Anyone who scrolls through the archives here will likely see a common theme: I like to update my preexisting books to the point of nausea, perhaps more than I like starting new ones. I’m sure this is frustrating for any reader who’s already read all of my books half a dozen times and just wants to see something fresh for a change (though my sales reports suggest those readers don’t yet exist), but one important element of becoming an author worth reading is to have a backlog of titles worth reading, and I want to make sure that my books are right for their target audiences, covering each detail from story, to content, to metadata, and so on.
This often means going back to the beginning and fixing each title’s cover design.
Now, I don’t have a lot of experience with cover design. Previewing the media galleries for each of my book pages (which you can check out via the side menu to your right) will show you that my early designs are actually pretty awful. But you’ll also see that I’ve done a lot of studying and a lot of practice, and the result has led me to creating some covers that I’m quite happy with. Most recently, you can see my coming of age stories, Gutter Child and When Cellphones Make Us Crazy, have evolved from this:
While it’s possible that I can still do better, I think these show that I’m finding my way to betterment pretty well.
Part of this gradual design evolution is thanks to me upgrading my graphics software. For years I was running off of PaintShop Pro only. While I think it’s sufficient for performing a simple graphics design task, I also think it’s limited. As I’ve gradually increased my graphics access to PaintShop Pro 2020, Painter 2019, Luminar 3, and GRFX Studio (included with my PaintShop Pro Deluxe purchase), however–all part of a photo design back I got at Humble Bundle last year–I’ve been able to accomplish more tricks and techniques to give my cover designs more pop, as you can see if you look at my gallery of covers for Lightstorm. But they still lacked some of the core elements I’ve most wanted to fix, including my title typography.
Enter Affinity Photo and Affinity Designer.
Thanks to Serif developing a suite of Adobe-wreckers that rival PhotoShop, Illustrator, and InDesign, called Photo, Designer, and Publisher respectively, all for a low one-time fee, I’ve been able to finally design book covers worthy of the stories they keep. I’ve already updated several of these covers to titles I no longer plan to update (again, check the side panel). But there are still a few more that I’m rewriting that will debut with new covers sometime this year or next.
In case you haven’t seen these updates on Facebook already, here are those updated covers (to the right of their older covers for comparison):
If you click on the images to the right corresponding to these titles, you can get more information. In most cases, these updated stories will drastically differ from their current versions.
What still remains? Basically The Fountain of Truth.
So, I hope you’ve enjoyed this preview, and that you’ll keep an eye on this blog for when these stories are finally updated.
Also, you should check out Serif’s Affinity products if you haven’t already. They’re the best software purchases I’ve made in the last year, and they’re gaining popularity–probably because they’re awesome products built by an awesome software company that appears to value its customers.
Cover Image: Pixabay