring many of these into the ebook generation over the course of the next few years. He holds a bachelor’s degree in English from the University of Central Florida and currently works at a local college as a writing tutor. He appreciates feedback for anything he offers to the public.

Social Media Stage Fright

I don’t get stage fright. Not usually. If I’m standing in front of a group of strangers to give some information about a service they could use or learn from (an occasional side function of my job in education), I typically turn off the part of my brain that cares what they think about me and just deliver them the info I came to deliver. Unless I’m coughing up a storm while my zipper is down, two things I tend to get under control prior to arrival at my speaking destination, usually, I don’t worry about how I’m received. The audience either cares or it doesn’t. Doesn’t affect me either way.

Yet, the reverse seems to be true about my online presence. It’s usually more appropriate to answer questions in an unbuttoned pair of jeans (especially after a big lunch or dinner) online than it is in front of a live crowd, depending on the topic, I suppose, but the words I deliver online last much, much longer than what I deliver in person, and that can be scary when the words or information matters. In front of real people in real time, most of my audience will remember less than 10% of what I say, and if they remember me at all, they’ll likely remember me as “some guy who came to my classroom to tell me about grammar or something.” I’m not threatened by that. But, when I send a message on Facebook or a tweet on Twitter, suddenly my words are permanent and have scrutiny appeal.

Frightening!

It’s a strange paradox to be sure. We all talk about how social media can mask our identities when necessary, giving room for transparency in our thoughts, especially if our name is “Anonymous” or “Some Dude,” and suddenly we’re titanium. We see it as license to spout off all sorts of nonsense because who’s going to associate it with our faces if they can’t see them? In fact, I find it especially paradoxical in the dating world (something I gave up on a long time ago), where approaching strangers for the intention of getting a date is somehow easier through a comment on a profile page and a follow-up wink (or maybe it’s vice versa—I’ve never been great at the dating thing) than it is in real life where the person of interest has to watch me stumble out the words she may never take seriously face-to-face. It’s strange how these same vehicles of delivery can suddenly flip the perception I have of people and vice-versa, depending on the topic. But masking identity isn’t always useful. In person, my audience gets to see my face. In personal relationships, that should be a perk. Hopefully. But online, what I look like doesn’t matter. What I say does, and now they have the option to not only hear my words, but to remember them. In person, I have the freedom to flub my statements. Online, I better get it right, and I better get it right the first time because they can go back and check, check, and check again, and they can fault me if they see the mistakes or inconsistencies in thought, or whatever. As a writer, it’s embarrassing if I mess that up, especially if what I say is in of itself embarrassing (or simply unimportant). Online, I have plenty of places and opportunities in which that embarrassing thing can surface.

So, social media suddenly becomes a scary thing because that Facebook post about what I had for dinner isn’t just a Facebook post anymore. It’s an admission of guilt (even though I might see it as an attempt to engage an audience). Sure, I had a salad tonight. But I also had baked fish and mashed potatoes. And a sweet roll! To anyone who thinks I should be on a diet, I may have just incriminated myself. Sweet rolls have melted sugar on top, and that’s not healthy! How dare you promote bad health? And what of Twitter and its hashtags (also not healthy)? Is it possible for anyone to use Twitter without stirring up a string of controversies? Even with 27 followers and most of them being marketing robots, the risks of shooting myself in the foot are present if not inevitable. If I confess I had a sweet roll to a live crowd, they can at least watch me wink in jest as I deliver the truth. “Yeah, I had a sweet roll last night, and how sweet it was,” I say, as I pat my belly and gesture at how much of it is now sugar. (Note: What I eat for dinner isn’t actually anyone’s business.) Online, they may not even read that far.

As a writer, I’m told I need to master social media if I want to get followers. Okay. It’s also suggested that I post regularly to Facebook, Twitter, Pinterest, Instagram, LinkedIn, Google+, MySpace, Hotmail, AOL, AOL Instant Messenger, Reddit, AltaVista, Match.com, Yahoo, Wazoo, Kazoo, and other things I’m probably just making up now, oh, and my blog!, and it’s too much to keep up with, yet posting builds an audience of readers, and I want to be read, right??? And everything I say must be timely, yet accurate, and interesting, yet short, and if I mess it up, I’ll lose the people, but don’t worry about that because even with ten different ways to shoot myself in the head, I only have to do it once to lose them, so don’t worry about it and just enjoy the process, as even players of Russian Roulette can be successful at times!

I’m tired, and that’s just from writing the names of these platforms.

As I read about new platforms I can use to expand my readership, something I’m desperate for, as getting readers is the hardest part of the writing process, and I’d probably have an easier time running for public office based on the experience I’ve had doing this (getting a date is still tougher for some reason, though I have no idea why, as I’m smart, handsome, idea-driven, rich—no, the opposite of that, sorry—funny…okay, this post isn’t about that), I suddenly feel intimidated all over again because here’s one more service I should sign up for to give my readers even more options for staying connected with me, even though they have enough information overload from everybody else who wants their attention, and the only way any of this matters is if they really, really want to hear from me. If the students I speak to are of any barometer, I’d think even those who need to hear from me probably don’t want to hear from me. They’re probably too busy thinking about their Facebook posts, and Instagram photos, and whether anyone will like them to worry about liking me.

So, what can I say to convince them to listen? I suppose the keyword is “free money.” But, I don’t know. Social media already seems to fit that bill. If everything is free, then nothing is valuable. Including time. I value my time. And, I value my words.

To be clear, I don’t actually mind social media. I see it as a great way to find out where people I used to hang out with ten years ago are vacationing. I’m not there with them, but I can feel like I’m there with them. It’s almost as good, right? At some point, though, I want new things to talk about, and I can’t vacation every weekend or devote hours of every day sending out social media alerts to the few people who might see it to feel some kind of connection to them. At some point, it’s time to meet face to face again. Real relationships are frightening, too, but they’re real, and they feel real. That adds to their value.

The fact is, I read all the time about how important value is to people, and it’s almost scary how much that’s true. I’m not sure how valuable social media really is. My words are permanent, but are they being read? Here’s a picture of a moose you can look at while you contemplate the answer to that question.

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If you’ve read this far and want to keep reading this far, please remember to hit the “follow” button down there at the bottom of this page. And, don’t forget to leave a comment if you’d be so kind. It’ll stay online forever!

Cover image: Pixabay

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New Update: Gutter Child

gutter child cover alt 4
Cover Image for “Gutter Child”

Hello Drinking Cafe Latte at 1pm readers, visitors, lurkers, and boycotters! (I don’t suppose the last group is paying much attention.) I’m sending out a quick announcement that my novella Gutter Child has received a major update this weekend and is now live at most retailers (e-book only). This will be the definitive version of the novella. If the story receives another update (beyond typos or grammatical issues that may surface in spite of my thorough checks for both), it will do so as a novel under a different name and a different A plot. I don’t foresee that happening too soon, so if you want to read the story of a young man trying to solve the mystery of his heritage while attending the worst university in the country and filtering out lies along the way, then give Gutter Child a try today. It currently stands at 40,000 words (about 160 pages) and retails for $2.99. From July 1 – July 31, it will also be available at Smashwords for 50% off the retail price.

If you get your copy, please leave a review at your preferred retailer and/or on Goodreads. You may also comment your feedback here or on the book’s dedicated hub page for additional support.

Thanks and enjoy.

–Jeremy

Note: Updated version contains a mix of new and rewritten scenes, better balanced emotional arcs, improved descriptions, fixes to overlooked typos and errors, and a new section for Readers’ Group Discussion Questions. Changes to story amount to roughly 8000 new words.

The Number 42

Hi Kids,

Today’s blog is brought to you by caramel coffee, Domino’s pizza, and the indubitable number 42. Please consume each responsibly.

On this day, we should read notable fiction by Douglas Adams, perhaps from the legendary Hitchhiker’s Guide to the Galaxy, and focus maybe on the third book in the five-part trilogy, Life, the Universe, and Everything, where the answer to life, the universe, and everything is 42 (even though we don’t yet know the question).

Or, if that’s not of our interest, we can read the new future bestselling thriller The President is Missing, about a president who goes missing, from acclaimed writers James Patterson and Bill Clinton (aka 42).

Or, we can go the sporting route and watch the biography of Jackie Robinson, Brooklyn Dodger, baseball hall-of-famer, and MLB-wide retiree of the number 42, in the titular film 42.

Or, we can watch Kiefer Sutherland as CTU field super agent Jack Bauer in the real-time political thriller series 24, where he stops terrorists in a single day, but watch it in reverse.

Or, we can…

Well, I don’t need to tell you what to do. Just remember that today’s number is 42. Celebrate accordingly. I may do so with candles and a chocolate cake.

Until next time.

Cover by Pixabay

Quick Social Media Test

#socialmediatest, #blogblitz, #funexperiment

My blog is remotely linked to Facebook and Twitter, which I use to share news to my wide array of narrow masses. I also have other options I could link to, like LinkedIn, that I’m not yet connected to, but should probably look into and link to at some point, so that my blogs cry out rather than whisper to an audience of many, like you and other friends I could link to, to share links and other matters of shared interest, to keep the social media family growing even if we’re all technically isolated from real human connection.

So, I want to see if I can tweet #hashtags from my blog’s log line to create and connect to a wider web of wisdom and wishes, which can in turn be linked to through LinkedIn and  other go-tos, Facebook and Twitter being my current coexisting content curators, and potentially procure plentiful portions of ravenous readers, and maintain a social media pathway that includes apps like Path and Google Plus, plus whatever other crazy things that they may link to, not including Instagram or Pinterest, both of which have interest in instant images, not to be confused with instant messages, which are another form of social media not supported by this blog, along with Pinterest and Instagram, which are also, sadly, not supported by this blog.

If this test works, please tweet me on #Facebook, or message me on Twitter to let me know if you like this link and consider subscribing to support content like this, even if you don’t know why you’re still reading it.

Cover Image: Pixabay

Have You Forgotten About Your Control of Information?

In two days, the European Union will be updating its privacy laws for marketers, content providers, e-commerce sites, etc. to its new GDPR standards (short for General Data Protection Regulation), and said marketers, content providers, etc. need to be up-to-date with the standards. On a quick mental scan, I don’t think I fall into any of these categories in a way that would violate the EU’s new terms, but just to be sure, I want to remind all of my subscribers that you can choose to receive updates via the “follow” button at the bottom of this page (so that it says “Following Drinking Cafe Latte at 1pm”), just as you can stop receiving updates by clicking it again (so that “following” turns to “follow”). You control your information influx, and the dial for that control is at the bottom of this page.

Just so we’re clear, I don’t share your information, nor would I know how to, and that little green lock to the left of the URL is the proof that this site is secure, even if your information does somehow find its way here, which I’m pretty sure it doesn’t–not in any way that I’ve discovered.

That said, I hope you’ll continue to follow this blog, as I occasionally have awesome things to share, when I have anything to share, and I’d hate for you to miss out on important announcements, like the fact that the European Union is updating its privacy laws and heavy fines apply to any business (in Europe or abroad) that does not comply by its rules.

So, yay for information!

Just a reminder, you can follow Drinking Cafe Latte at 1pm by clicking on the blue button at the bottom of this page (or unfollow if you’re already following and you decide you no longer want cool blogs like this one). Likewise, you can continue to follow this blog by doing nothing if you’re already following it.

Oh, while we’re at it, are there things I could be writing about that I’m not writing enough about that you’d like for me to write more about? For example, would you like to see more chapter excerpts from novels I’m writing? I haven’t done those in a while. I’m curious what you actually want to read about because the comments on this blog are notoriously silent and I don’t actually know what people are interested in when they find their way here. The more I know…

Anyway, I like your readership, and I welcome your feedback, so feel free to hang out here with your 1pm cafe latte if you’d like.

Image: Pixabay

Newton vs. the Machine

“To every action there is always opposed an equal reaction.” –Isaac Newton

Deus Ex Machina: “A person or thing (as in fiction or drama) that appears or is introduced suddenly and unexpectedly and provides a contrived solution to an apparently insoluble difficulty.” (Merriam-Webster Dictionary)

At Drinking Café Latte at 1pm, I discuss a range of topics that are interesting to me, but I spend most of my energy writing about writing, or stories, or the tools that make either one easier on me. Today, I want to discuss a matter that addresses a little of everything.

As a periodic novelist, meaning I binge write between periods of general inactivity thanks to the juggling of large projects that require extensive amounts of my time, thought process, and dedicated memory (the lattermost of which I’m usually on short supply these days), I care about telling good stories, and that means I care about understanding what it takes to make a story good—no, great!

One of my consistent challenges with every story I write is figuring out its inciting incident, the moment of opportunity that kicks off the drama, why it should play as the opening gong to a crazy tale of intrigue, revenge, or ridiculousness (for example), and what to do once that action is in motion.

The concept of inciting story through an event should be straightforward. If you think about the movie The Terminator, for example, you may say that the inciting event is the moment when the hero, Kyle Reese, transports to 1984 Los Angeles from a bleak 2029 future, where the robots have already taken over (which given Boston Dynamics’s running and jumping robots, and Google’s new AI hair appointment scheduler, and, well, robots that run for public office, we may still be on track for this bleak robot-ruled future—yay!), to locate and protect the mother of the future resistance, Sarah Connor.

What follows is a series of dramatic events that leads Kyle to Sarah, leads the Terminator to Sarah, leads the characters to all sorts of conflicts and romance (the romantic part involving Kyle and Sarah, not either one and the Terminator—that would be a different kind of story), all toward a blistering conclusion where Sarah must protect Kyle from the Terminator and ultimately defeat it. Did I mention she’s just a waitress when the movie begins? By the end, she’s serving robot destruction on a platter and then rides off into the stormy sunset with the future leader of the resistance in her belly. If you haven’t seen it, you should, even though I just spoiled the whole thing. Spoiler Alert! Never mind. You’ve had nearly 35 years to catch up.

For a more recent example, I’ve finally started watching Game of Thrones late last year, after everyone I know has basically told me the whole plot in one form or another (and I will probably read the books at some point), and I’m currently reaching the end of Season 2, the final episode being the one episode I’ve already seen, back when it was still new, and clearly didn’t understand because I hadn’t seen any of the ones before it, so I’m essentially already caught up through that season. Even though I wasn’t much of a fan in the beginning (and I’m still kind of above meh about it if I’m being honest), the dramatic turns it takes is beginning to grow on me, enough for me to start thinking about how all of the chaos in Westeros begins. Now, we know that the story actually begins in the ages prior to the start of what we see (or read), as any story would, but the really crazy stuff begins with the invitation Ned Stark receives from his best friend, King Robert Baratheon, to serve as his Hand, or more specifically, when Ned accepts the invitation.

Ah, there it is: the inciting incident. Even though a lot is happening in this first part of the story, the real drama throughout the series kicks off with Ned’s decision to move down to King’s Landing to serve as the king’s Hand (an important position if you’re not keeping score), a decision that, while noble, through many actions and reactions becomes the undoing of him and his family.

And, it’s these actions and reactions that keep the momentum of the story moving. Eddard Stark (Ned) makes a series of righteous decisions, but in the depraved world of Westeros, and specifically in the depraved House Lannister, the righteous are punished, and so, too, is Ned. By the end of the second season (and the book, I believe), House Stark is fractured so horribly that the kids are long separated from safety, and their home turf, Winterfell, is vulnerable to sieges, the latter of which would never happen under Ned Stark’s watch, had he refused the invitation. His righteous loyalty to his best friend, the king, is a noble choice that, through action and reaction, also proves a deadly one.

That’s interesting, right?

What makes the story more interesting is the fact that the family is scattered because Ned Stark is foolish enough to remain loyal to his best friend, Robert Baratheon, the king, even after Robert dies, leaving his son, Joffrey (the brattiest and most disturbed kid on television), king. By doing the right thing (which is the wrong thing in the Lannisters’ eyes), Ned is given the ultimate punishment, and his family, by proxy, is upended.

Now, Ned is the hero of the opening act (the whole first season of the show, and I believe the whole first book, called A Game of Thrones: A Song of Ice and Fire, Book 1), and any author who wants to keep his hero ahead of the villains will construct the story in such a way that Ned gets out of his predicament with the new king, Joffrey, in some clever or fantastical way. But George R.R. Martin doesn’t do that. Rather than pull a genie out of a hat, the deus ex machina way, producing an earthquake or a meteor or something to disrupt the public execution that Ned finds himself faced with, giving him a chance to escape with his family to “safety”—in the world of Game of Thrones, there no such place as safety—Martin lets his protagonist die. Yep. Axe, chop, dead. Action and reaction. The hero finds himself in an unwinnable situation, thanks to the polar shifts of positive and negative in each scene, and succumbs to his failure in the climactic event. The story’s not over, of course, far from it, but Ned’s part in the story ends via the chain reaction he ignites by accepting his role as Hand of the King.

According to Robert McKee, author of Story: Substance, Structure, Style, and the Principles of Screenwriting, a story works according to how well its scenes shift in polarity. In other words, a story moves according to whether the scene ends in a different place from where it begins: a positive becomes a negative or a double-positive; a negative becomes a positive or a double-negative (not to be confused with a double negative in grammar, which I can’t not recommend you use in writing). It also depends on the narrative arc of each scene—inciting incident, rising action, etc.—but I’ll save that discussion for another time. What matters here is that every action in story has an equal and opposite reaction.

Deus ex machina ignores that structure, and that’s why readers hate it. It breaks the story.

You may be a writer; or not. I think this discussion is important, however, because it helps to know why stories work, even if you have no interest in writing one. Sometimes we see a movie or read a book and we know we don’t enjoy it, even though we can’t figure out why. We often say, “It’s okay,” or “It’s lame,” or “I’d rather go fishing in a sewer pipe than watch that garbage again,” but we don’t know what about the story drives us to think that way.

Often we can figure it out based on how well people act and react to the narrative arcs they’re given. In The Terminator, when Sarah Connor sees the rifle in Kyle Reese’s hand as he enters the night club, she could immediately scream, kick him in the balls, and run out of there, right into the arms of the Terminator itself. Just as easily, Kyle could refuse to utter the film’s other famous line, “Come with me if you want to live,” giving Sarah no cause to trust him with her life. Sure, these things could happen (or fail to happen as the case may be), and Sarah may still somehow survive the night. But, chances are, to survive, she would need a little deus ex machina on her side, like the Terminator accidentally triggering a button that causes it to self-destruct, for example, and James Cameron, the film’s writer and director, is smarter than that. No, he writes his characters in such a way that they must do specific things in action and reaction to other specific things, in order to reach a point in the story where a specific thing can either lead the characters to victory or doom them to failure.

Fortunately, James Cameron decided to make his hero, Kyle Reese, a noble guy who does the right thing. Unfortunately, Kyle’s noble act also gets him killed.

A bit of a sidebar, but what is it with righteousness and death? That’s another discussion for another day, but certainly worth thinking about.

Anyway, next time you read or watch anything, see if each event naturally progresses from the last, and if it gets there through sensible action and reaction of its characters, or if an act of divine intervention moves it forward. For that matter, see if it happens in real life. If you ask your girlfriend to marry you, see what happens next.

Please subscribe to my blog if you want to keep hearing stories like these. You might even learn something.

P.S. It seems all of the main places and characters in Game of Thrones are so well-known that my Microsoft Word spellchecker automatically accepts them as proper spellings. Hilarious.

Interesting Article about the New York Times and Wall Street Journal Bestseller Lists

First off, Happy Mother’s Day to all of you who are moms. Thanks for all you do and put up with. We’d be worse off without you.

Secondly, I just read an interesting article about how books are selected for The New York Times and Wall Street Journal Bestseller Lists and thought I’d share. Whether you’re an author or a reader, I think you’ll find the article interesting, especially if you’ve ever bought a book based on the list and thought, “Why are people buying this garbage?”

Obviously, some books deserve to be on these lists, and sometimes we find our new favorite authors as a result of reading them. So, there’s no lesson here. Just an interesting read for your Sunday afternoon.

Note: This article was written a couple of years ago, but I’m sure it’s still relevant today.

Article: “The Truth about the New York Times and Wall Street Journal Bestseller Lists” by Tim Grahl

Enjoy your afternoon. Hope you’re reading this with coffee in hand. It’s raining where I am right now, so you know I’ve got mine (actually, my cup is empty, but I’m about to go for my second round).

I hope to have new and interesting content for you in the coming days.

Friday Update #12: The Tale of an Entrepreneur: The Beginning

So, here’s the first Friday Update in four months. Are you surprised? Let’s just say news often happens in chunks, not spurts. You can watch the real news to see that that’s true. But you didn’t come here for real news, did you?

With that in mind, let’s begin our semi-occasional Friday Update for this week.

Book Review Blitz

In my previous post, about two months ago (sorry!), I said I was doing a review blitz on books I’ve read in the recent past, and I had planned to launch it soon. Well, I do have reviews queued up, and I think they’re pretty ready for public reading, but I don’t have nearly as many as I’d like for the blitz, so that’s still in progress. Much of the delay is due to distraction mainly, but also to quality of life. I do things based on whether I can do them well, and whether they’ll be worth my time and yours. Even as I write about the books I’ve read, I have to wonder how many of these books you would want to read, and whether the statements I might say about them would resonate in some profound way. When I review something, I want to give more than just my opinion. I want to give feedback, in case the author should ever stumble across my site. So, I’m checking for quality, of course, but I’m also checking for impact. I want to make sure I’m not wasting my time or the time of my readers. So, it’s been going slowly.

Therefore, I want to revise my previous title, “Book Review Blitz Coming” to a new title, “Book Review Blitz Coming Sometime.” Take note.

The Avengers: Infinity War

The new Avengers movie comes out today. I want to see it. I won’t likely get to go today. Probably not tomorrow, either. But, I want to see it. So, don’t spoil it. Seriously, hush on the spoilers, people. The Internet won’t break if you hold your “aw, dang!” tongues for a little while. That is all.

Oh, and if you liked The Avengers: Infinity War, don’t forget that I still have two massive Game of Thrones sized volumes of superhero fiction available at Barnes & Noble for $6.99 each. (I won’t be putting them on Amazon until I rewrite them as individual novels.) They’re also available on Apple iBooks and Kobo.

The first is Cannonball City: A Modern-day Fantasy, Year One.

The second is Superheroes Anonymous: A Modern-day Fantasy, Year Two.

The third, Alpha Red: A Modern-day Fantasy, Year Three, won’t be released as an annual unless the first two get enough readers to justify me releasing it. So far, I’m nowhere near the readership that would make that decision reasonable. But that can change! It’s up to you to make that happen.

To be clear, these are e-books only. If you buy them, make sure you have a device you can read them on. Smashwords provides multiple formats if you aren’t sure what will work for you.

Gone from the Happy Place

I’ve resumed production on Gone from the Happy Place by adding a new first chapter, and I’ll keep adding new chapters until I’m satisfied with the story I want to tell. I don’t want to spoil anything at this time, but in the new version, we’ll get to spend more time with Anston and Alice in their respective elements before the explosive moment that their lives converge, giving us more time to appreciate them as individuals, and more time to dread what may follow. If you’re a thriller reader, this should sound like a positive. To all you romance readers who somehow found my site, well, people still kiss, so…

I have no ETA on when the book will be ready for the public, but I will likely release it in this order:

  • E-book (Amazon only)
  • Drinking Café Latte at 1pm (serial)
  • Ebook (Barnes & Noble, iBooks, Kobo)
  • Paperback (through CreateSpace and Ingram Spark)
  • Audiobook (if sales on the other formats are significant enough to warrant it)

Normally I’d want to release the title on all formats at the same time. And, in a future time when I have lots and lots of money to roll around in like Scrooge McDuck, I will. But, in my efforts to rebrand myself with an actual brand, I need to lay some new tracks to give myself the opportunity to have better launches and better IPs, so until I can claim all of the resources I need to do this right, I’ll be staggering the release through specific channels that won’t complicate things for me or the book down the road.

The thing about Amazon’s e-books is that they don’t require an ISBN, so I can upload it without compromising my brand. Later, when I have the packaging the way I want (the cover I release with, shown below, will likely be temporary until I can afford a legit cover artist), I’ll rerelease it, and I’ll do so with the other formats. By that point, I should be able to afford my own ISBNs and not have to rely on the freebies that tie my book to the identity of the distributor rather than me. I want them related to me and my company.

gone from the happy place concept 3

Once I have the means to produce the other elements properly, I’ll do so. When this happens depends on how much and how quickly the money comes in. Again, readers can help speed up this process by voting with their wallets.

Regarding the Drinking Café Latte at 1pm serial, I’ve wanted to try releasing at least one of my books as a weekly serial, to see if I can get new readers, and this will be the book I do that for.

For those who haven’t been keeping up, Gone from the Happy Place is the book that will replace The Computer Nerd as the story I want to tell about a marriage gone wacky, not the story I did tell. When I wrote and released The Computer Nerd in 2015, I was racing a self-imposed deadline, and trying to maintain a book-a-month release cycle, which really isn’t my style, and one I’d ditched by mid-2016. I’d broken rules that I generally keep for myself in order to get it to the public in a timely manner, and even though it was fine, that’s all it was. When my first review came back with one star, I knew I’d made a mistake racing it out the gate. Sometimes you do want to take your time with a project before offering it to the world, which is what I usually do with my projects. It’s the reason you haven’t seen a new release out of me since 2016 and only three updates to stories I’d released back in 2015. All indie artists should take note that patience is worth it, as long as that patience produces results.

Entrepreneur: The Beginning

Okay, so that’s not the only reason you haven’t seen a new release out of me since 2016. As some of you may know, I also have a computer game I’ve been working on, on the side, called Entrepreneur: The Beginning, and I’ve been putting a lot of work into it this past year. I may post a separate article about it soon, but the scope of my work since about this time last year has been to rewrite the handcrafted code I’d been using since 2009 to use templates and machine-thinking instead.

I’ve wanted to make my own games since I was a kid, but because I’d never learned programming properly, I had to find premade engines to help me along. The engine I use for this game, OHRRPGCE, is made by one developer, maintained by two, and in a constant state of catching up with other engines built by larger teams. I use it because the language is simple, and it is something that I, as a writer, can easily understand. However, because it’s written for accessibility, to simplify the coding process for non-programmers like me, much of the scripting language is built from the ground up and doesn’t yet include many of the conventions that proper programmers would use in their programs. This means that some of the shortcuts I’d need to build this game quickly aren’t there, and even if they were, I’d have to learn about them because I’m not a programmer, and good programming practice is something I hadn’t learned until about a year ago, eight years after I’d started the game.

So, I’ve been spending the last year trying to practice good programming etiquette, and that means rewriting all of the mess I’d made in the years before. It’s the programming equivalent of cleaning out or cleaning up a junkyard all by yourself. It takes time, patience, and a little bit of strategy. In a future article, I may talk more about the experience and how it relates to art, writing, etc., and how such practices could be adopted for all elements in life. We’ll see how that goes.

If you want to read more about this game and keep up with its progress, you can check out the series of posts I make about it here at “Entrepreneur Central.” One of these days I’ll give it a proper website with a proper online version of the journal I keep about it. Unlike this blog, I keep up with the journal, writing in it every day that I work on the game.

The Celebration of Johnny’s Yellow Rubber Ducky

The novel-sized update for The Celebration of Johnny’s Yellow Rubber Ducky is coming along well. The new opening sequence that takes place during Johnny’s childhood is nearly finished (or, at least the first draft is). I still have a few scenes to write for his teenage years, but I expect to have the new first act finished soon. In this section, we learn how Johnny gets the duck and why he’s so attached to it. We also get to spend time with his semi-dysfunctional family, and who doesn’t want that?

I’ll be keeping the original novelette online indefinitely, but for those who want the complete story of what happens to Johnny before and after the events in the current version, the novel should satisfy that itch.

I may post a clip from the rewrite soon. Stay tuned.

Snow in Miami

Yep, Snow in Miami is still under construction, four months after Christmas and eight months before next Christmas. It’s nearly finished though. I still expect to have it done and released by September. Did you forget I was writing it?

So, that should cover the latest updates on upcoming events and current delays. I’ll come back soon with more information as it develops. Keep reading, folks. Or start reading. Do whatever’s more relevant.

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Scrivener Recovery

So, as I mentioned in my last post, “Book Review Blitz Coming,” I suffered a power outage on Sunday that resulted in me being locked out of the file I was working on (and had been since June). Here’s what happened and how I handled it.

First off, some context. Scrivener is a software tool designed to help writers write texts and stay organized because that’s what a writer does. Its main purpose is to allow writers to write scenes in any order, shuffle them, label them, group them, whatever, so that they don’t have to write in a linear fashion or get lost should they decide that’s a good idea. It’s also a tool that can store research files, including other documents, photos, videos, spreadsheets, web links, etc. so that the writer doesn’t have to scour his hard drive for every bit of info he needs to complete his project. For a program that costs just $40-$45 (depending on your operating system), it’s really handy, as long as you don’t try to store a HUGE amount of info.

So…I’ve been trying to store a huge amount of info, and I discovered on Sunday that that’s a bad use of Scrivener.

I’ve mentioned it here on this blog, and somewhat extensively in my article “Using Scrivener for Game Design,” that I’ve been working on a computer game since 2009 called Entrepreneur: The Beginning. I’ve been adding to it for about five years when I came to the realization that the scripting was just way too messy and inefficient to continue on the path I’ve been working on. I kept working on it for another couple of years, but that was precious time spent on a task that could’ve been completed in less than a day under a different set of rules.

If I can reduce two years’ worth of work into a single day, you can bet I’ll do it.

So, in the summer of 2017, I set out to rewrite the code for Entrepreneur: The Beginning in an effort to make it more efficient and easier to update in the future. I decided to use Scrivener to handle this task, as it’s the best software I have to view things side-by-side and keep real-time backups and comparisons without having to stumble my way through the project.

I didn’t count on the program having trouble handling such a massive load. For reference, your average novel is about 50,000 – 120,000 words, split into anywhere from 20 to 100 chapters. The script for Entrepreneur: The Beginning with all of its originals and rewrites comes out to more than, well, a lots of lots of words and hundreds and hundreds of folders. It looks like it’s safe to say I’ve pushed it beyond its limits sometime in the last month.

Just to be sure Scrivener itself wasn’t broken, I tried loading up a different file, and saw that the file I chose loaded just fine. Then I tried opening my Entrepreneur: The Beginning plotscript file to watch in horror as it not only failed to respond, but actually closed the one I’d just opened. I tried reopening the closed file, just to be sure I didn’t break anything in that process, and found that it opened just fine. I tried reopening the plotscript file again, just to watch it close out all of Scrivener again.

Things were looking pretty dark for my eight months of script rewrites, but I wasn’t about to give up. Not physically, anyway.

I looked up information about document recovery, which yielded differing results, but the one I found most helpful was the one at techtoolsforwriters.com, posted here.

I took the article’s advice. I searched for my folder dedicated to backup files. I found it. I found the most recent five backups in the zip files the article talks about. The most recent was for January 22. (For reference, that’s the one I’m using to scan my word count as I type this article, and I’m still waiting for it to calculate, and I’m beginning to worry it’ll never give me an exact answer, even if it doesn’t include the last three weeks’ worth of work. Again, Scrivener is great, until you break it.)

I was grateful to discover that I hadn’t lost seven months of work, but it was beginning to look like I had lost almost one month’s worth of work. That’s especially troubling when you consider that some of the scripts I’ve revised since January 22 are headaches in digital form that I felt pretty happy to conquer, and would never want to revisit. Yet, it was looking like I might have to.

Thankfully, Scrivener also has a “doc” folder for every project that stores every piece of content in a numbered RTF file, and that folder stays up-to-date. A quick scan of that folder via arranging my search by date revealed that my most recent uncorrupted file was updated a few minutes before the power outage, which meant the only work I actually lost was the script I managed to update while I was busy frying an egg for breakfast.

In other words, I hadn’t really lost any progress, and the work I couldn’t recover from the backup can still be easily copied and pasted into a new backup project, which I’m calling “Entrepreneur Plotscripts V2,” along with a new port that includes only the modified files so that I can keep a project file that’s only half the size of the original.

Am I happy I don’t have to repeat the last eight months or even one month of my life? Well, I’d go back twenty years and make different choices if I could, but that’s another story for another day. Short answer is…well, I don’t think that’s a tough one to figure out, Sherlock.

So, that’s what happened on Sunday, and that’s how I avoided losing eight months of work in Scrivener, and that’s what I’ve learned about Scrivener’s limitations and its backdoor reliability.

Oh, and that word count calculation? Still trying compute. Maybe I’ll cancel the action. It’s not even that important.

Please subscribe to my blog if you want to keep hearing stories like these. You might even learn something.

Cover: Pixabay

Book Review Blitz Coming

So, I had a power outage yesterday while I was in the middle of typing something on Scrivener, and when ten seconds later the power returned and I rebooted my computer to resume work, I found that I couldn’t reopen the file I had been working on. This was discouraging because I had been working out of this file since last June, and now, well…

More on that tomorrow.

Because my momentum was essentially drained out of me for the day, I decided to abandon ship and go back to reading a book I had started two or three weeks ago, called Railsea by China Miéville, and made it to the end (a fact made meta by its story line, but more on that later), much to my delight and sadness (again, more on that later). Thinking about the book, and thinking about its underlying theme, and thinking about what a movie in its world, directed by Guillermo Del Toro (the only person who should ever dare touch this book if cinema is ever considered, even though I hesitate given his most recent film is about a woman and a sea creature and, well, I don’t care to see it, so I won’t speculate on the plot, but it’s my understanding that there are themes, and…well, I probably shouldn’t speculate on a movie I haven’t seen) would look like, and I daresay it would look awesome and depressing at the same time, I started pondering on the fact that it’s time to start writing and posting book reviews again, as I have read many, many books in the last few years, yet I’ve posted very few reviews, and I’m sure the authors of these books would like my reviews, and I’m sure potential readers of these books would like to know if these books are worth reading.

So, I’m making it my goal to write a bunch of reviews this week and start posting them soon, with duplicates posted to Goodreads. While I’m at it, I need to revamp my author central page at Goodreads, as some of my books are either out of date or linking to nowhere. Not sure how much I can fix, but I need to do something to improve it.

Anyway, if you’re looking for some great reads, or even just good reads, please be sure to subscribe to this blog, or at the very least come back soon. I’ll be posting reviews in the coming week.

Oh, and I dedicate this article to my close friend who never reads fiction, but decided to pick up a James Patterson book recently. I feel like the horizon has just gotten bigger. 2018 is certainly full of surprises.

Cover: Pixabay