Tag Archives: writing fiction

Public Revision: Write at Your Own Risk…er…Pace, Part 1

Would you like to go back in time a few years and redo something you screwed up? Or maybe just a few days? Or even this morning, perhaps? If you could do it all over again, would you refuse that job offer, or decide not to date that person (or marry them), or make that investment in that swamp that was supposed to be the home of the next big mall but to this day remains a swamp? If given the chance, would you have decided against erecting that statue of a controversial figure to our national history?

We all fantasize about correcting the bad choices we’ve made in life, but rarely can we ever do anything but forge ahead and hopefully make better decisions the next time we’re faced with something similar.

In videogames, we see this fantasy realized in two places:

  1. Most games come with a reset button of some kind. We make a mistake in the game, we turn it off, we reload from our last save, and we try again but tackle the problem differently and see if that earns us better results.
  2. Game developers who release a bad or buggy game have many opportunities (if finances allow) to patch it before their clientele finishes lighting up the pitchforks, as long as they remain in communication with their fans and customers that improvements are coming. In this way, they can turn a bad game into a great one, if they pour in the time, money, and love to see it through.

Okay, three places:

  1. In the case of old or poorly executed games, creators can remake their games with better technology and/or better ideas, and anyone who appreciates the idea behind the original may be onboard for trying out the new version. Take a look at SimCity for example…

Or don’t; your choice.

It’s the perfect medium to work with because gamers are the most forgiving people on earth…at least it could seem that way as long as you ignore the flames they fan on gaming forums (especially on Steam) or if you constantly update your game, preferably weekly, even after you’ve released the final version of the final version of the version that jumped the shark because people keep demanding updates when the game has outlived its need for updates and you just want to get on with the sequel or a new property already, but can’t because those ingrates won’t leave you alone about adding that stupid feature where the hero blinks when you press the mouse button three times while upside down because real heroes blink and your game sucks if the hero doesn’t blink and you said that the hero would blink way back when you announced the game was coming and foolishly published your wish list of features as a motivation or goal for yourself, which included the possibility of having the hero blink at the click of the mouse, as if you were making promises to the people to implement these features when you really intended to implement them only if time and money permitted and that anyone who trusted this wish list to double as your infallibly planned features list would inevitably have their hearts broken, and as a result cry out to the masses that you’re a fraud who only cares about grabbing cash and couldn’t give a crap about releasing a quality or finished product to everyone who deserves the game that they want because they spent a whopping five bucks on it, dangit, and demand to get their every penny’s worth! See, it’s the perfect medium.

But books and movies don’t get the same love, it seems. Or do they???

I can’t speak much for movies, as I’m neither a filmmaker, nor am I in the loop with filmmakers, and the only time I ever see a movie “revised” after its theatrical release is when it goes to DVD or Blu-Ray as a director’s cut. But books are becoming friendlier as a medium for post-release revisions, and I think readers may even be at a point where they’re ready to accept it.

Okay, I don’t actually know if that’s true, but it should be. Here’s why.

Remember The Hobbit by J.R.R Tolkien? Have you read it? It’s, in short, a brilliant fantasy novel that jumpstarted the fantasy craze that continues today, eighty-five years after its publication. It’s a tightly-written children’s book about hobbits, dwarves, elves, trolls, adventures, wizards, and kings, told in a sing-song, fable kind of way, mixed with rhymes, riddles, and rendezvous with fate that captivates the imagination of any of its readers. But did you know that, according the video interviews by Peter Jackson, Tolkien had plans to revise it? After the success of Lord of the Rings, he decided he would write a revision to The Hobbit to better tie the two stories together thematically and theatrically (sounds better than plotrically, so, you know), which, to me, sounds like a worthy plan. If you suffered through The Hobbit movie trilogy (I have, and I’m a better man for it), you’ll get an idea what the rewrite could’ve been like, as Peter Jackson, the director of both Middle Earth trilogies, took Tolkien’s notes about the planned revision (that he clearly never finished) and filmed that, according to the documentaries that come with the films, which are worth watching, even if you don’t care for the movies themselves. Whether that revision would’ve been better or not remains to be seen, but after the success of Lord of the Rings, both in book and movie forms, it stands to reason that readers, whether they’d like it or hate it, would’ve been willing to give it a shot.

And that’s a fair assessment, as we give movie adaptations of books a chance all the time. Sometimes, in the case of movies like Silence of the Lambs and Silver Linings Playbook, these adaptations work. Sometimes, like in the case of The Running Man, the movie even improves on the book. Revising an already published work is not a bad thing, nor should it be a problem, especially in today’s world where e-books are biting off a piece of the reading market.

To revise is to sand off the burrs that mar the otherwise perfectly sculpted image, and reshape that statue of Mr. Controversial into one that looks more like Miss Congeniality, and that revision can happen at any time, even decades after the first version originally went live. The goal is to make sure the new version is better than the old one, and to make sure the end result won’t piss anyone off or cause a riot in the streets.

Having said that, tomorrow I would like to move toward a discussion about my book The Computer Nerd, and why I think it’s important to write and release a revised version, retitled Gone from the Happy Place, and why you should be happy that I’m doing so. I’ll begin by discussing the nature of independent publishing and why it’s a tough business. Hope you’ll come back for it.

Please be sure to subscribe to Drinking Café Latte at 1pm to receive alerts when new posts go live. The handy blue subscription button is located at the bottom of this page.

Cover Image by Pixabay

Advertisements

Understand Writing Essentials (The Marketing Author 001, Part 5)

Missed an article from this series? Look for it here.

“Understand Writing Essentials”

You decided you want to write. You started working on your marketing budget. You figured out how to manage your time. You prepared yourself for rejection.

But have you actually learned how to write?

If not, this would be a good time to remind you that it’s important to know what you’re doing if you say you’re a writer.

Disclaimer: Much of what I write here is an echo of my seventh article from the Why It’s Okay to Write for Fun series, but it’s also one of the most important parts of preparing for a writing career, so let’s learn it again! Go ahead, refresh your memory.

Now, I should emphasize right at the start that understanding the writing essentials doesn’t mean that merely typing words or knowing vocabulary is good enough to prove your skill. Any monkey can type, and any monkey has the potential to type out a few actual words. You tap at the keys long enough and you’ll eventually spell out a word someone will recognize. Likewise, you can flip open a dictionary, point to a word, and write it in whatever sentence you’re working on and sound like you know what it means. You might fool a few people, especially those who don’t normally read (assuming you’re savvy enough to get their attention). But you haven’t proven that you know what you’re doing.

We spent the last four weeks talking about the prep work behind establishing a successful writing career driven by effective marketing, but we haven’t yet discussed the most essential role of the writing and publishing journey—the writing itself. If you don’t know how to write, you’re not going to accomplish much with your writing. Common sense, right? For those of you who spend all day sending emojis to your friends, common sense is that thing we call “shared knowledge,” which is what you have when you make decisions or show understanding in reference to an obvious solution to a problem. For example, if you approach a busy intersection, common sense tells you to wait for the crossing signal to display the “walk” sign before you actually cross. The reason nobody waits for that signal is because, well, I’ll leave it up to you to figure that out.

Now, learning how to write is important, but it’s also important to learn how to write the type of work you want to publish. The fact is, writing isn’t just about words, but it’s also about structure, conventions, styles, and reader expectations. If you fail to deliver on any of these elements, then your writing is not going to accomplish any of the goals you’ve set for yourself. In that case, you’ve written into the wind.

Assuming you don’t want to write into the wind, here’s a sample of writing conventions you’ll want to consider before you start:

Are you writing fiction or nonfiction?

-Each major type has its own set of rules, so you’ll need to learn and follow them. For example, nonfiction focuses on true stories; fiction focuses on fake but sounds true stories.

Are you writing a business book or a relationships book (or a combination of both)?

-Every category or genre of nonfiction must address a main idea, and will ideally tell a true story or attempt to solve a problem or inspire you to come up with something profound to share with other readers.

Are you writing a mystery novel or a romance novel (or a mystery novel about why romance is so popular)?

-Every category of fiction must follow a story arc, told in three or four acts, and take the reader through a series of conflicts until the story’s problem has been solved. If there’s no conflict or structure, then there is no story.

Are you writing something original or are you plagiarizing?

-Let’s skip this one. Protip: Don’t plagiarize.

It’s also important that you know how to tell a story, even if you’re writing nonfiction. Readers are more engaged when they’re not only interested in the topic but also when they find themselves captivated by your awesome storytelling skills. Consider any biography you’ve ever read. Chances are, you get more out of the stories about fighters who overcome the odds (like Unbroken or Breaking Night) than those about winners who stay winners and learn nothing in the process (you probably won’t find any successful examples of this). Just because you write a book of nonfiction doesn’t mean you shouldn’t try to captivate your reader with twists, turns, and a lesson to learn. I recently read a business biography about Nintendo, called Super Mario, that I couldn’t put down because its author knew how to tell a captivating story using real life and a real timeline of events. Nonfiction doesn’t mean boring!

And, of course, there’s grammar. Learn how to write at the sentence level. Yes, it takes time and practice to figure out how to use your commas and semicolons effectively, but your readers will thank you for your clarity. Don’t skimp on the micro level work. While you’re at it, work on vocabulary. You don’t need to write above a ninth grade reading level (and you probably shouldn’t, as higher reading levels will begin to alienate certain readers), but it’s a good idea to know as many words as possible to prevent long phrases from slowing down the reading when you could easily condense your thoughts yet say the exact same thing.

Challenge Time: Use your vocabulary skills to condense the above paragraph to its simplest form without changing the meaning. Submit your answers in the comments below.

Yes, learning how to write takes time and effort, but it’s the core essential to becoming a successful author. You can save all the money in the world and free up all the time in the world, but none of that will give you a successful writing career if you don’t learn how to write. And the best place to learn how to write is any published book, including those books about writing, of which you can find plenty, online and off. That means you should also learn how to read.

In case you missed my previous article on the fundamentals of writing, here again are some additional tips for you to ponder.

Next week we’ll address the happier sister to rejection, feedback!

Note: This article was supposed to go out on Wednesday, March 29th. I usually set these articles on a timer, but I was falling behind this week, and I hadn’t quite finished with the final draft Tuesday night (still needed to proofread and add my links). I thought I’d be able to finish and post Wednesday afternoon, but I was out and about from the moment I woke up to the moment I went to sleep, and yesterday I was recovering from exhaustion. So, it’s late. But now it’s posted. I should probably do a post about punctuality and meeting deadlines one of these days.

Please be sure to subscribe to Drinking Café Latte at 1pm to receive alerts when new posts go live. The handy blue subscription button is located at the bottom of this page.